大姨媽

/tä⁵¹ i³⁵ mä⁵⁵/

/taːi̯²² jiː²¹ maː⁵⁵/

/du²² ɦi⁵⁵ ma²¹/

/tä⁵¹ i³⁵ mä⁵⁵/

/taːi̯²² jiː²¹ maː⁵⁵/

/du²² ɦi⁵⁵ ma²¹/

The euphemistic sense was originally a Cantonese colloquialism.

來大姨媽

来大姨妈

menstrual period
menstrual period#English

(euphemistic, slang, humorous) Aunt Flo (a personification of the menstrual period or menstruation)


軸子

/ʈ͡ʂoʊ̯³⁵ d͡z̥z̩³/

/t͡sʊk̚² t͡siː³⁵/

/t͡suəʔ⁵⁴ t͡səʔ¹/

/ʈ͡ʂoʊ̯³⁵ d͡z̥z̩³/

/t͡sʊk̚² t͡siː³⁵/

/t͡suəʔ⁵⁴ t͡səʔ¹/

/ʈ͡ʂoʊ̯³⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂoʊ̯³⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂoʊ̯⁵¹ d͡z̥z̩¹/

/ʈ͡ʂoʊ̯⁵¹ d͡z̥z̩¹/

/ʈ͡ʂoʊ̯³⁵ d͡z̥z̩³/

tuning peg for a stringed musical instrument


軸子

/ʈ͡ʂoʊ̯³⁵ d͡z̥z̩³/

/t͡sʊk̚² t͡siː³⁵/

/t͡suəʔ⁵⁴ t͡səʔ¹/

/ʈ͡ʂoʊ̯³⁵ d͡z̥z̩³/

/t͡sʊk̚² t͡siː³⁵/

/t͡suəʔ⁵⁴ t͡səʔ¹/

/ʈ͡ʂoʊ̯³⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂoʊ̯³⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂoʊ̯⁵¹ d͡z̥z̩¹/

/ʈ͡ʂoʊ̯⁵¹ d͡z̥z̩¹/

/ʈ͡ʂoʊ̯³⁵ d͡z̥z̩³/


Tártaro

Borrowed from Ancient Greek Τάρταρος (Tártaros).


Eurípides

Borrowed from Latin Eurīpidēs, from Ancient Greek Εὐριπίδης (Euripídēs).

a male given name of historical usage, equivalent to English Euripides, notably borne by a Greek tragedian


風情

Probably from Middle Chinese compound 風情 (MC pjuwng dzjeng). Compare modern Chinese 風情／风情 (fēngqíng).
The reading uses the older goon of fu for 風 and the newer kan'on of sei for 情, suggesting either that this term underwent changes after importation into Japanese, or that it may have been re-imported.

(theater, noh) in noh theater, an actor's bearing, carriage, and gestures: body language


ふぜい

風情: taste, elegance; discernment, sophistication; appearance, outward attitude; (theater, noh) in noh theater, an actor's bearing, carriage, and gestures: body language


K-drama

en-noun

K-drama (countable and uncountable, plural K-dramas)

K-dramas (plural)
K-Drama (alternative)
Kdrama (alternative)
KDrama (alternative)

(uncountable) Dramatic television series produced in South Korea.


omnibus box

You and he yawn together out of the same omnibus-box every night; you fancy yourselves men of pleasure; you fancy yourselves men of fashion; you fancy yourselves men of taste

1856, William Makepeace Thackeray, Novels by Eminent Hands: And Character Sketches:

(UK, dated) A large box in a theatre, level with the stage and having communication with it.


opera seria

opera seria (countable and uncountable, plural opere serie)


念白

/ni̯ɛn⁵¹ paɪ̯³⁵/

/liam⁴¹⁻²² peʔ²⁴/

/liam²²⁻²¹ pɛʔ¹²¹/

/ni̯ɛn⁵¹ paɪ̯³⁵/

/liam⁴¹⁻²² peʔ²⁴/

/liam²²⁻²¹ pɛʔ¹²¹/


produser

From Dutch producer, from English producer.

(art, drama) one who produces an artistic production like a CD, a theater production, a film, a TV program and so on.


comedia de situación

gl-noun

comedia de situación f (plural comedias de situación)

sitcom, situation comedy (episodic comedy television program)


conworld

From constructed world; equivalent to con- (“constructed”) + world.

However, you will have created a pile of crossword puzzles you'll be proud to submit to Will Shortz, or a conworld that's so rich and real the inhabitants have actually attained sapience and now worship you as their god.

2007, Ron Hale-Evans, Marty Hale-Evans, Mindhacker: 60 Tips, Tricks, and Games to Take Your Mind to the Next Level, Wiley Publishing, published 2011, →ISBN:

The most respected languages in the conlang community often have years of work behind them, and may even be attached to whole "conworlds" or "concultures" that help give them coherence and a model "literature."

2009, Arika Okrent, In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and the Mad Dreamers Who Tried to Build A Perfect Language, Spiegel & Grau, published 2009, →ISBN, page 287:

[…] in my conworld Almea the great navigators of southern Ereláe were the Jei, and undoubtedly Jei-based pidgins sprung up.

2012, Mark Rosenfelder, Advanced Language Construction, →ISBN, page 78:

An imaginary world, especially one with highly-detailed cultures, languages, and geography.


dress circle

Formal dress clothing was generally worn in this gallery.

This concerned complaints arising under the Civil Rights Act of 1875 by blacks denied hotel accommodations in Kansas and Missouri, excluded from the ladies' car of a train in Tennessee, and barred from the dress circle of a theater in San Francisco and from the Grand Opera House of New York City.

2019, Eric Foner, The Second Founding: How the Civil War and Reconstruction Remade the Constitution:

A gallery in a theater, generally the one containing the prominent and more expensive seats.


happy ever after

en-noun

happy ever after (plural happy ever afters)

happily ever after
happily ever after#English

happily ever after

(narratology) Synonym of happily ever after (“a story, or a conclusion to a story, in which all the loose ends of the plot are tied up, and all the main characters are left in a state of contentment or happiness”)

happily ever after

(by extension) Synonym of happily ever after (“a happy period of time which is imagined never to end; specifically, the state of happiness in which one or more people (typically a loving couple) dwell for the rest of his, her, their, etc., lives”)


walking gentleman

walking gentleman (plural walking gentlemen)

(theater, slang, dated) A male actor who usually fills subordinate parts which require a gentlemanly appearance but few words.


прем'єр

uk-noun

прем'є́р<pr>

прем'є́р • (premʺjér) m pers (genitive прем'є́ра, nominative plural прем'є́ри, genitive plural прем'є́рів)

прем'є́р (canonical)
premʺjér (romanization)
прем'є́ра (genitive)
прем'є́ри (nominative plural)
прем'є́рів (genitive plural)
прем'є́р (nominative singular)
прем'є́ри (nominative plural)
прем'є́ра (genitive singular)
прем'є́рів (genitive plural)
прем'є́рові (dative singular)
прем'є́ру (dative singular)
прем'є́рам (dative plural)
прем'є́ра (accusative singular)
прем'є́рів (accusative plural)
прем'є́ром (instrumental singular)
прем'є́рами (instrumental plural)
прем'є́рові (locative singular)
прем'є́рі (locative singular)
прем'є́рах (locative plural)
прем'є́ре (singular vocative)
прем'є́ри (plural vocative)

uk-ndecl

прем'є́р<pr>

uk:Мельничук Олександр Савич
uk:прем'єр

Borrowed from French premier (in the sense of 'prime minister', via English premier), from Latin prīmārius. Compare Russian премье́р (premʹjér), Belarusian прэм'е́р (premʺjér), Polish premier.


雜劇

/t͡sä³⁵ t͡ɕy⁵¹/

/t͡saːp̚² kʰɛːk̚²/

/t͡sä³⁵ t͡ɕy⁵¹/

/t͡saːp̚² kʰɛːk̚²/

(opera) Zaju (a form of Chinese drama or opera)


шега

шега́ (canonical)
šegá (romanization)
шеги́чка (diminutive)
шега́ (indefinite singular)
шеги́ (indefinite plural)
шега́та (definite singular)
шеги́те (definite plural)

на шега́

joke, jest (something said or done for amusement)


шега

šega (romanization)
шеги (plural)
шега (indefinite singular)
шеги (indefinite plural)
шегата (definite singular unspecified)
шегите (definite plural unspecified)
шегава (definite proximal singular)
шегиве (definite plural proximal)
шегана (definite distal singular)
шегине (definite distal plural)
шего (singular vocative)
шеги (plural vocative)

From Old Church Slavonic шѧга (šęga). Probably originating from Proto-Indo-European *(s)keng- (“to limp, walk lamely”). Cognate with German hinken, Ancient Greek σκάζω (skázō) and Irish céim.


смешка

mk-noun

смешка • (smeška) f

smeška (romanization)
смешка (indefinite singular)
смешки (indefinite plural)
смешката (definite singular unspecified)
смешките (definite plural unspecified)
смешкава (definite proximal singular)
смешкиве (definite plural proximal)
смешкана (definite distal singular)
смешкине (definite distal plural)
смешко (singular vocative)
смешки (plural vocative)

joke (something said or done for amusement or that turns out funny unexpectedly)


глума

gluma (romanization)
глума (indefinite singular)
глумата (definite singular unspecified)
глумава (definite proximal singular)
глумана (definite distal singular)
глумо (singular vocative)

Inherited from Proto-Slavic *gluma (“mockery, amusement”).


legitimate theater

en-noun

legitimate theater (countable and uncountable, plural legitimate theaters)

legitimate theaters (plural)
legitimate theatre (alternative)

A reference to the British Licensing Act 1737

[while watching "Planet of the Apes", the musical] I love legitimate theater

1996, Jack Barth, “A Fish Called Selma”, in The Simpsons, spoken by Homer Simpson (Dan Castellaneta):

(uncountable) Serious drama, as opposed to farce or musical theater.

(countable) A theater that performs serious dramas.


musical theater

A genre of theater that combines spoken dialogue with song and dance.


布袋戲

→ Indonesian: wayang potehi

/pu⁵¹⁻⁵³ taɪ̯⁵¹⁻⁵³ ɕi⁵¹/

/pou̯³³ tɔːi̯²² hei̯³³/

/pɔ²¹⁻⁵³ te²²⁻²¹ hi²¹/

/pɔ²¹⁻⁴¹ te³³⁻²¹ hi²¹/

/pɔ¹¹⁻⁵³ te³³⁻¹¹ hi¹¹/

/pɔ⁴¹⁻⁵⁵⁴ te⁴¹⁻²² hi⁴¹/

/pu⁵¹⁻⁵³ taɪ̯⁵¹⁻⁵³ ɕi⁵¹/

/pou̯³³ tɔːi̯²² hei̯³³/

/pɔ²¹⁻⁵³ te²²⁻²¹ hi²¹/

/pɔ²¹⁻⁴¹ te³³⁻²¹ hi²¹/

/pɔ¹¹⁻⁵³ te³³⁻¹¹ hi¹¹/

/pɔ⁴¹⁻⁵⁵⁴ te⁴¹⁻²² hi⁴¹/

布袋戲尪仔／布袋戏尪仔 [Hokkien] ― pò͘-tē-hì ang-á [Pe̍h-ōe-jī] ― a puppet in glove puppetry

glove puppetry (a type of drama using cloth puppets originated in Southern Min-speaking regions of China); glove puppet show


in two

(theater) Performed further back than "in one", but still not fully upstage.


telón de fondo

es-noun

telón de fondo m (plural telones de fondo)

Y como telón de fondo, encuestas poco prometedoras para la formación ultra.

2020 November 29, Ana Carbajosa, “Los ultras alemanes de AfD se desgarran en luchas internas durante un congreso con medio millar de asistentes”, in El País, retrieved 2020-11-29:


kulisizar

head

kulisizar (present tense kulisizas, past tense kulisizis, future tense kulisizos, imperative kulisizez, conditional kulisizus)

kulisizas (present)
kulisizis (past)
tense kulisizos (future)
kulisizez (imperative)
kulisizus (conditional)
kulisizar (infinitive present)
kulisizir (infinitive past)
kulisizor (future infinitive)
kulisizas (present)
kulisizis (past)
kulisizos (future)
kulisizus (conditional present)
kulisizez (imperative present)
kulisizanta (active adjective participle present)
kulisizinta (active adjective participle past)
kulisizonta (active adjective future participle)
kulisizante (active adverbial participle present)
kulisizinte (active adverbial participle past)
kulisizonte (active adverbial future participle)
kulisizanto (active noun-from-verb participle present singular)
kulisizinto (active noun-from-verb participle past singular)
kulisizonto (active future noun-from-verb participle singular)
kulisizanti (active noun-from-verb participle plural present)
kulisizinti (active noun-from-verb participle past plural)
kulisizonti (active future noun-from-verb participle plural)
kulisizata (adjectival participle passive present)
kulisizita (adjectival participle passive past)
kulisizota (adjectival future participle passive)
kulisizate (adverbial participle passive present)
kulisizite (adverbial participle passive past)
kulisizote (adverbial future participle passive)
kulisizato (noun-from-verb participle passive present singular)
kulisizito (noun-from-verb participle passive past singular)
kulisizoto (future noun-from-verb participle passive singular)
kulisizati (noun-from-verb participle passive plural present)
kulisiziti (noun-from-verb participle passive past plural)
kulisizoti (future noun-from-verb participle passive plural)

(transitive, theater) to apply to the scenery


toi, toi, toi

/tɔɪ tɔɪ tɔɪ/

From German toi, toi, toi, which see for more.

good luck

considered to bring misfortune if used in the theatre

(theater, opera) A superstitious expression of encouragement prior to a performance.


peripécia

(drama) peripeteia (sudden reversal of fortune as a plot point)


flyperson

(theater) Someone who operates a fly system in a theatre.


σκηνικός

σκηνικός • (skinikós) m (feminine σκηνική, neuter σκηνικό)

skinikós (romanization)
σκηνική (feminine)
σκηνικό (neuter)
σκηνικός (masculine nominative singular)
σκηνική (feminine nominative singular)
σκηνικό (neuter nominative singular)
σκηνικοί (masculine nominative)
σκηνικές (feminine nominative plural)
σκηνικά (neuter nominative plural)
σκηνικού (genitive masculine singular)
σκηνικής (feminine genitive singular)
σκηνικού (genitive neuter singular)
σκηνικών (genitive masculine)
σκηνικών (feminine genitive plural)
σκηνικών (genitive neuter plural)
σκηνικό (accusative masculine singular)
σκηνική (accusative feminine singular)
σκηνικό (accusative neuter singular)
σκηνικούς (accusative masculine)
σκηνικές (accusative feminine plural)
σκηνικά (accusative neuter plural)
σκηνικέ (masculine singular vocative)
σκηνική (feminine singular vocative)
σκηνικό (neuter singular vocative)
σκηνικοί (masculine vocative)
σκηνικές (feminine plural vocative)
σκηνικά (neuter plural vocative)

el-decl-adj-positive

Comparative: <i class="Grek mention" lang="el">πιο</i> + positive forms (e.g. πιο σκηνικός, etc.)
 Relative superlative: definite article + πιο + positive forms (e.g. ο πιο σκηνικός, etc.)

el-decl-adj-table

σκηνικός (skinikós)

σκηνική (skinikí)

σκηνικό (skinikó)

σκηνικοί (skinikoí)

σκηνικές (skinikés)

σκηνικά (skiniká)

σκηνικού (skinikoú)

σκηνικής (skinikís)

σκηνικού (skinikoú)

σκηνικών (skinikón)

σκηνικών (skinikón)

σκηνικών (skinikón)

σκηνικό (skinikó)

σκηνική (skinikí)

σκηνικό (skinikó)

σκηνικούς (skinikoús)

σκηνικές (skinikés)

σκηνικά (skiniká)

σκηνικέ (skiniké)

σκηνική (skinikí)

σκηνικό (skinikó)

σκηνικοί (skinikoí)

σκηνικές (skinikés)

σκηνικά (skiniká)


σκηνοθέτρια

head

σκηνοθέτριες

σκηνοθέτρια • (skinothétria) f (plural σκηνοθέτριες, masculine σκηνοθέτης)

el-noun

σκηνοθέτριες

skinothétria (romanization)
σκηνοθέτριες (plural)
σκηνοθέτης (masculine)
σκηνοθέτρια (nominative singular)
σκηνοθέτριες (nominative plural)
σκηνοθέτριας (genitive singular)
σκηνοθετριών (genitive plural)
σκηνοθέτρια (accusative singular)
σκηνοθέτριες (accusative plural)
σκηνοθέτρια (singular vocative)
σκηνοθέτριες (plural vocative)

el-decl-noun

σκηνοθέτριες

σκηνοθέτριας

σκηνοθετριών

σκηνοθέτριες

σκηνοθέτριες


word-perfect

en-adj

word-perfect (comparative more word-perfect, superlative most word-perfect)

more word-perfect (comparative)
most word-perfect (superlative)

The oldest actor in the company was word-perfect before any other actor and speaking at twice the rate and getting laughs from his fellow actors, the younger actors, in rehearsal!

1992, Mary Zenet Maher, Modern Hamlets and Their Soliloquies, page 67:

(UK, theater) Having memorized one's lines perfectly.


농담하다

ko-verb

농담하다 • (nongdamhada) (infinitive 농담해 or 농담하여, sequential 농담하니)

nongdamhada (romanization)
농담해 (infinitive)
농담하여 (infinitive)
농담하니 (sequential)
농담한다 (formal indicative non-past)
농담해 (indicative informal non-past)
농담해요 (indicative informal non-past polite)
농담합니다 (formal indicative non-past polite)
농담했다 (formal indicative past)
농담했어 (indicative informal past)
농담했어요 (indicative informal past polite)
농담했습니다 (formal indicative past polite)
농담하느냐 (formal interrogative non-past)
농담해 (informal interrogative non-past)
농담해요 (informal interrogative non-past polite)
농담합니까 (formal interrogative non-past polite)
농담했느냐 (formal interrogative past)
농담했어 (informal interrogative past)
농담했어요 (informal interrogative past polite)
농담했습니까 (formal interrogative past polite)
농담하자 (formal hortative)
농담해 (hortative informal)
농담해요 (hortative informal polite)
농담하십시다 (formal hortative polite)
농담해라 (formal imperative)
농담하여라 (formal imperative)
농담해 (imperative informal)
농담해요 (imperative informal polite)
농담합시오 (formal imperative polite)
농담하겠다 (assertive formal)
농담하겠어 (assertive informal)
농담하겠어요 (assertive informal polite)
농담하겠습니다 (assertive formal polite)
농담해 (causative formal)
농담해서 (causative informal)
농담하여서 (causative informal)
농담하니 (causative informal polite)
농담하니까 (causative formal polite)
농담하지만 (contrastive formal)
농담하는데 (contrastive informal)
농담하더니 (contrastive informal polite)
농담하고 (conjunctive formal)
농담하면 (conditional formal)
농담해야 (conditional informal)
농담하여야 (conditional informal)
농담하려고 (formal motive-form)
농담함 (formal noun-from-verb)
농담하기 (informal noun-from-verb)
농담했음 (formal noun-from-verb past)
농담하였음 (formal noun-from-verb past)
농담했기 (informal noun-from-verb past)
농담하였기 (informal noun-from-verb past)
농담한 (determiner formal past)
농담하는 (determiner formal present)
농담할 (determiner formal future)
농담하신다 (formal indicative non-past)
농담하셔 (indicative informal non-past)
농담하세요 (indicative informal non-past polite)
농담하셔요 (indicative informal non-past polite)
농담하십니다 (formal indicative non-past polite)
농담하셨다 (formal indicative past)
농담하셨어 (indicative informal past)
농담하셨어요 (indicative informal past polite)
농담하셨습니다 (formal indicative past polite)
농담하시느냐 (formal interrogative non-past)
농담하셔 (informal interrogative non-past)
농담하세요 (informal interrogative non-past polite)
농담하셔요 (informal interrogative non-past polite)
농담하십니까 (formal interrogative non-past polite)
농담하셨느냐 (formal interrogative past)
농담하셨어 (informal interrogative past)
농담하셨어요 (informal interrogative past polite)
농담하셨습니까 (formal interrogative past polite)
농담하시라 (formal imperative)
농담하셔 (imperative informal)
농담하세요 (imperative informal polite)
농담하십시오 (formal imperative polite)
농담하시겠다 (assertive formal)
농담하시겠어 (assertive informal)
농담하시겠어요 (assertive informal polite)
농담하시겠습니다 (assertive formal polite)
농담하셔 (causative formal)
농담하셔서 (causative informal)
농담하시니 (causative informal polite)
농담하시니까 (causative formal polite)
농담하시지만 (contrastive formal)
농담하시는데 (contrastive informal)
농담하시더니 (contrastive informal polite)
농담하시고 (conjunctive formal)
농담하시면 (conditional formal)
농담하셔야 (conditional informal)
농담하시려고 (formal motive-form)
농담하심 (formal noun-from-verb)
농담하시기 (informal noun-from-verb)
농담하셨음 (formal noun-from-verb past)
농담하셨기 (informal noun-from-verb past)
농담하신 (determiner formal past)
농담하시는 (determiner formal present)
농담하실 (determiner formal future)

농담(弄談) (nongdam) + 하다 (-hada, “to do”, light verb deriving active verbs).

af

농담하지 마세요!


Ringnut

From ring + nut, by analogy with wingnut.

27. Sit next to a ringnut and ask "so what's the deal with the ring?" every time it comes on the screen

2003 December 22, toto, “Fun for non-Tolkien fans (was Re: DON'T PUT SPOILERS IN SUBJECT LINES)”, in misc.kids (Usenet):

And to borrow a LotR reference for a moment -- and forgive me, 'cause I'm just a casual fan of the LotR movies, not a Ringnut -- Emily is Bilbo to Lorelai's Frodo and Rory's Sam.

2004 March 18, Rob Jensen, “Re: Yesterday episode”, in alt.tv.gilmore-girls (Usenet):

And I'm sure I'll get plenty of hate mail for single-handedly declaring all Ringnuts and Jackson fanboys are losers when I'm the guy spending time writing a review to post on the Internet, but hey, I never said I wasn't a hypocrite.

2006 August 26, webmaster@themovieaddict.com, “Retrospective: Dead Alive (1992)”, in rec.arts.movies.reviews (Usenet):

(slang, humorous or derogatory) A fan of the novel The Lord of the Rings by J. R. R. Tolkien and/or the film trilogy based on it.


Ringhead

And Ringheads aren't the only ones who are drawn to Wagner: only Hitler and Shakespeare have attracted so many biographers, analysts and apologists.

2005 August 7, Melinda Bargreen, “Ringheads have fiery devotion”, in The Seattle Times:

Ringheads, also known as Wagnolaters, often travel the world to hear the cycle, reserving special devotion for Bayreuth, Germany, where Wagner’s own theater stands.

2008 April 10, Daniel J. Wakin, “‘Ring’ Fans and the Met Lock Horns Over Ticket Rule”, in The New York Times:

Sherwin Sloan retired early as an ophthalmologist to pursue an obsession that bestowed another title — leader of the "Ringheads," a nickname for fans of Richard Wagner's four-opera cycle known as "The Ring."

2010 June 5, Valerie J. Nelson, “Wagner fan led 'Ringheads'”, in Chicago Tribune:

(slang) A fan of the opera cycle Der Ring des Nibelungen by Richard Wagner.


Wagnerite

Coordinate term: Wagnerism

The magic and charm of Bayreuth will never vanish. It is an experience every music lover in general and every Wagnerite in particular owes to himself at least once in a lifetime.

1999 August 23, Michael Ajzenstadt, “Bayreuth's magic endures”, in The Jerusalem Post:

As always, this year's 30 performances were sold out well before curtain time, with nearly 60,000 Wagnerites paying hundreds of euros for the best tickets.

2005 July 31, George Jahn, “Wagner festival attracts stars and opera lovers”, in Deseret News:

Herrmann, like many Wagnerites, started listening to opera as a youngster: "My father played the old 78 rpm recordings for me, and had me read the Edda [Old Norse sagas, one of Wagner's major sources for his 'Ring']."

An admirer of the German composer Richard Wagner or his work.


kulis

head

kulis (definite accusative kulisyi, plural kulisler)

kulisyi (accusative definite)
kulisler (plural)

(theater) side of a stage, dressing room


茶屋

(theater) Short for 芝居茶屋 (shibai chaya, “a teahouse associated with a theatre that provides refreshments for the audience, and through which theatre boxes were booked”).


tử thần

[tɨ˧˩ tʰən˨˩]

[tɨ˧˨ tʰəŋ˦˩]

[tɨ˨˩˦ tʰəŋ˨˩]

Sino-Vietnamese word from 死神, composed of 死 (“death”) and 神 (“god”).

vi-etym-sino

a magical being that rules over, decides on, or embodies death, such as Hades, Pluto, the Grim Reaper or a shinigami


wkręt

wkręcik (diminutive)
wkręt (nominative singular)
wkręty (nominative plural)
wkręta (genitive singular)
wkrętu (genitive singular)
wkrętów (genitive plural)
wkrętowi (dative singular)
wkrętom (dative plural)
wkręt (accusative singular)
wkręty (accusative plural)
wkrętem (instrumental singular)
wkrętami (instrumental plural)
wkręcie (locative singular)
wkrętach (locative plural)
wkręcie (singular vocative)
wkręty (plural vocative)

Pamiętasz psa przebranego za pająka? To był wkręt stulecia.

Remember the dog dressed up as a spider? That was the prank of the century.

(slang) a prank that involves deception or misinformation


marlock

(Australia) Any of various small eucalypts of southwest Australia.


연속극

Sino-Korean word from 連續劇 (“TV series, soap opera”)


драматургия

kk-noun

драматургия • (dramaturgiä)

[drəmətʊrˈɡʲiɪ̯ə]

Borrowed from Russian драматурги́я (dramaturgíja), from Ancient Greek δρᾱμᾰτουργῐ́ᾱ (drāmătourgĭ́ā).

bor

драматурги́я

der

δρᾱμᾰτουργῐ́ᾱ

dramaturgy (the art of dramatic composition for the stage)

Kazakh alphabets#Arabic script
Kazakh alphabets#Cyrillic script
Kazakh alphabets#Latin script
kk:драматургия


импровизация

bg-noun

импровиза́ция

импровизацио́нен

импровиза́ция • (improvizácija) f (relational adjective импровизацио́нен)

импровиза́ция (canonical)
improvizácija (romanization)
импровизацио́нен (adjective relational)
импровиза́ция (indefinite singular)
импровиза́ции (indefinite plural)
импровиза́цията (definite singular)
импровиза́циите (definite plural)

bg-ndecl

импровиза́ция<>

Borrowed from Russian импровиза́ция (improvizácija), from Italian improvvisazione.

bor+

импровиза́ция

bg:импровизация

(art, music, theater) improvisation (the act or art of composing and making music, poetry, and thеater like, extemporaneously)


массовка

ru-noun+

массо́вка • (massóvka) f inan (genitive массо́вки, nominative plural массо́вки, genitive plural массо́вок)

массо́вка (canonical)
massóvka (romanization)
массо́вки (genitive)
массо́вки (nominative plural)
массо́вок (genitive plural)
массо́вка (nominative singular)
массо́вки (nominative plural)
массо́вки (genitive singular)
массо́вок (genitive plural)
массо́вке (dative singular)
массо́вкам (dative plural)
массо́вку (accusative singular)
массо́вки (accusative plural)
массо́вкой (instrumental singular)
массо́вкою (instrumental singular)
массо́вками (instrumental plural)
массо́вке (prepositional singular)
массо́вках (plural prepositional)


партер

parter (romanization)
партер (indefinite singular)
партерот (definite singular unspecified)
партеров (definite proximal singular)
партерон (definite distal singular)
партеру (singular vocative)

Borrowed from French parterre (“on the ground”), from par (“on”) + terre (“ground”).

bor+

(theater) part of the section of theater seats located on the ground floor, on the same level as the orchestra

(theater, colloquial) the audience seated in the stalls, parquet, orchestra seats


партер

ru-noun+

парте́р//partɛ́r

парте́р • (partɛ́r) m inan (genitive парте́ра, nominative plural парте́ры, genitive plural парте́ров)

парте́р (canonical)
partɛ́r (romanization)
парте́ра (genitive)
парте́ры (nominative plural)
парте́ров (genitive plural)
парте́р (nominative singular)
парте́ры (nominative plural)
парте́ра (genitive singular)
парте́ров (genitive plural)
парте́ру (dative singular)
парте́рам (dative plural)
парте́р (accusative singular)
парте́ры (accusative plural)
парте́ром (instrumental singular)
парте́рами (instrumental plural)
парте́ре (prepositional singular)
парте́рах (plural prepositional)

(theater) the stalls, parquet, orchestra seats


планшет

uk-noun

планше́т • (planšét) m inan (genitive планше́та, nominative plural планше́ти, genitive plural планше́тів)

планше́т (canonical)
planšét (romanization)
планше́та (genitive)
планше́ти (nominative plural)
планше́тів (genitive plural)
планше́т (nominative singular)
планше́ти (nominative plural)
планше́та (genitive singular)
планше́тів (genitive plural)
планше́тові (dative singular)
планше́ту (dative singular)
планше́там (dative plural)
планше́т (accusative singular)
планше́ти (accusative plural)
планше́том (instrumental singular)
планше́тами (instrumental plural)
планше́ті (locative singular)
планше́тах (locative plural)
планше́те (singular vocative)
планше́ти (plural vocative)

(theater) The floor of a stage made of individual panels, which can be moved to change the topography of the stage.


реквизит

mk-noun

реквизи́т • (rekvizít) m (plural реквизи́ти)

реквизи́т (canonical)
rekvizít (romanization)
реквизи́ти (plural)
реквизит (indefinite singular)
реквизити (indefinite plural)
реквизитот (definite singular unspecified)
реквизитите (definite plural unspecified)
реквизитов (definite proximal singular)
реквизитиве (definite plural proximal)
реквизитон (definite distal singular)
реквизитине (definite distal plural)
реквизиту (singular vocative)
реквизити (plural vocative)
реквизита (count-form plural)


реквизит

ru-noun+

реквизи́т • (rekvizít) m inan (genitive реквизи́та, nominative plural реквизи́ты, genitive plural реквизи́тов)

реквизи́т (canonical)
rekvizít (romanization)
реквизи́та (genitive)
реквизи́ты (nominative plural)
реквизи́тов (genitive plural)
реквизи́т (nominative singular)
реквизи́ты (nominative plural)
реквизи́та (genitive singular)
реквизи́тов (genitive plural)
реквизи́ту (dative singular)
реквизи́там (dative plural)
реквизи́т (accusative singular)
реквизи́ты (accusative plural)
реквизи́том (instrumental singular)
реквизи́тами (instrumental plural)
реквизи́те (prepositional singular)
реквизи́тах (plural prepositional)


репертуар

uk-noun

репертуа́р<genu>

репертуа́рний

репертуа́р • (repertuár) m inan (genitive репертуа́ру, nominative plural репертуа́ри, genitive plural репертуа́рів, relational adjective репертуа́рний)

репертуа́р (canonical)
repertuár (romanization)
репертуа́ру (genitive)
репертуа́ри (nominative plural)
репертуа́рів (genitive plural)
репертуа́рний (adjective relational)
репертуа́р (nominative singular)
репертуа́ри (nominative plural)
репертуа́ру (genitive singular)
репертуа́рів (genitive plural)
репертуа́рові (dative singular)
репертуа́ру (dative singular)
репертуа́рам (dative plural)
репертуа́р (accusative singular)
репертуа́ри (accusative plural)
репертуа́ром (instrumental singular)
репертуа́рами (instrumental plural)
репертуа́рі (locative singular)
репертуа́рах (locative plural)
репертуа́ре (singular vocative)
репертуа́ри (plural vocative)

uk-ndecl

репертуа́р<genu>

Borrowed from French répertoire, from Latin repertōrium.

uk:Мельничук Олександр Савич


фабула

ru-noun+

фа́була • (fábula) f inan (genitive фа́булы, nominative plural фа́булы, genitive plural фа́бул)

фа́була (canonical)
fábula (romanization)
фа́булы (genitive)
фа́булы (nominative plural)
фа́бул (genitive plural)
фа́була (nominative singular)
фа́булы (nominative plural)
фа́булы (genitive singular)
фа́бул (genitive plural)
фа́буле (dative singular)
фа́булам (dative plural)
фа́булу (accusative singular)
фа́булы (accusative plural)
фа́булой (instrumental singular)
фа́булою (instrumental singular)
фа́булами (instrumental plural)
фа́буле (prepositional singular)
фа́булах (plural prepositional)

Такова́ го́лая фа́була зага́дочной дра́мы, столь неожи́данно омрачи́вшей ми́рное тече́ние да́чной жи́зни.

1884, Михаил Салтыков-Щедрин [Mikhail Saltykov-Shchedrin], “Письмо II”, in Пёстрые письма; English translation from (Please provide a date or year):

Taková gólaja fábula zagádočnoj drámy, stolʹ neožídanno omračívšej mírnoje tečénije dáčnoj žízni.


фабула

uk-noun

фа́була • (fábula) f inan (genitive фа́були, nominative plural фа́були, genitive plural фа́бул)

фа́була (canonical)
fábula (romanization)
фа́були (genitive)
фа́були (nominative plural)
фа́бул (genitive plural)
фа́була (nominative singular)
фа́були (nominative plural)
фа́були (genitive singular)
фа́бул (genitive plural)
фа́булі (dative singular)
фа́булам (dative plural)
фа́булу (accusative singular)
фа́були (accusative plural)
фа́булою (instrumental singular)
фа́булами (instrumental plural)
фа́булі (locative singular)
фа́булах (locative plural)
фа́було (singular vocative)
фа́були (plural vocative)


shitcom

I can only hope that someone up there at Fox has enough intelligence to yank this shitcom before mid-season, but given their track record it will probably become their next flagship show.

2006, Alexander Kern, Listen! Listen, Listen, Listen, Listen, Listen!!!: Selected Essays from the Best Blog No One Is Reading, →ISBN, page 203:

Games World was revamped for a second series, and a character from the competition night, Big Boy Barry, was given his own show, a sitcom. Or as it turned out, a shitcom.

2012, David Walliams, Camp David, Penguin, published 2013, →ISBN:

Ed opened the drapes and the sun revealed the grim scene, the filthy drool-stained pillow on the couch where he'd been sleeping, the TV blaring some horrible shitcom ever since he'd left the dial turned to any old thing, the dog food bag left open in the kitchen so Harry could help himself.

2013, Brad Vance, A Little Too Broken, →ISBN:

(slang, vulgar, derogatory) A low-quality or unfunny sitcom.


play of words

1683, William Atwood, Three Letters to Dr. Sherlock Concerning Church-communion, Jonathan Robinson, page 16,
Great is Diana of the Epheſians, and great is the uſe of the word Church, when good Crafts-maſters have the handling of it; and of all Men thoſe of Rome have ſucceeded beſt at this play of words.

1988, Span, Issue 26, University of Queensland, page 104,
At the outset the reader is fascinated by the complex surface play of words. In the poem 'Paraphrase' the play of words is likened to the play of imagery on the surface of a lake; words 'beckon' and 'whisper', luring the reader towards an undisclosed meaning or goal.

The components of that analysis will be: characterization of a main figure in the narrative, the use of time and the patterning play of words.

2000, John A. Beck, Translators as Storytellers, Peter Lang, page 81:

2000, Stephanie Quinn, Why Vergil?, Bolchazy-Carducci Publishers, page 3,
In addition, the selections are organized to make a case for the value of the play of words and for their power, about ideas and history, and art.

(narratology, rhetoric) The ordering of words in a text, speech, etc., taking regard for both the individual words (their meanings, sounds, etc.) and the interplay between them.


queerbaiting

queer-baiting (alternative)
queer baiting (alternative)

Queerbaiting is erasure. It’s telling queer people that they don’t exist, or that our stories aren’t worth telling, and it’s harmful.

2013 October 7, Matthew Ellison, “Queerbaiting”, in Salient, volume 76, number 23, Victoria University of Wellington, page 39:

Some feel that fan pressure to emphasize Buffy and Spike’s relationship spoiled the last few seasons of Joss Whedon’s show, and many fans were alienated by Teen Wolf’s recent queer-baiting.

2013 November 20, Mollie Forman, “Eat the executive”, in Post, Brown University:

Criticism of queerbaiting also does not imply that creators need to be dictated to by fans on how to run their show; […]

2014 June 29, Maneesha Dullewe, “A brief guide to queerbaiting”, in Ceylon Today:

And as a much better NYT comment piece on queerbaiting put it last year: “As self-serving as some celebrity caginess can be, you can’t build a world in which everyone feels free to self-identify by ordering everyone to self-identify.”

2024 January 10, Laura Snapes, “Taylor Swift’s people shut down speculation about her sexuality – but risked rebuking her LGBTQ fans”, in The Guardian, →ISSN:

(LGBTQ, fandom slang) The practice of creating homoerotic tension between two characters in a narrative work (particularly a television series) without the intention of ever developing it into an actual same-sex relationship or explicitly addressing the question of either character's sexuality.


assistant stage manager

en-noun

assistant stage manager (plural assistant stage managers)

(theater) A backstage worker whose main responsibility is the maintenance and supply of props.


φροντιστής

head

φροντιστής • (frontistís) m (plural φροντιστές, feminine φροντίστρια)

frontistís (romanization)
φροντιστές (plural)
φροντίστρια (feminine)
φροντιστής (nominative singular)
φροντιστές (nominative plural)
φροντιστή (genitive singular)
φροντιστών (genitive plural)
φροντιστή (accusative singular)
φροντιστές (accusative plural)
φροντιστή (singular vocative)
φροντιστές (plural vocative)

From Ancient Greek φροντιστής (phrontistḗs), equivalent to φροντ- (front-, “to look after, to take care of”) + -ιστής (-istís, “-ist, -er”).

suffix

assistant stage manager
assistant stage manager


φροντίστρια

head

φροντίστριες

φροντίστρια • (frontístria) f (plural φροντίστριες, masculine φροντιστής)

el-noun

φροντίστριες

frontístria (romanization)
φροντίστριες (plural)
φροντιστής (masculine)
φροντίστρια (nominative singular)
φροντίστριες (nominative plural)
φροντίστριας (genitive singular)
φροντιστριών (genitive plural)
φροντίστρια (accusative singular)
φροντίστριες (accusative plural)
φροντίστρια (singular vocative)
φροντίστριες (plural vocative)

el-decl-noun

φροντίστριες

φροντίστριας

φροντιστριών

φροντίστριες

φροντίστριες


Polandball

Etymology tree
Proto-Indo-European *pleh₂-der.
Proto-Slavic *poľe
Proto-Slavic *-janъ
Proto-Indo-European *-nós
Proto-Indo-European *-iHnos
Proto-Slavic *-inъ
Proto-Slavic *-janinъ
Proto-Slavic *poľaninъder.
German Polebor.
English Pole
Proto-Indo-European *lendʰ-
Proto-Indo-European *-om
Proto-Germanic *landą
Proto-West Germanic *land
Old English land
Middle English lond
English land
English Poland
Proto-Indo-European *bʰel-
Proto-Germanic *balluz
Old English *beall
Middle English bal
English ball
English Polandball
Compound of Poland + ball, coined circa 2009.

etymon

One comic, in which Poland flies into space and stops Russia using Crimea as a means of ramming the United States, has shot to the top of the charts in the Polandball sub-forum on Reddit.

2014 March 4, Emmet Ryan, “Polandball is Reddit's answer to Crimea crisis”, in The Daily Business Post, Businesspost.ie, retrieved 2014-11-01:

This Polandball comic sums it up better.

2014 September 11, Arunabh Saikia, “Why Some Calamities Are More Equal Than Others”, in The Newslaundry:

2014, "Mexicoball", The Polandball Book, →ISBN:

It’s also gotten attention from the Polish media. Gazeta Wyborcza reported on it (po polsku), and, on Culture.pl, Wojciech Oleksiak wrote an in-depth English analysis, including a presumably tongue-in-cheek guide to drawing a Polandball.

2015 May 2, Steven Hoffman, “How Polandball can of taking over internets”, in Krakow Post:

international relations
international relations

A user-generated internet meme, where countries are presented as spherical personas (countryballs) that interact in often broken English, poking fun at national stereotypes and international relations; an individual spherical persona from this.


Polandball

Polandball (nominative singular)
Polandballe (nominative plural)
Polandballa (genitive singular)
Polandballi (genitive plural)
Polandballowi (dative singular)
Polandballom (dative plural)
Polandballa (accusative singular)
Polandballe (accusative plural)
Polandballem (instrumental singular)
Polandballami (instrumental plural)
Polandballu (locative singular)
Polandballach (locative plural)
Polandballu (singular vocative)
Polandballe (plural vocative)
polandball (alternative)

Unadapted borrowing from English Polandball.

ubor

Polandball (user-generated internet meme, where countries are presented as spherical personas (countryballs) that interact in often broken English, poking fun at national stereotypes and international relations; an individual spherical persona from this)


triângulo amoroso

pt-noun

triângulo amoroso m (plural triângulos amorosos, metaphonic)

triângulos amorosos (plural)
metaphonic (plural)

love triangle (situation in which two people vie for the love of a third)


Old Man Winter

[…] the media like to humanize the weather, to suggest that we’re in some kind of grim battle with Old Man Winter when it’s cold or snowy […]

2001, Sara Foss, The Daily Gazette: Speaking of the weather:

It is interesting how we personalize or humanize certain forces which we cannot control like "Mother Nature" and "Old Man Winter".

2002, Robert H. Claxton, Claxton on Williams and Duedall, Florida Hurricanes and Tropical Storms, 1871-2001:

They also have humanized time and weather, with such references as "Father Time" and "Old Man Winter", "Mother Earth" and "Hurricane Floyd".

2003, Scotland Miles, Don't Take Me To Your Leader, →ISBN, pages 28–29:

Oxford University Press
w:Oxford University Press


bhavai

From Gujarati ભવાઇ (bhavāi), perhaps from Sanskrit भाव (bhāva, “expression, emotion”).

der

In the courtyard of the Ambaji temple near Mount Abu the Navaratri festival is celebrated with Bhavai performances.

1992, Manohar Laxman Varadpande, History of Indian Theatre, volume 2, page 174:

She was not in the Princess' hair all the time nor did she watch her like a comic spy in a high drama of intrigue and discovery from a bhavai.

1997, Kiran Nagarkar, Cuckold, HarperCollins, published 2013, page 75:

By introducing “literary drama,” Westernized theatre on the subcontinent also led to a rejection of such popular forms as the jatra of Bengal, the bhavai of Gujarat, and the tamasha of Maharashtra as “debased” and “corrupt.”

2009, Aparna Bhargava Dharwadker, Theatres of Independence, page 135:

(India) A type of folk theatre from Gujarat.


replik

replik (indefinite nominative singular)
repliks (genitive indefinite singular)
repliken (definite nominative singular)
replikens (definite genitive singular)
repliker (indefinite nominative plural)
replikers (genitive indefinite plural)
replikerna (definite nominative plural)
replikernas (definite genitive plural)

Ja måste repetera mina repliker.


replik

head

replik (definite accusative repliği, plural replikler)

repliği (accusative definite)
replikler (plural)


歌劇院

/kɤ⁵⁵ t͡ɕy⁵¹⁻⁵³ ɥɛn⁵¹/

/kɔː⁵⁵ kʰɛːk̚² jyːn²²⁻³⁵/

/kua⁴⁴⁻³³ kiɔk̚⁴⁻³² ĩ³³/

/kua⁴⁴⁻³³ kiɪk̚⁴⁻³² ĩ³³/

/kɤ⁵⁵ t͡ɕy⁵¹⁻⁵³ ɥɛn⁵¹/

/kɔː⁵⁵ kʰɛːk̚² jyːn²²⁻³⁵/

/kua⁴⁴⁻³³ kiɔk̚⁴⁻³² ĩ³³/

/kua⁴⁴⁻³³ kiɪk̚⁴⁻³² ĩ³³/


HoYay

From a contraction of "homoeroticism, yay!", after a thread so named on the forum Television Without Pity.

HoYay! (alternative)
hoyay (alternative)

This should really help the HoYay! quotient on BtVS, which was largely lacking in S5, Willow and Tara notwithstanding (it's not as much fun if it's *text*).

2001 June 28, Mike Zeares, “Re: New writer joins BUFFY staff”, in alt.tv.buffy-v-slayer (Usenet):

Tangentially, speaking of HoYay! movies, the local movie reviewer here said about "The Count of Monte Cristo" that he's seen less homoerotic subtext in a Village People video.

2002 January 26, Shadowy Moon [username], “Re: Religious groups praise "Lord Of The Rings"”, in alt.gossip.celebrities (Usenet):

Considering fans' previous seemingly blanket endorsement of everything queer, one has to ask why HoYay! fans don't favor the queer Lex/Lana/Clark triangle.

2008, Melanie E. S. Kohnen, “The Adventures of a Repressed Farm Boy and the Billionaire Who Loves Him: Queer Spectatorship in Smallville Fandom”, in Sharon Marie Ross, Louisa Ellen Stein, editors, Teen Television: Essays on Programming and Fandom, McFarland & Company, →ISBN, pages 214–215:

(fandom slang) Homoerotic subtext in a television show, film, book etc.


crise dramática

pt-noun

crise dramática f (plural crises dramáticas)

(drama) crisis (point in a drama at which a conflict reaches a peak)


secondary world

en-noun

secondary world (plural secondary worlds)

Coined by J. R. R. Tolkien in his 1947 essay "On Fairy-Stories".

What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.

1947, J.R.R. Tolkien, “On Fairy-Stories”, in Essays Presented to Charles Williams, page 60:

From beginning to end of the fiction we are in the secondary world.

1982, Frederick M. Burelbach, “An Introduction to Naming in the Literature of Fantasy”, in Literary Onomastics Studies, volume 9, number 11, archived from the original on 2021-05-16, page 133:

The girls stress the internal logic of the Secondary World as the crucial point for fantasy pleasure. Mastering the elaborate structure of the Secondary World is part and parcel of the reader's quest to experience a text such as Harry Potter, although the central hero would identify the text as masculine.

2004, Holly Virginia Blackford, “It's Like a Fantasy World”, in Out of this World: Why Literature Matters to Girls, Teachers College Press, →ISBN, page 48:

The world to which the protagonist belongs is the 'primary' or 'domestic' world. The secondary world is often a binary opposite of the primary world; an inverse, or mirror-image of the consensual reality of the text.

2012, Jane Suzanne Carroll, “The Sanctuary Topos”, in Landscape in Children's Literature, Routledge, →ISBN, page 26:

(fantasy) An internally consistent, fictional, fantasy world or setting that is different from the real "primary world".


primary world

Now, this secondary world can be made to stand entirely on its own, so that there is no primary world in the fiction and the only reference points to the real world are those the reader brings with him or forges for himself. This is generally the case with what is commonly called "high" fantasy, such as J. R. R. Tolkien's The Lord of the Rings.

1982, Frederick M. Burelbach, “An Introduction to Naming in the Literature of Fantasy”, in Literary Onomastics Studies, volume 9, number 11, archived from the original on 2021-05-16, page 132:

Fantasy fiction has been categorized and described in different ways. One classification divides fantasy into two major types:¶ low fantasy, which takes place in the primary world (our world);¶ high fantasy, which takes place in alternative worlds.

2008, Nikki Gamble, Sally Yates, “Fantasy and Realism”, in Exploring Children's Literature, →ISBN, page 120:

(fantasy) The real world of the reader or viewer, as opposed to the imaginary "secondary world" of a work of fiction.


Three Stooges

(idiomatic) A group of three stupid people.


呂劇

/ly²¹⁴⁻²¹ t͡ɕy⁵¹/

/lɵy̯¹³ kʰɛːk̚²/

/ly²¹⁴⁻²¹ t͡ɕy⁵¹/

/lɵy̯¹³ kʰɛːk̚²/

(opera) Lü opera (a variety of Chinese opera from the eastern province of Shandong, China)


婺劇

/u⁵¹⁻⁵³ t͡ɕy⁵¹/

/mou̯²² kʰɛːk̚²/

/u⁵¹⁻⁵³ t͡ɕy⁵¹/

/mou̯²² kʰɛːk̚²/

(opera) wuju, a form of Chinese opera from Jinhua, in the eastern province of Zhejiang, China (also performed in northeastern Jiangxi province)


solilóquio

(drama) soliloquy (act of a character speaking to himself)


開場白

結束語

antonym(s) of “prologue, opening remarks”

/kʰaɪ̯⁵⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹ paɪ̯³⁵/

/kʰaɪ̯⁵⁵ ʈ͡ʂʰɑŋ³⁵ paɪ̯³⁵/

/hɔːi̯⁵⁵ t͡sʰœːŋ²¹ paːk̚²/

/kʰaɪ̯⁵⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹ paɪ̯³⁵/

/kʰaɪ̯⁵⁵ ʈ͡ʂʰɑŋ³⁵ paɪ̯³⁵/

/hɔːi̯⁵⁵ t͡sʰœːŋ²¹ paːk̚²/


道白

/tɑʊ̯⁵¹ paɪ̯³⁵/

/tɑʊ̯⁵¹ paɪ̯³⁵/


the show must go on

Originated in the 19th-century circus industry.

Two other very personal issues that Holly discloses are her ongoing struggle to maintain a weight she feels comfortable with, and her virtual breakdown from exhaustion in 1984. Her "the show must go on" martyrdom attitude was painful to read, for her stress-related problems demonstrate the irony that idealistic activists often live exactly the overworked, underpaid life they are hoping to end for everyone.

1990 December 9, Maida Tilchen, “Closer To Near”, in Gay Community News, volume 18, number 21, page 14:

(literally, theater) Regardless of what happens, whatever show has been planned still has to be staged for the waiting patrons.


評劇

/pʰiŋ³⁵ t͡ɕy⁵¹/

/pʰɪŋ²¹ kʰɛːk̚²/

/pʰiŋ³⁵ t͡ɕy⁵¹/

/pʰɪŋ²¹ kʰɛːk̚²/

(opera) Pingju (a form of Chinese opera)


甌劇

/ˀoʊ̯⁵⁵ t͡ɕy⁵¹/

/ɐu̯⁵⁵ kʰɛːk̚²/

/ˀoʊ̯⁵⁵ t͡ɕy⁵¹/

/ɐu̯⁵⁵ kʰɛːk̚²/

(opera) Ouju, a form of Chinese opera from Wenzhou


humourful

en-adj

humourful (comparative more humourful, superlative most humourful)

more humourful (comparative)
most humourful (superlative)


extradiegetic

extradiegetic (comparative more extradiegetic, superlative most extradiegetic)

more extradiegetic (comparative)
most extradiegetic (superlative)

This voice-over functions very differently from the extradiegetic narrator of the radio soap opera however, who tended to impose ideological coherence on the text, as well as serve as spokesman for the products being sold.

2011, Harry M. Benshoff, Dark Shadows, Wayne State University Press, published 2011, →ISBN, page 38:

However, in this sequence Colleen's actions alone do not make her horrific. Rather, the extradiegetic music condemns her.

2011, Alison Peirse, “Horrible Women: Abjection, Gender and Ageing in Nip/Tuck”, in Roz Kaveney, Jennifer Stoy, editors, Nip/Tuck: Television That Gets Under Your Skin, I. B. Tauris & Co. Ltd, →ISBN, page 76:

Instead, an extradiegetic narrator renders detached testimony of the hero's traumatic story in the Thatcher era.

2011, José M. Yebra, “A Terrible Beauty: Ethics, Aesthetics, and the Trauma of Gayness in Alan Hollinghurst's The Line of Beauty”, in Susana Onega, Jean-Michel Ganteau, editors, Ethics and Trauma in Contemporary British Fiction, Rodopi, →ISBN, page 183:


intradiegetic

intradiegetic (comparative more intradiegetic, superlative most intradiegetic)

more intradiegetic (comparative)
most intradiegetic (superlative)

One of the most famous examples of an intradiegetic narrator is Scherezade, the narrator of the tales in Arabian Nights (1954), who does belong in the general narrative frame despite that not involving her own but other people's stories.

2010, Nina Nørgaard, Beatrix Busse, & Rocío Montoro, Key Terms in Stylistics, Continuum, published 2010, →ISBN, page 125:

Intradiegetic music continues to be used to very stirring effect throughout the film, especially a solo performance of the sixties folk hymn “Five Hundred Miles” sung by Croxen's daughter, […]

2011, Thomas Waugh, The Right to Play Oneself: Looking Back on Documentary Film, University of Minnesota Press, published 2011, →ISBN, page 169:

One well-known example of an intradiegetic narrator is Marlow in Joseph Conrad's Heart of Darkness, who recounts his African adventures to a group of men aboard a ship anchored in the Thames Estuary.

2014, Susanne Klinger, Translation and Linguistic Hybridity: Constructing World-View, Routledge, published 2014, →ISBN:


تمثيل

ar-noun

تَمْثِيل • (tamṯīl) m

تَمْثِيل (canonical)
tamṯīl (romanization)
تَمْثِيل (indefinite informal singular triptote)
التَّمْثِيل (definite informal singular triptote)
تَمْثِيل (construct informal singular triptote)
تَمْثِيلٌ (indefinite nominative singular triptote)
التَّمْثِيلُ (definite nominative singular triptote)
تَمْثِيلُ (construct nominative singular triptote)
تَمْثِيلًا (accusative indefinite singular triptote)
التَّمْثِيلَ (accusative definite singular triptote)
تَمْثِيلَ (accusative construct singular triptote)
تَمْثِيلٍ (genitive indefinite singular triptote)
التَّمْثِيلِ (definite genitive singular triptote)
تَمْثِيلِ (construct genitive singular triptote)

→ Azerbaijani: təmsil

→ Ottoman Turkish: تمثیل (temsîl)

Turkish: temsil

→ Crimean Tatar: temsil

desctree

→ Persian: تمثیل (tamsil)
→ Dhivehi: ތަމްސީލު (tam̊sīlu)
→ Kazakh: тәмсіл (tämsıl)
→ Uyghur: تەمسىل (temsil)


聾桟敷

聾桟敷 (canonical)
tsunbosajiki (romanization)

the upper gallery where the dialogue is not heard well (of a theatre)


馬脚

(theater) someone who plays a horse's legs


lớp

head

立, 笠, 泣, 垃, 𧙀

vi-noun

立, 笠, 泣, 垃, 𧙀

LL-Q9199 (vie)-Jessica Nguyen (Pamputt)-lớp.wav

Lớp 1, Cảnh 1


hài kịch

[haːj˨˩ kïk̟̚˧˨ʔ]

[haːj˦˩ kɨt̚˨˩ʔ]

[haːj˨˩ kɨt̚˨˩˨]


hí kịch

[hi˧˦ kïk̟̚˧˨ʔ]

[hɪj˨˩˦ kɨt̚˨˩ʔ]

[hɪj˦˥ kɨt̚˨˩˨]

Sino-Vietnamese word from 喜劇 (“comedy”).


bi kịch

[ʔɓi˧˧ kïk̟̚˧˨ʔ]

[ʔɓɪj˧˧ kɨt̚˨˩ʔ]

[ʔɓɪj˧˧ kɨt̚˨˩˨]

Sino-Vietnamese word from 悲劇 (“tragedy”).

vi-etym-sino

Friedrich Engels (1963) [1851 December 3] “Engels an Marx in London”, in Marx-Engels-Werke (in German), volume 27, page 381; English translation from Marx/Engels Collected Works, volume 38, 1982, page 505; Vietnamese translation from C. Mác và. Ph. Ăng-ghen – Toàn tập, volume 27, 1996, page 609
Thật thế, tưởng như lịch sử, trong vai trò tinh thần thế giới, được dẫn dắt bởi ông già Hê-ghen trong mộ, với thái độ vô cùng trung thực, ông già ấy buộc tất cả các sự kiện phải lặp lại hai lần: lần thứ nhất dưới dạng tấn bi kịch vĩ đại và lần thứ hai dưới dạng một trò hề thảm hại.
… and it really seems as though old Hegel, in the guise of the World Spirit, were directing history from the grave and, with the greatest conscientiousness, causing everything to be re-enacted twice over, once as grand tragedy and the second time as rotten farce, …

Karl Marx (1960) [1852] chapter I, in Der achtzehnte Brumaire des Louis Bonaparte (Marx-Engels-Werke; 8) (in German), page 115; English translation from The Eighteenth Brumaire of Louis Bonaparte (Marx/Engels Collected Works; 11), 1979, page 103; Vietnamese translation from Ngày 18 tháng Sương mù của Lu-i Bô-na-pác-tơ (C. Mác và. Ph. Ăng-ghen – Toàn tập; 8), 2004, page 145
Hê-ghen có nhận xét ở đâu đó rằng tất cả những sự biến lớn và nhân vật lớn trong lịch sử thế giới đều có thể nói là xuất hiện hai lần. Ông ta đã quên nói thêm rằng: lần đầu như một bi kịch, lần thứ hai như một trò hề.
Hegel remarks somewhere that all facts and personages of great importance in world history occur, as it were, twice. He forgot to add: the first time as tragedy, the second as farce.


Doylist

en-adj

Doylist (comparative more Doylist, superlative most Doylist)

more Doylist (comparative)
most Doylist (superlative)

From Doyle + -ist, with reference to Arthur Conan Doyle, the author of the Sherlock Holmes stories.
Adjective formed by analogy to Doyle as the real author of the text, as opposed to Dr. John Watson as the fictional author within the text. Started in Sherlock Holmes fandom before spreading to other fandoms. Possibly originating in the "Baker Street Irregulars" fan club and entering the science fiction fandom usage (fanspeak) via the Lois McMaster Bujold mailing list.

I would accept that many of them behave like humans born on earth would, but that must be an artefact of poor translation or our poor understanding of their motives and objectives [Watsonian] or lack of vision on the writers part [Doylist - to borrow some terms from the Bujold mailing list - think 'as written by' Dr Watson or by Arthur Conan Doyle].

2000 October 6, Martin Bonham, “Banks was Re: Multi-culturalism in space?”, in rec.arts.sf.written (Usenet), message-ID <970804830.406747@hermes>:

Roddenberry's official explaination^([sic]) was "They always looked like that. We just didn't have the budjet^([sic]) in the 1960's to show them properly."¶ This is one case where I prefer the Doylist explaination^([sic]).

2001 September 30, Rob Wynne, “Re: OK, Enterprise...”, in rec.music.filk (Usenet), message-ID <74Jt7.875$oL3.24397@eagle.america.net>:

While fans recognize and do engage in Doylist readings, they tend to find Watsonian readings more engaging. Fan fiction writers in particular engage with the text intradiegetically.

2012, Laurie Cubbison, “Russell T Davies, 'Nine Hysterical Women,' and the Death of Ianto Jones”, in New Media Literacies and Participatory Popular Culture Across Borders, →ISBN:

(fandom slang, narratology) From a real-world perspective; of or relating to an explanation outside the text; external to the narrative.


komisk

komisk (positive)
komiske (plural positive)
komiske (positive)

Borrowed via German komisch and Latin cōmicus from Ancient Greek κωμικός (kōmikós, “concerning comedy”), a derivation from κῶμος (kômos, “revel”).

bor

(drama) comical, concerning comedy as a dramatic or literary genre


činohra

činohra (nominative singular)
činohry (nominative plural)
činohry (genitive singular)
činoher (genitive plural)
činohře (dative singular)
činohrám (dative plural)
činohru (accusative singular)
činohry (accusative plural)
činohro (singular vocative)
činohry (plural vocative)
činohře (locative singular)
činohrách (locative plural)
činohrou (instrumental singular)
činohrami (instrumental plural)

From čin (“action, act”) + -o- + hra (“play”).


վարձակ

varjak (romanization)
վարձակ (nominative singular)
վարձակներ (nominative plural)
վարձակի (dative singular)
վարձակների (dative plural)
վարձակից (ablative singular)
վարձակներից (ablative plural)
վարձակով (instrumental singular)
վարձակներով (instrumental plural)
վարձակը (definite nominative singular)
վարձակն (definite nominative singular)
վարձակները (definite nominative plural)
վարձակներն (definite nominative plural)
վարձակին (dative definite singular)
վարձակներին (dative definite plural)
վարձակս (first-person nominative possessive singular)
վարձակներս (first-person nominative plural possessive)
վարձակիս (dative first-person possessive singular)
վարձակներիս (dative first-person plural possessive)
վարձակիցս (ablative first-person possessive singular)
վարձակներիցս (ablative first-person plural possessive)
վարձակովս (first-person instrumental possessive singular)
վարձակներովս (first-person instrumental plural possessive)
վարձակդ (nominative possessive second-person singular)
վարձակներդ (nominative plural possessive second-person)
վարձակիդ (dative possessive second-person singular)
վարձակներիդ (dative plural possessive second-person)
վարձակիցդ (ablative possessive second-person singular)
վարձակներիցդ (ablative plural possessive second-person)
վարձակովդ (instrumental possessive second-person singular)
վարձակներովդ (instrumental plural possessive second-person)

hy-decl-noun

վարձակը/վարձակն

վարձակները/վարձակներն

վարձակներիցս

վարձակներովս

վարձակներիցդ

վարձակներովդ

/vɑɾˈt͡sʰɑk/

[vɑɾt͡sʰɑ́k]

[vɑɾt͡sʰɑ́ɡ]

Learned borrowing from Old Armenian վարձակ (varjak).


վարձակ

varjak (romanization)
վարձակ (nominative singular)
վարձակք (nominative plural)
վարձակի (genitive singular)
վարձակաց (genitive plural)
վարձակի (dative singular)
վարձակաց (dative plural)
վարձակ (accusative singular)
վարձակս (accusative plural)
վարձակէ (ablative singular)
վարձակաց (ablative plural)
վարձակաւ (instrumental singular)
վարձակի (locative singular)
վարձակս (locative plural)
վարձան (alternative)
վարձական (alternative)

xcl-decl-noun

վարձակաւք = վարձակօք

→ Armenian: վարձակ (varjak) (learned)

From Middle Iranian *varzāk, which, according to Asatryan, is an agent noun from the root *warj- (“to do; to work”). For the suffix see -ակ (-ak). Byzantine Greek βάρζα (bárza) found in the Suda lexicon as a synonym of ψάλτρια (psáltria, “female harper”) is of the same origin.

[…] կամ թէ լսիցե՞մ տակաւին զձայն գուսանաց եւ վարձակաց […]
[…]kam tʻē lsicʻem takawin zjayn gusanacʻ ew varjakacʻ[…]

Can I still hear the voices of gusans and vardzaks?


vardzak

(historical) a female comedy actor, dancer and singer in ancient and medieval Armenia


hypodiegetic

en-adj

hypodiegetic (comparative more hypodiegetic, superlative most hypodiegetic)

more hypodiegetic (comparative)
most hypodiegetic (superlative)

In Jane Eyre this hypodiegetic level is only attained four times again, first in chapter fifteen, in which Rochester tells Jane about his mistress Celine Varens, second in chapter twenty-seven [...]

1999, Esther Schönberger-Schleicher, Charlotte and Emily Brontë: a narrative analysis of Jane Eyre and Wuthering Heights, →ISBN, page 182:

Gretta's story, by contrast, has all the force of an authentic performance, a spontaneous speech-act that recreates its own referential validity. As such, it is the most coherent and integrated hypodiegetic act of narration in Dubliners.

2004, Gerald Doherty, Dubliners' Dozen, page 132:

Continuing this issue of depth: backgrounds are also used throughout some issues of Sandman, for example in Sandman #6 (“24 Hours”) where they provide mood, or Sandman #3 (“Dream a Little Dream of Me”) where a hypodiegetic dream story underlies the pages (see for example page 22), with the diegetic narrative sequence overlaid.

2014, Julia Round, Gothic in Comics and Graphic Novels, page 71:

(narratology) Pertaining to a secondary narrative embedded within the primary narrative (a story within a story).


metadiegetic

metadiegetic (comparative more metadiegetic, superlative most metadiegetic)

more metadiegetic (comparative)
most metadiegetic (superlative)

A particularly striking example appears in Hawthorne's next romance, The House of the Seven Gables, in which Chapter 13 consists entirely of a metadiegetic narrative entitled "Alice Pyncheon," composed and read by the diegetic character Holgrave.

1995, Michael Dunne, Hawthorne’s Narrative Strategies, page 87:

The diegetic and metadiegetic aspects of the Joker's use of music also persist. Prince's "Trust" features diegetically in the festival parade as the Joker rides on his birthday-cake float, while the Straussian waltz reappears metadiegetically in the cue "Waltz," for the battle between Batman and the Joker's henchman as the Joker waltzes with a semiconscious Vicki in the background. This, and his comment, "shall we dance?" to Batman just before the cue starts again positions this as music that the Joker has control cover: it is more than simply heard in his head.

2004, Janet K. Halfyard, Danny Elfman's Batman: A Film Score Guide, page 108:

Sound effects are often enlisted to externalize a characters' inner thoughts, nightmares, hallucinations, dreams, or wishes. We might hear, for example, the laughter of a child as a woman picks up a doll from childhood. This gives the scene a surreal feeling. This effect is often called meta-diegetic.

2005, Jennifer Van Sijll, “Sound Effects”, in Cinematic Storytelling, →ISBN, page 90:


կատակագուսան

head

կատակագուսան • (katakagusan)

hy-noun

կատակագուսան • (katakagusan)

katakagusan (romanization)
կատակագուսան (nominative singular)
կատակագուսաններ (nominative plural)
կատակագուսանի (dative singular)
կատակագուսանների (dative plural)
կատակագուսանից (ablative singular)
կատակագուսաններից (ablative plural)
կատակագուսանով (instrumental singular)
կատակագուսաններով (instrumental plural)
կատակագուսանը (definite nominative singular)
կատակագուսանն (definite nominative singular)
կատակագուսանները (definite nominative plural)
կատակագուսաններն (definite nominative plural)
կատակագուսանին (dative definite singular)
կատակագուսաններին (dative definite plural)
կատակագուսանս (first-person nominative possessive singular)
կատակագուսաններս (first-person nominative plural possessive)
կատակագուսանիս (dative first-person possessive singular)
կատակագուսաններիս (dative first-person plural possessive)
կատակագուսանիցս (ablative first-person possessive singular)
կատակագուսաններիցս (ablative first-person plural possessive)
կատակագուսանովս (first-person instrumental possessive singular)
կատակագուսաններովս (first-person instrumental plural possessive)
կատակագուսանդ (nominative possessive second-person singular)
կատակագուսաններդ (nominative plural possessive second-person)
կատակագուսանիդ (dative possessive second-person singular)
կատակագուսաններիդ (dative plural possessive second-person)
կատակագուսանիցդ (ablative possessive second-person singular)
կատակագուսաններիցդ (ablative plural possessive second-person)
կատակագուսանովդ (instrumental possessive second-person singular)
կատակագուսաններովդ (instrumental plural possessive second-person)

hy-decl-noun

կատակագուսան

կատակագուսանը/կատակագուսանն

կատակագուսաններ

կատակագուսանները/կատակագուսաններն

կատակագուսանի

կատակագուսանին

կատակագուսանների

կատակագուսաններին

կատակագուսանից

կատակագուսաններից

կատակագուսանով

կատակագուսաններով

կատակագուսանս

կատակագուսաններս

կատակագուսանիս

կատակագուսաններիս

կատակագուսանիցս

կատակագուսաններիցս

կատակագուսանովս

կատակագուսաններովս

կատակագուսանդ

կատակագուսաններդ

կատակագուսանիդ

կատակագուսաններիդ

կատակագուսանիցդ

կատակագուսաններիցդ

կատակագուսանովդ

կատակագուսաններովդ

/ɡɑdɑɡɑkuˈsɑn/

[ɡɑdɑɡɑkʰusɑ́n]

Learned borrowing from Old Armenian կատակագուսան (katakagusan).

lbor

կատակագուսան

(historical) a comical actor in medieval Armenian professional secular theater, corresponding to Ancient Greek μῖμος (mîmos)

hy:կատակագուսան


կատակագուսան

head

կատակագուսան • (katakagusan)

xcl-noun

կատակագուսան • (katakagusan)

katakagusan (romanization)
կատակագուսան (nominative singular)
կատակագուսանք (nominative plural)
կատակագուսանի (genitive singular)
կատակագուսանաց (genitive plural)
կատակագուսանի (dative singular)
կատակագուսանաց (dative plural)
կատակագուսան (accusative singular)
կատակագուսանս (accusative plural)
կատակագուսանէ (ablative singular)
կատակագուսանաց (ablative plural)
կատակագուսանաւ (instrumental singular)
կատակագուսանի (locative singular)
կատակագուսանս (locative plural)

xcl-decl-noun

կատակագուսան

կատակագուսանք

կատակագուսանի

կատակագուսանաց

կատակագուսանի

կատակագուսանաց

կատակագուսան

կատակագուսանս

կատակագուսանէ

կատակագուսանաց

կատակագուսանաւ

կատակագուսանաւք = կատակագուսանօք

կատակագուսանի

կատակագուսանս

Nor baṙgirkʿ haykazean lezui claims i-a declension for the word, but it does not give attestations for the oblique cases.

desc

կատակագուսան

→ Armenian: կատակագուսան (katakagusan) (learned)

Usually considered an inner-Armenian formation as կատակ (katak) + -ա- (-a-) + գուսան (gusan), but since both constituents are of Iranian origin, Asatryan argues for the possibility of a whole borrowing from Middle Persian *kātak-gōsān with a subsequent reshaping in Armenian with the infix -ա- (-a-).

affix

Որպէս կատակագուսանք յերկբայեն՝ յորս արժանն է յապաղել […]
Orpēs katakagusankʻ yerkbayen, yors aržann ē yapałel[…]


𐫃𐫇𐫘𐫀𐫗

head

𐫃𐫇𐫘𐫀𐫗 • (gōsān)

Arabic: جَوْسَان (jawsān, “Gypsy”)

desc

Classical Mandaic: [script needed] (gwsʾnʾ /gōsānā/)

desctree

Old Armenian: գուսան (gusan)
→ Armenian: գուսան (gusan)
→ English: gusan

Old Georgian: მგოსანი (mgosani)

Georgian: მგოსანი (mgosani)

qualifier

Persian: گوسان (gôsân), کوسان (kôsân) (or inherited from the Middle Persian cognate)

The origin is uncertain.
Asatryan proposes derivation from earlier *gōβ(a)sān (whence possibly Old Armenian գովասան (govasan)), contracted from *gōβ(a)sāhan (“praise-sayer, panegyrist”), from Old Iranian *gauba-sāhana-, the first part of which is inherited from Proto-Iranian *gáwbati (“to say; to say positively”), whereas *-sāhana is a secondary formation based on *sanhana- (“declaration”), from Proto-Iranian *cánhati (“to declare”), perhaps influenced by *sāhana- (“showing, indication, teaching”), from Proto-Iranian *sāh- (“to teach, instruct”). For the inner-Parthian -ā̆ha- → *-ā- contraction Asatryan compares the parallel seen in the etymon of վան (van).

cog

4th or 5th century, A Manichaean fragment
cwʾgwn gwsʾn ky hsyngʾn šhrdʾrʾn ʿwd kwʾn hwnr wyfrʾsyd ʿwd wxd ʿywyc ny kryd
čawāgōn gōsān kē hasēnagān šahrdārān ud kawān hunar wifrāsēd ud xwad ēwiž nē karēd
Like a gusan, who proclaims the worthiness of kings and heroes of old and himself achieves nothing at all.


παρουσιαστής

head

παρουσιαστές

παρουσιάστρια

παρουσιαστής • (parousiastís) m (plural παρουσιαστές, feminine παρουσιάστρια)

el-noun

παρουσιαστές

παρουσιάστρια

parousiastís (romanization)
παρουσιαστές (plural)
παρουσιάστρια (feminine)
παρουσιαστής (nominative singular)
παρουσιαστές (nominative plural)
παρουσιαστή (genitive singular)
παρουσιαστών (genitive plural)
παρουσιαστή (accusative singular)
παρουσιαστές (accusative plural)
παρουσιαστή (singular vocative)
παρουσιαστές (plural vocative)

el-decl-noun

παρουσιαστής

παρουσιαστές

παρουσιαστών

παρουσιαστές

παρουσιαστές

Learnedly, from the past stem παρουσιασ- (parousias-) of παρουσιάζω (parousiázo, “to present, introduce”) + -τής (-tís), formed as a calque of French présentateur.

af

(theater, television, radio) presenter, compere, newsreader


παρουσιάστρια

head

παρουσιάστριες

παρουσιαστής

παρουσιάστρια • (parousiástria) f (plural παρουσιάστριες, masculine παρουσιαστής)

el-noun

παρουσιάστριες

παρουσιαστής

parousiástria (romanization)
παρουσιάστριες (plural)
παρουσιαστής (masculine)
παρουσιάστρια (nominative singular)
παρουσιάστριες (nominative plural)
παρουσιάστριας (genitive singular)
παρουσιαστριών (genitive plural)
παρουσιάστρια (accusative singular)
παρουσιάστριες (accusative plural)
παρουσιάστρια (singular vocative)
παρουσιάστριες (plural vocative)

el-decl-noun

παρουσιάστρια

παρουσιάστριες

παρουσιάστριας

παρουσιαστριών

παρουσιάστρια

παρουσιάστριες

παρουσιάστρια

παρουσιάστριες


κομπέρ

(theater, television, radio) presenter, compere


teaterstykke

teaterstykket (definite singular)
teaterstykker (indefinite plural)
teaterstykka (definite plural)
teaterstykkene (definite plural)


teaterstykke

teaterstykket (definite singular)
teaterstykke (indefinite plural)
teaterstykka (definite plural)


tiền truyện

[tiən˨˩ t͡ɕwiən˧˨ʔ]

[tiəŋ˦˩ ʈwiəŋ˨˩ʔ]

[tiəŋ˨˩ ʈ⁽ʷ⁾iəŋ˨˩˨]

Bảo Liên Đăng tiền truyện

(literary, narratology) prequel; prelude


tục biên

[tʊwk͡p̚˧˨ʔ ʔɓiən˧˧]

[tʊwk͡p̚˨˩ʔ ʔɓiəŋ˧˧]

[tʊwk͡p̚˨˩˨ ʔɓiəŋ˧˧]

Đại Việt sử kí tục biên

Sequel to the Historical Records of the Great Viet


tiền biên

[tiən˨˩ ʔɓiən˧˧]

[tiəŋ˦˩ ʔɓiəŋ˧˧]

[tiəŋ˨˩ ʔɓiəŋ˧˧]

Đại Việt sử kí tiền biên

Prequel to the Historical Records of the Great Viet


förðun

is-noun

förðun f (genitive singular förðunar, no plural)

förðunar (genitive singular)
förðun (indefinite nominative singular)
förðunin (definite nominative singular)
förðun (accusative indefinite singular)
förðunina (accusative definite singular)
förðun (dative indefinite singular)
förðuninni (dative definite singular)
förðunar (genitive indefinite singular)
förðunarinnar (definite genitive singular)

(film, theater, television) makeup (the act of applying cosmetics)


gagman

gagman (nominative singular)
gagmani (nominative plural)
gagmana (genitive singular)
gagmanů (genitive plural)
gagmanovi (dative singular)
gagmanu (dative singular)
gagmanům (dative plural)
gagmana (accusative singular)
gagmany (accusative plural)
gagmane (singular vocative)
gagmani (plural vocative)
gagmanovi (locative singular)
gagmanu (locative singular)
gagmanech (locative plural)
gagmanem (instrumental singular)
gagmany (instrumental plural)


Gea

Borrowed from Ancient Greek Γαῖα (Gaîa).


昔昔

昔昔 (canonical)
mukashi mukashi (romanization)

Reduplication of 昔(むかし) (mukashi, “the past, old times”).

昔昔、遠いところに…


théatre

théatres (plural)
thiâtre (alternative)
théyâte (alternative)

Borrowed from Latin theatrum (compare French théâtre), from Ancient Greek θέατρον (théatron, “a place for viewing”), from θεάομαι (theáomai, “to see, to watch, to observe”).


théyâte

théyâtes (plural)
thiâtre (alternative)
théatre (alternative)

Borrowed from Latin theātrum (compare French théâtre), from Ancient Greek θέατρον (théatron, “a place for viewing”), from θεάομαι (theáomai, “to see, to watch, to observe”).


huumor

head

huumor (genitive huumori, partitive huumorit)

huumori (genitive)
huumorit (partitive)
huumor (nominative singular)
huumorid (nominative plural)
huumor (accusative nominative singular)
huumorid (accusative nominative plural)
huumori (accusative genitive singular)
huumorid (accusative genitive plural)
huumori (genitive singular)
huumorite (genitive plural)
huumorit (partitive singular)
huumoreid (partitive plural)
huumorisse (illative singular)
huumoritesse (illative plural)
huumoreisse (illative plural)
huumoris (inessive singular)
huumorites (inessive plural)
huumoreis (inessive plural)
huumorist (elative singular)
huumoritest (elative plural)
huumoreist (elative plural)
huumorile (allative singular)
huumoritele (allative plural)
huumoreile (allative plural)
huumoril (adessive singular)
huumoritel (adessive plural)
huumoreil (adessive plural)
huumorilt (ablative singular)
huumoritelt (ablative plural)
huumoreilt (ablative plural)
huumoriks (singular translative)
huumoriteks (plural translative)
huumoreiks (plural translative)
huumorini (singular terminative)
huumoriteni (plural terminative)
huumorina (essive singular)
huumoritena (essive plural)
huumorita (abessive singular)
huumoriteta (abessive plural)
huumoriga (comitative singular)
huumoritega (comitative plural)

Kõigepealt köidab tähelepanu huumor, millel kahes esimeses kogus on märgatav erikaal. Päris tabavalt on Vallaku huumorit nimetatud naeruta huumoriks, samuti on esikkogude arvustajad leidnud, et tema tundmuse joon vibreerib kord allasurutud nukruse, kord peidetud muige ja iroonia valda.

1965 January, Heino Puhvel, “Sihtjooni läbi Peet Vallaku loomingu”, in Keel ja Kirjandus, number 1:

First of all, there is the humour, which has a noticeable weight in the first two volumes. Quite aptly, Vallak's humour has been described as humour without laughter, and reviewers of the first collections have also found that his sense of humour vibrates sometimes with a suppressed melancholy, sometimes with hidden smiles and irony.


ochotník

cs-noun

ochotník m anim (female equivalent ochotnice)


akká:ra’ (first-person possessive singular)
onkeniká:ra’ (dual first-person possessive)
onkwaká:ra’ (first-person plural possessive)
saká:ra’ (possessive second-person singular)
seniká:ra’ (dual possessive second-person)
sewaká:ra’ (plural possessive second-person)
raoká:ra’ (dual possessive third-person)
akoká:ra’ (dual possessive third-person)
aoká:ra’ (dual possessive third-person)
raotiká:ra’ (plural possessive third-person)
aotiká:ra’ (plural possessive third-person)
tewakká:ra’ (first-person possessive singular)
teionkeniká:ra’ (dual first-person possessive)
teionkwaká:ra’ (first-person plural possessive)
tesaká:ra’ (possessive second-person singular)
teseniká:ra’ (dual possessive second-person)
tesewaká:ra’ (plural possessive second-person)
tehoká:ra’ (dual possessive third-person)
teioká:ra’ (dual possessive third-person)
teiakoká:ra’ (dual possessive third-person)
tehotiká:ra’ (plural possessive third-person)
teiotiká:ra’ (plural possessive third-person)

(narratology) account, narrative, story or tale


garderobiér

garderobiér m anim (female equivalent garderobiérka)

garderobiérka (feminine)
garderobiér (nominative singular)
garderobiéři (nominative plural)
garderobiéra (genitive singular)
garderobiérů (genitive plural)
garderobiérovi (dative singular)
garderobiéru (dative singular)
garderobiérům (dative plural)
garderobiéra (accusative singular)
garderobiéry (accusative plural)
garderobiére (singular vocative)
garderobiéři (plural vocative)
garderobiérovi (locative singular)
garderobiéru (locative singular)
garderobiérech (locative plural)
garderobiérem (instrumental singular)
garderobiéry (instrumental plural)

Pseudo-Gallicism, borrowed from German Garderobier. By surface analysis, garderoba + -iér.


歌舞劇

/kɤ⁵⁵ u²¹⁴⁻²¹ t͡ɕy⁵¹/

/kɔː⁵⁵ mou̯¹³ kʰɛːk̚²/

/ko³³⁻²³ bu⁵²⁻³⁵ kiaʔ⁴/

/kɤ⁵⁵ u²¹⁴⁻²¹ t͡ɕy⁵¹/

/kɔː⁵⁵ mou̯¹³ kʰɛːk̚²/

/ko³³⁻²³ bu⁵²⁻³⁵ kiaʔ⁴/


parquet circle

Part of the lower floor of a theatre with seats at the rear of the parquet and beneath the galleries.


Auntie Beeb

(UK, Ireland, Commonwealth, affectionate nickname) The BBC.


urdimento

(theater) the beams that support the fly system, curtains and lights of a stage


senso de humor

pt-noun

senso de humor m (plural sensos de humor)

sense of humour (the quality of an individual to find certain things funny)


luz de Drummond

(theater, obsolete) Drummond light, limelight (stage lighting obtained by burning lime)


fit-up

(theater) A portable stage that can be disassembled and taken from one venue to another.


cảnh

(cinematography, television, theater) scene (so much of a play as passes without change of locality or time)


horse and hattock

From the Scottish folk tradition that this is the cry that fairies make when they leave a place.

...but one of their number being, it seems, a little more bold and confident than his companion, said Horse and hattock with my top!' and immediately they all saw the top lifted up from the ground, but could not see which way it was carried, by reason of a cloud of dust which was raised at the same time.

1835, Fraser's magazine for town and country - Volume 11, page 219:

Archroy had noticed that his old Morris Minor, which his wife described as 'an eyesore', was no longer upon its blocks in the garage but seemed to have cried horse and hattock and been carried away by the fairies.

1992, Robert Rankin, The Antipope, →ISBN, page 18:

The Miscellanies of John Aubrey (1626-97) noted two cases involving the phrase "Horse and Hattock" and fairy levitation.

2001, Lizanne Henderson, Edward J. Cowan, Scottish Fairy Belief: A History, →ISBN, page 37:

A call that invokes the fairies to transport someone or something.


John Q. Law

Now if we cross the path of any John Q. Laws, nobody does a fuckin' thing 'til I do something.

1994, Quentin Tarantino, Roger Avary, Pulp Fiction, spoken by The Wolf (Harvey Keitel):


MFW

Overseas Filipino workers, known as O.F.W.s, are also returning to the country to earn crypto as M.F.W.s, or metaverse Filipino workers.

2024 March 18, Eli Tan, Jes Aznar, “What Meltdown? Crypto Comes Roaring Back in the Philippines.”, in The New York Times, →ISSN:

Metaverse Filipino Worker
Metaverse Filipino Worker#English

(Philippines, neologism) Initialism of Metaverse Filipino Worker.


exodos

Borrowed from Ancient Greek ἔξοδος (éxodos, “a departure”). Doublet of exodus.

bor

1994, Carlo Ferdinando Russo (author and translator), Aristophanes: An Author for the Stage, [1962, Aristofane autore di teatro], page 173,
The exodos requires three actors, one for the Athenian (thirty iambic trimeters), one for his companion (five iambic trimeters) and one for the Spartan Singer (three iambic trimeters and around forty lyrical lines).

Then scenes alternate with choral songs, till the final exodos ("going-out") of the actors and chorus.

2003, Francis Blessington, The Bacchae; Euripides: The Frogs; Aristophanes, page xix:

Every Greek drama ends with an exodos. It is obligatory that the stage be left empty. It is left by the actors and the chorus.

2006, Olga Freidenberg, Image and Concept, page 271:

Non-speaking Characters
Hermione in prologue and exodos, Pylades in exodos, Electra in exodos, Helen in exodos

2013, Cecelia Eaton Luschnig, editor, The Orestes Plays, page 140:

In this respect, the parodoi and the exodoi of Old Comedy may operate as typical literary sphragis-like pieces; see details in Hordern (2002) 228-9; Calame (2004a); on the exodoi of Aristophanes as signature pieces see Calame (2004b) 182-3.

2013, Sophia Papaioannou, “Chapter One: The Innovator's Poetic Self-Representation”, in Sophia Papaioannou, editor, Terence and Interpretation, footnote, page 27:

(drama, Ancient Greek drama) A final scene or departure in a play, especially a tragedy.


exodos

exodos (nominative singular)
exodosy (nominative plural)
exodosu (genitive singular)
exodosów (genitive plural)
exodosowi (dative singular)
exodosom (dative plural)
exodos (accusative singular)
exodosy (accusative plural)
exodosem (instrumental singular)
exodosami (instrumental plural)
exodosie (locative singular)
exodosach (locative plural)
exodosie (singular vocative)
exodosy (plural vocative)

Learned borrowing from Ancient Greek ἔξοδος (éxodos). Doublet of exodus.

lbor

(drama, Ancient Greek drama) exodos (final scene or departure in a play, especially a tragedy)


အငြိမ့်

အ- (a.-, “nominalizer”) + ငြိမ့် (ngrim., “to feel springy”)

af

anyeint, a form of Burmese entertainment involving singing, dancing, and comedy


rendezés

rendezések (plural)
rendezés (nominative singular)
rendezések (nominative plural)
rendezést (accusative singular)
rendezéseket (accusative plural)
rendezésnek (dative singular)
rendezéseknek (dative plural)
rendezéssel (instrumental singular)
rendezésekkel (instrumental plural)
rendezésért (causal-final singular)
rendezésekért (causal-final plural)
rendezéssé (singular translative)
rendezésekké (plural translative)
rendezésig (singular terminative)
rendezésekig (plural terminative)
rendezésként (essive-formal singular)
rendezésekként (essive-formal plural)
rendezésben (inessive singular)
rendezésekben (inessive plural)
rendezésen (singular superessive)
rendezéseken (plural superessive)
rendezésnél (adessive singular)
rendezéseknél (adessive plural)
rendezésbe (illative singular)
rendezésekbe (illative plural)
rendezésre (singular sublative)
rendezésekre (plural sublative)
rendezéshez (allative singular)
rendezésekhez (allative plural)
rendezésből (elative singular)
rendezésekből (elative plural)
rendezésről (delative singular)
rendezésekről (delative plural)
rendezéstől (ablative singular)
rendezésektől (ablative plural)
rendezésé (singular)
rendezéseké (plural)
rendezéséi (singular)
rendezésekéi (plural)
rendezésem (first-person possessed-single possessive singular)
rendezéseim (first-person possessed-many possessive singular)
rendezésed (possessed-single possessive second-person singular)
rendezéseid (possessed-many possessive second-person singular)
rendezése (possessed-single possessive singular third-person)
rendezései (possessed-many possessive singular third-person)
rendezésünk (first-person plural possessed-single possessive)
rendezéseink (first-person plural possessed-many possessive)
rendezésetek (plural possessed-single possessive second-person)
rendezéseitek (plural possessed-many possessive second-person)
rendezésük (plural possessed-single possessive third-person)
rendezéseik (plural possessed-many possessive third-person)

(film, theater) directing, mise en scène


Trololo

Onomatopoeia of how Eduard Khil vocalized "Я очень рад, ведь я, наконец, возвращаюсь домой (Ja očenʹ rad, vedʹ ja, nakonec, vozvraščajusʹ domoj)".

(Internet, neologism, informal) Eduard Khil's vocalized recording of the song "Я очень рад, ведь я, наконец, возвращаюсь домой (Ja očenʹ rad, vedʹ ja, nakonec, vozvraščajusʹ domoj)" and its accompanying music video, which has risen into a meme.


유머

유머 감각


memester

LL-Q1860 (eng)-Flame, not lame-memester.wav

He introduces such colorful and potentially significant groups as the Immediast Underground, Paper Tiger TV, and the merry 'memesters' who have taken the media revolution to the neurons of the worldbrain.

1996, Douglas Rushkoff, quoted on the praise page, in Media Virus!: Hidden Agendas in Popular Culture, Ballantine Books (1996; originally published 1995), unnumbered page

The conflict between the memesters and the creators of the source material ended with the creators throwing up their hands in defeat. It was simply impossible for YouTube to keep the stuff down.

2011, Cole Stryker, Epic Win for Anonymous: How 4chan's Army Conquered the Web, The Overlook Press, →ISBN:

Not all these photo pranks are as simple as planking: In stocking, memesters choose a banal stock photo and try to re-create it as faithfully as possible.

2011 October 30, Erin McKean, “Let’s go owling!”, in The Boston Globe:

A person who creates or enjoys memes, especially Internet ones.


מחזמר

he-noun

מַחֲזוֹת זֶמֶר

מַחֲזֶמֶר • (makhazémer) m (plural indefinite מַחֲזוֹת זֶמֶר)

מַחֲזֶמֶר (canonical)
makhazémer (romanization)
מַחֲזוֹת זֶמֶר (indefinite plural)

Blend of מַחֲזֶה (makhazé, “a play”) + זֶמֶר (zémer, “song, singing”).


sänkykohtaus

sänkykohtaus (nominative singular)
sänkykohtaukset (nominative plural)
sänkykohtaus (accusative nominative singular)
sänkykohtaukset (accusative nominative plural)
sänkykohtauksen (accusative genitive singular)
sänkykohtaukset (accusative genitive plural)
sänkykohtauksen (genitive singular)
sänkykohtausten (genitive plural)
sänkykohtauksien (genitive plural)
sänkykohtausta (partitive singular)
sänkykohtauksia (partitive plural)
sänkykohtauksessa (inessive singular)
sänkykohtauksissa (inessive plural)
sänkykohtauksesta (elative singular)
sänkykohtauksista (elative plural)
sänkykohtaukseen (illative singular)
sänkykohtauksiin (illative plural)
sänkykohtauksella (adessive singular)
sänkykohtauksilla (adessive plural)
sänkykohtaukselta (ablative singular)
sänkykohtauksilta (ablative plural)
sänkykohtaukselle (allative singular)
sänkykohtauksille (allative plural)
sänkykohtauksena (essive singular)
sänkykohtauksina (essive plural)
sänkykohtaukseksi (singular translative)
sänkykohtauksiksi (plural translative)
sänkykohtauksetta (abessive singular)
sänkykohtauksitta (abessive plural)
sänkykohtauksin (instructive plural)
See the possessive forms below. (comitative)
sänkykohtaukseni (nominative singular)
sänkykohtaukseni (nominative plural)
sänkykohtaukseni (accusative nominative singular)
sänkykohtaukseni (accusative nominative plural)
sänkykohtaukseni (accusative genitive singular)
sänkykohtaukseni (accusative genitive plural)
sänkykohtaukseni (genitive singular)
sänkykohtausteni (genitive plural)
sänkykohtauksieni (genitive plural)
sänkykohtaustani (partitive singular)
sänkykohtauksiani (partitive plural)
sänkykohtauksessani (inessive singular)
sänkykohtauksissani (inessive plural)
sänkykohtauksestani (elative singular)
sänkykohtauksistani (elative plural)
sänkykohtaukseeni (illative singular)
sänkykohtauksiini (illative plural)
sänkykohtauksellani (adessive singular)
sänkykohtauksillani (adessive plural)
sänkykohtaukseltani (ablative singular)
sänkykohtauksiltani (ablative plural)
sänkykohtaukselleni (allative singular)
sänkykohtauksilleni (allative plural)
sänkykohtauksenani (essive singular)
sänkykohtauksinani (essive plural)
sänkykohtauksekseni (singular translative)
sänkykohtauksikseni (plural translative)
sänkykohtauksettani (abessive singular)
sänkykohtauksittani (abessive plural)
sänkykohtauksineni (comitative plural)
sänkykohtauksesi (nominative singular)
sänkykohtauksesi (nominative plural)
sänkykohtauksesi (accusative nominative singular)
sänkykohtauksesi (accusative nominative plural)
sänkykohtauksesi (accusative genitive singular)
sänkykohtauksesi (accusative genitive plural)
sänkykohtauksesi (genitive singular)
sänkykohtaustesi (genitive plural)
sänkykohtauksiesi (genitive plural)
sänkykohtaustasi (partitive singular)
sänkykohtauksiasi (partitive plural)
sänkykohtauksessasi (inessive singular)
sänkykohtauksissasi (inessive plural)
sänkykohtauksestasi (elative singular)
sänkykohtauksistasi (elative plural)
sänkykohtaukseesi (illative singular)
sänkykohtauksiisi (illative plural)
sänkykohtauksellasi (adessive singular)
sänkykohtauksillasi (adessive plural)
sänkykohtaukseltasi (ablative singular)
sänkykohtauksiltasi (ablative plural)
sänkykohtauksellesi (allative singular)
sänkykohtauksillesi (allative plural)
sänkykohtauksenasi (essive singular)
sänkykohtauksinasi (essive plural)
sänkykohtaukseksesi (singular translative)
sänkykohtauksiksesi (plural translative)
sänkykohtauksettasi (abessive singular)
sänkykohtauksittasi (abessive plural)
sänkykohtauksinesi (comitative plural)
sänkykohtauksemme (nominative singular)
sänkykohtauksemme (nominative plural)
sänkykohtauksemme (accusative nominative singular)
sänkykohtauksemme (accusative nominative plural)
sänkykohtauksemme (accusative genitive singular)
sänkykohtauksemme (accusative genitive plural)
sänkykohtauksemme (genitive singular)
sänkykohtaustemme (genitive plural)
sänkykohtauksiemme (genitive plural)
sänkykohtaustamme (partitive singular)
sänkykohtauksiamme (partitive plural)
sänkykohtauksessamme (inessive singular)
sänkykohtauksissamme (inessive plural)
sänkykohtauksestamme (elative singular)
sänkykohtauksistamme (elative plural)
sänkykohtaukseemme (illative singular)
sänkykohtauksiimme (illative plural)
sänkykohtauksellamme (adessive singular)
sänkykohtauksillamme (adessive plural)
sänkykohtaukseltamme (ablative singular)
sänkykohtauksiltamme (ablative plural)
sänkykohtauksellemme (allative singular)
sänkykohtauksillemme (allative plural)
sänkykohtauksenamme (essive singular)
sänkykohtauksinamme (essive plural)
sänkykohtaukseksemme (singular translative)
sänkykohtauksiksemme (plural translative)
sänkykohtauksettamme (abessive singular)
sänkykohtauksittamme (abessive plural)
sänkykohtauksinemme (comitative plural)
sänkykohtauksenne (nominative singular)
sänkykohtauksenne (nominative plural)
sänkykohtauksenne (accusative nominative singular)
sänkykohtauksenne (accusative nominative plural)
sänkykohtauksenne (accusative genitive singular)
sänkykohtauksenne (accusative genitive plural)
sänkykohtauksenne (genitive singular)
sänkykohtaustenne (genitive plural)
sänkykohtauksienne (genitive plural)
sänkykohtaustanne (partitive singular)
sänkykohtauksianne (partitive plural)
sänkykohtauksessanne (inessive singular)
sänkykohtauksissanne (inessive plural)
sänkykohtauksestanne (elative singular)
sänkykohtauksistanne (elative plural)
sänkykohtaukseenne (illative singular)
sänkykohtauksiinne (illative plural)
sänkykohtauksellanne (adessive singular)
sänkykohtauksillanne (adessive plural)
sänkykohtaukseltanne (ablative singular)
sänkykohtauksiltanne (ablative plural)
sänkykohtauksellenne (allative singular)
sänkykohtauksillenne (allative plural)
sänkykohtauksenanne (essive singular)
sänkykohtauksinanne (essive plural)
sänkykohtaukseksenne (singular translative)
sänkykohtauksiksenne (plural translative)
sänkykohtauksettanne (abessive singular)
sänkykohtauksittanne (abessive plural)
sänkykohtauksinenne (comitative plural)
sänkykohtauksensa (nominative singular)
sänkykohtauksensa (nominative plural)
sänkykohtauksensa (accusative nominative singular)
sänkykohtauksensa (accusative nominative plural)
sänkykohtauksensa (accusative genitive singular)
sänkykohtauksensa (accusative genitive plural)
sänkykohtauksensa (genitive singular)
sänkykohtaustensa (genitive plural)
sänkykohtauksiensa (genitive plural)
sänkykohtaustaan (partitive singular)
sänkykohtaustansa (partitive singular)
sänkykohtauksiaan (partitive plural)
sänkykohtauksiansa (partitive plural)
sänkykohtauksessaan (inessive singular)
sänkykohtauksessansa (inessive singular)
sänkykohtauksissaan (inessive plural)
sänkykohtauksissansa (inessive plural)
sänkykohtauksestaan (elative singular)
sänkykohtauksestansa (elative singular)
sänkykohtauksistaan (elative plural)
sänkykohtauksistansa (elative plural)
sänkykohtaukseensa (illative singular)
sänkykohtauksiinsa (illative plural)
sänkykohtauksellaan (adessive singular)
sänkykohtauksellansa (adessive singular)
sänkykohtauksillaan (adessive plural)
sänkykohtauksillansa (adessive plural)
sänkykohtaukseltaan (ablative singular)
sänkykohtaukseltansa (ablative singular)
sänkykohtauksiltaan (ablative plural)
sänkykohtauksiltansa (ablative plural)
sänkykohtaukselleen (allative singular)
sänkykohtauksellensa (allative singular)
sänkykohtauksilleen (allative plural)
sänkykohtauksillensa (allative plural)
sänkykohtauksenaan (essive singular)
sänkykohtauksenansa (essive singular)
sänkykohtauksinaan (essive plural)
sänkykohtauksinansa (essive plural)
sänkykohtauksekseen (singular translative)
sänkykohtaukseksensa (singular translative)
sänkykohtauksikseen (plural translative)
sänkykohtauksiksensa (plural translative)
sänkykohtauksettaan (abessive singular)
sänkykohtauksettansa (abessive singular)
sänkykohtauksittaan (abessive plural)
sänkykohtauksittansa (abessive plural)
sänkykohtauksineen (comitative plural)
sänkykohtauksinensa (comitative plural)

[ˈs̠æŋk̟yˌko̞xt̪ɑ̝us̠]


abgehen

de-verb

abgehen (class 7 strong, third-person singular present geht ab, past tense ging ab, past participle abgegangen, auxiliary sein)

geht ab (present singular third-person)
ging ab (past)
abgegangen (participle past)
sein (auxiliary)
sein (auxiliary)
abgehen (infinitive)
abgehend (participle present)
abgegangen (participle past)
abzugehen (infinitive infinitive-zu)
gehe ab (first-person indicative present singular)
gehen ab (first-person indicative plural present)
gehe ab (first-person singular subjunctive subjunctive-i)
gehen ab (first-person plural subjunctive subjunctive-i)
gehst ab (indicative present second-person singular)
geht ab (indicative plural present second-person)
gehest ab (second-person singular subjunctive subjunctive-i)
gehet ab (plural second-person subjunctive subjunctive-i)
geht ab (indicative present singular third-person)
gehen ab (indicative plural present third-person)
gehe ab (singular subjunctive subjunctive-i third-person)
gehen ab (plural subjunctive subjunctive-i third-person)
ging ab (first-person indicative preterite singular)
gingen ab (first-person indicative plural preterite)
ginge ab (first-person singular subjunctive subjunctive-ii)
gingen ab (first-person plural subjunctive subjunctive-ii)
gingst ab (indicative preterite second-person singular)
gingt ab (indicative plural preterite second-person)
gingest ab (second-person singular subjunctive subjunctive-ii)
gingst ab (second-person singular subjunctive subjunctive-ii)
ginget ab (plural second-person subjunctive subjunctive-ii)
gingt ab (plural second-person subjunctive subjunctive-ii)
ging ab (indicative preterite singular third-person)
gingen ab (indicative plural preterite third-person)
ginge ab (singular subjunctive subjunctive-ii third-person)
gingen ab (plural subjunctive subjunctive-ii third-person)
geh ab (imperative second-person singular)
gehe ab (imperative second-person singular)
geht ab (imperative plural second-person)
sein (auxiliary)
abgehe (first-person indicative present singular subordinate-clause)
abgehen (first-person indicative plural present subordinate-clause)
abgehe (first-person singular subjunctive subjunctive-i subordinate-clause)
abgehen (first-person plural subjunctive subjunctive-i subordinate-clause)
abgehst (indicative present second-person singular subordinate-clause)
abgeht (indicative plural present second-person subordinate-clause)
abgehest (second-person singular subjunctive subjunctive-i subordinate-clause)
abgehet (plural second-person subjunctive subjunctive-i subordinate-clause)
abgeht (indicative present singular subordinate-clause third-person)
abgehen (indicative plural present subordinate-clause third-person)
abgehe (singular subjunctive subjunctive-i subordinate-clause third-person)
abgehen (plural subjunctive subjunctive-i subordinate-clause third-person)
abging (first-person indicative preterite singular subordinate-clause)
abgingen (first-person indicative plural preterite subordinate-clause)
abginge (first-person singular subjunctive subjunctive-ii subordinate-clause)
abgingen (first-person plural subjunctive subjunctive-ii subordinate-clause)
abgingst (indicative preterite second-person singular subordinate-clause)
abgingt (indicative plural preterite second-person subordinate-clause)
abgingest (second-person singular subjunctive subjunctive-ii subordinate-clause)
abgingst (second-person singular subjunctive subjunctive-ii subordinate-clause)
abginget (plural second-person subjunctive subjunctive-ii subordinate-clause)
abgingt (plural second-person subjunctive subjunctive-ii subordinate-clause)
abging (indicative preterite singular subordinate-clause third-person)
abgingen (indicative plural preterite subordinate-clause third-person)
abginge (singular subjunctive subjunctive-ii subordinate-clause third-person)
abgingen (plural subjunctive subjunctive-ii subordinate-clause third-person)
sein (auxiliary)
bin abgegangen (first-person indicative multiword-construction perfect singular)
sind abgegangen (first-person indicative multiword-construction perfect plural)
sei abgegangen (first-person multiword-construction perfect singular subjunctive)
seien abgegangen (first-person multiword-construction perfect plural subjunctive)
bist abgegangen (indicative multiword-construction perfect second-person singular)
seid abgegangen (indicative multiword-construction perfect plural second-person)
seist abgegangen (multiword-construction perfect second-person singular subjunctive)
seiest abgegangen (multiword-construction perfect second-person singular subjunctive)
seiet abgegangen (multiword-construction perfect plural second-person subjunctive)
ist abgegangen (indicative multiword-construction perfect singular third-person)
sind abgegangen (indicative multiword-construction perfect plural third-person)
sei abgegangen (multiword-construction perfect singular subjunctive third-person)
seien abgegangen (multiword-construction perfect plural subjunctive third-person)
war abgegangen (first-person indicative multiword-construction pluperfect singular)
waren abgegangen (first-person indicative multiword-construction pluperfect plural)
wäre abgegangen (first-person multiword-construction pluperfect singular subjunctive)
wären abgegangen (first-person multiword-construction pluperfect plural subjunctive)
warst abgegangen (indicative multiword-construction pluperfect second-person singular)
wart abgegangen (indicative multiword-construction pluperfect plural second-person)
wärst abgegangen (multiword-construction pluperfect second-person singular subjunctive)
wärest abgegangen (multiword-construction pluperfect second-person singular subjunctive)
wärt abgegangen (multiword-construction pluperfect plural second-person subjunctive)
wäret abgegangen (multiword-construction pluperfect plural second-person subjunctive)
war abgegangen (indicative multiword-construction pluperfect singular third-person)
waren abgegangen (indicative multiword-construction pluperfect plural third-person)
wäre abgegangen (multiword-construction pluperfect singular subjunctive third-person)
wären abgegangen (multiword-construction pluperfect plural subjunctive third-person)
abgehen werden (future future-i infinitive multiword-construction)
werde abgehen (first-person future future-i multiword-construction singular subjunctive subjunctive-i)
werden abgehen (first-person future future-i multiword-construction plural subjunctive subjunctive-i)
werdest abgehen (future future-i multiword-construction second-person singular subjunctive subjunctive-i)
werdet abgehen (future future-i multiword-construction plural second-person subjunctive subjunctive-i)
werde abgehen (future future-i multiword-construction singular subjunctive subjunctive-i third-person)
werden abgehen (future future-i multiword-construction plural subjunctive subjunctive-i third-person)
werde abgehen (first-person future future-i indicative multiword-construction singular)
werden abgehen (first-person future future-i indicative multiword-construction plural)
würde abgehen (first-person future future-i multiword-construction singular subjunctive subjunctive-ii)
würden abgehen (first-person future future-i multiword-construction plural subjunctive subjunctive-ii)
wirst abgehen (future future-i indicative multiword-construction second-person singular)
werdet abgehen (future future-i indicative multiword-construction plural second-person)
würdest abgehen (future future-i multiword-construction second-person singular subjunctive subjunctive-ii)
würdet abgehen (future future-i multiword-construction plural second-person subjunctive subjunctive-ii)
wird abgehen (future future-i indicative multiword-construction singular third-person)
werden abgehen (future future-i indicative multiword-construction plural third-person)
würde abgehen (future future-i multiword-construction singular subjunctive subjunctive-ii third-person)
würden abgehen (future future-i multiword-construction plural subjunctive subjunctive-ii third-person)
abgegangen sein werden (future future-ii infinitive multiword-construction)
werde abgegangen sein (first-person future future-ii multiword-construction singular subjunctive subjunctive-i)
werden abgegangen sein (first-person future future-ii multiword-construction plural subjunctive subjunctive-i)
werdest abgegangen sein (future future-ii multiword-construction second-person singular subjunctive subjunctive-i)
werdet abgegangen sein (future future-ii multiword-construction plural second-person subjunctive subjunctive-i)
werde abgegangen sein (future future-ii multiword-construction singular subjunctive subjunctive-i third-person)
werden abgegangen sein (future future-ii multiword-construction plural subjunctive subjunctive-i third-person)
werde abgegangen sein (first-person future future-ii indicative multiword-construction singular)
werden abgegangen sein (first-person future future-ii indicative multiword-construction plural)
würde abgegangen sein (first-person future future-ii multiword-construction singular subjunctive subjunctive-ii)
würden abgegangen sein (first-person future future-ii multiword-construction plural subjunctive subjunctive-ii)
wirst abgegangen sein (future future-ii indicative multiword-construction second-person singular)
werdet abgegangen sein (future future-ii indicative multiword-construction plural second-person)
würdest abgegangen sein (future future-ii multiword-construction second-person singular subjunctive subjunctive-ii)
würdet abgegangen sein (future future-ii multiword-construction plural second-person subjunctive subjunctive-ii)
wird abgegangen sein (future future-ii indicative multiword-construction singular third-person)
werden abgegangen sein (future future-ii indicative multiword-construction plural third-person)
würde abgegangen sein (future future-ii multiword-construction singular subjunctive subjunctive-ii third-person)
würden abgegangen sein (future future-ii multiword-construction plural subjunctive subjunctive-ii third-person)

From Middle High German abegān, from Old High German abagān. Equivalent to ab- + gehen.

Das Stück ist zu Ende, die Darsteller gehen von der Bühne ab.

The play is over, the performers exit the stage.

(intransitive, theater) to exit the stage


cortina de ferro

pt-noun

cortina de ferro f (plural cortinas de ferro)

(theater) iron curtain (barrier between the stage and the auditorium)


fantochada

puppet show (theatrical performance with puppets)


sword swallowing

The act of passing a sword through the mouth and down the esophagus to the stomach, and then removing it.