倈

Phono-semantic compound (形聲 /形声, OC *rɯ): semantic 亻 (“person”) + phonetic 來 (OC *m·rɯːɡ).

Han compound

(opera, in Chinese opera 雜劇／杂剧 (zájù)) the role of a child or an errand boy

(opera, in Chinese opera 雜劇／杂剧 (zájù)) Used as a filler word or sentence-ending particle.


打

desc

→ Korean: 치다 (chida, “to call (on the telephone)”) (semantic loan)

→ Zhuang: daj

Phono-semantic compound (形聲 /形声, OC *rteŋʔ, *teːŋʔ): semantic 扌 (“hand”) + phonetic 丁 (OC *rteːŋ, *teːŋ).
This post-classical word (its earliest extant attestation is in Shuowen) was pronounced *teŋ in Late Old Chinese, as would be expected from a 丁 phonetic. By the early Ming period, the character had been borrowed (訓讀／训读) for another word with the same meaning but a different pronunciation, without the nasal ending. This may be related to the previous reading, as a dialectal variant. In Mandarin and some other varieties, the new reading became standard; however, derivations of the older pronunciation are still used in other varieties such as Wu and Min Nan, as well as Vietnamese (đánh).
It has been compared to Mizo dêng (“to throw; to fling; to hammer”) and proposed to be from Sino-Tibetan (Schuessler, 2007). Also compare Proto-Mon-Khmer *dah ~ daʔ (“to hit, to meet”), whence Mon ဒး (tɛ̀h, “to hit (a mark), meet with, reach [goal], be correct, apposite, to fit”) and Khmer ទះ (tĕəh, “to slap, to strike”).
The pronunciation da is recorded in 六書故 as 都假切.

cog

to hit (a mark), meet with, reach 􂀿goal􂁀, be correct, apposite, to fit

(opera) A particle used between reduplicated syllables.


淨

/t͡sʰi̯aŋ⁵⁵/

/t͡sʰi̯aŋ⁵⁵/

Likely related to 清 (OC *sʰleŋ, “clean, pure”); see there for more.

净
浄
㵾
瀞
𩓞
凈
净


生

Ideogrammic compound (會意 /会意): 屮 (“bud”) + 一 (“ground”) – sprouting from the ground. A conservative version is 𤯓, which is unrelated to 㞷 (匩 > 匡) and 𡴀 > 丰.
From Proto-Sino-Tibetan *sreŋ (“to live; to be alive; to give birth; raw; green”). Cognate with Burmese ရှင် (hrang, “to live; alive”), Mizo hring (“to bear; to bring forth; to give birth to; green”).
Schuessler (2007) proposes that Proto-Sino-Tibetan *sriŋ is derived from the root *sri (“to exist”) (whence possibly Chinese 體 (OC *r̥ʰiːʔ, “body; shape; form”)) + *-ŋ (terminative suffix).
Both level tone and falling tone readings are found in Middle Chinese, but the latter has since been lost and is merged into the level-tone reading in modern dialects.
Related to 青 (OC *sʰleːŋ, “blue-green”), 蒼 (OC *sʰaːŋ, *sʰaːŋʔ, “dark blue; deep green”).
Derivatives: 性 (OC *sleŋs, “nature; character; personality; quality”), 姓 (OC *sleŋs, “family name”).
Pronunciation in Early Middle Chinese is *sraeng, but it comes from an earlier *srjaeng, as seen in Wang Renxu's edition of the Qieyun.

och-l

GT - General Taiwanese (no specific region identified)


軸

Phono-semantic compound (形聲 /形声, OC *l'ɯwɢ) and ideogrammic compound (會意 /会意): semantic 車 (“cart, carriage”) + phonetic 由 (OC *lɯw, “to pass through”) — the axle that passes through a cartwheel.

Han compound

(theater, opera) last item on a theatrical performance


opero

eo-head

opero (accusative singular operon, plural operoj, accusative plural operojn)

operon (accusative singular)
operoj (plural)
operojn (accusative plural)


opero

Borrowed from Esperanto opero, English opera, French opéra, German Oper, Italian opera, Russian о́пера (ópera), Spanish ópera.


prima donna

en-noun

prima donna (plural prima donnas or prime donne or (nonstandard) primae donnae)

prima donnas (plural)
prime donne (plural)
primae donnae (nonstandard plural)

/ˌpɹiːməˈdɒnə/

From Italian prima donna (“first lady”).

The truth is, the inhabitants of that languid and luxurious city wanted some little variety; and the minister ... supported a favourite actress in the range of first-rate characters in the Opera—supported her against the united musical opinion of Naples. One night she sang worse than ever; and the next morning half the city rose up, demanding liberty and a new prima donna.

1831, L[etitia] E[lizabeth] L[andon], Romance and Reality. […], volume III, London: Henry Colburn and Richard Bentley, […], →OCLC, pages 255–256:

(opera) The principal female singer or the leading lady.


opera

eo-head

opera (accusative singular operan, plural operaj, accusative plural operajn)

operan (accusative singular)
operaj (plural)
operajn (accusative plural)


opera

operâu (plural)
opera
hopera (prothesis-h)


melodrama

en-noun

melodrama (countable and uncountable, plural melodramas or melodramata)

melodramas (plural)
melodramata (plural)

/ˈmɛləˌdɹɑːmə/

From French mélodrame, the second element refashioned by analogy with drama; ultimately from Ancient Greek μέλος (mélos, “limb”, “member”, “song”, “tune”, “melody”) + δρᾶμα (drâma, “deed”, “theatrical act”). Compare melodrame. Cognate to German Melodram and Spanish melodrama.

der

The grave-digging scene in Beethoven's “Fidelio” has much melodrama.

Rudolf was the bold, bad Baron of traditional melodrama. Irene was young, as pretty as a picture, fresh from a music academy in England. He was the scion of an ancient noble family; she an orphan without money or friends.

1956, Delano Ames, chapter 9, in Crime out of Mind:

(countable, opera) A passage in which the orchestra plays a somewhat descriptive accompaniment, while the actor speaks.


opera house

/ˈɑp.ɹə ˌhaʊ̯s/

A theatre, or similar building, primarily used for staging opera.


ritornello

en-noun

ritornello (plural ritornellos or ritornelli)

ritornellos (plural)
ritornelli (plural)
ritornel (alternative)
ritornell (alternative)
ritornelle (alternative)

Italian ritornello, diminutive of ritorno (“return”), from ritornare (“to return”): compare French ritournelle.

(music) A recurring tutti passage in Baroque music for orchestra or chorus.


登場

/tɤŋ⁵⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/tɤŋ⁵⁵ ʈ͡ʂʰɑŋ³⁵/

/tɐŋ⁵⁵ t͡sʰœːŋ²¹/

/tiɪŋ⁴⁴⁻²² tiũ²⁴/

/tɤŋ⁵⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/tɤŋ⁵⁵ ʈ͡ʂʰɑŋ³⁵/

/tɐŋ⁵⁵ t͡sʰœːŋ²¹/

/tiɪŋ⁴⁴⁻²² tiũ²⁴/

/tɤŋ⁵⁵ ʈ͡ʂʰɑŋ³⁵/

/tɤŋ⁵⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/tɐŋ⁵⁵ t͡sʰœːŋ²¹/

/tiɪŋ⁴⁴⁻²² tiũ²⁴/

(opera) to enter the stage or scene; to appear in performance


intermezzo

intermezzo (nominative singular)
intermezza (nominative plural)
intermezza (genitive singular)
intermezzów (genitive plural)
intermezzu (dative singular)
intermezzom (dative plural)
intermezzo (accusative singular)
intermezza (accusative plural)
intermezzem (instrumental singular)
intermezzami (instrumental plural)
intermezzu (locative singular)
intermezzach (locative plural)
intermezzo (singular vocative)
intermezza (plural vocative)

Unadapted borrowing from Italian intermezzo. Doublet of intermedium.

ubor

(music, opera) intermezzo (short piece of music or act in the interval of the main spectacle)

(historical, music, opera) intermezzo (musical and dramatic interlude of a comic character, performed in the antracts of Italian opera in the 17th–18th centuries)


primadonna

primadonna (nominative singular)
primadonny (nominative plural)
primadonny (genitive singular)
primadonn (genitive plural)
primadonnie (dative singular)
primadonnom (dative plural)
primadonnę (accusative singular)
primadonny (accusative plural)
primadonną (instrumental singular)
primadonnami (instrumental plural)
primadonnie (locative singular)
primadonnach (locative plural)
primadonno (singular vocative)
primadonny (plural vocative)

Borrowed from Italian prima donna (“first lady”).


Primadonna

de-noun

Primadonna f (genitive Primadonna, plural Primadonnen)

Primadonna (genitive)
Primadonnen (plural)
Primadonna (nominative singular)
Primadonnen (definite nominative plural)
Primadonna (genitive singular)
Primadonnen (definite genitive plural)
Primadonna (dative singular)
Primadonnen (dative definite plural)
Primadonna (accusative singular)
Primadonnen (accusative definite plural)

18th century, from Italian prima donna (literally “first woman”).


京劇

CJKV/code

Sino-Xenic (京劇):
* → Japanese: 京(きょう)劇(げき) (kyōgeki); 京(けい)劇(げき) (keigeki)
* → Korean: 경극(京劇) (gyeonggeuk)
* → Vietnamese: Kinh kịch (京劇)

→ Zhuang: ginghgi

/t͡ɕiŋ⁵⁵ t͡ɕy⁵¹/

/kɪŋ⁵⁵ kʰɛːk̚²/

/kiŋ⁵³³⁻¹¹ kiʔ⁴/

/kiŋ⁵⁴⁴⁻²¹ kiʔ⁴/

/kiã³³ kiɔk̚²⁴/

/kiã⁴⁴⁻²² kiɔk̚⁴/

/kiã⁴⁴⁻³³ kiɔk̚⁴/

/kiã⁴⁴⁻²² kiak̚¹²¹/

/t͡ɕiŋ⁵⁵ t͡ɕy⁵¹/

/kɪŋ⁵⁵ kʰɛːk̚²/

/kiŋ⁵³³⁻¹¹ kiʔ⁴/

/kiŋ⁵⁴⁴⁻²¹ kiʔ⁴/

/kiã³³ kiɔk̚²⁴/

/kiã⁴⁴⁻²² kiɔk̚⁴/

/kiã⁴⁴⁻³³ kiɔk̚⁴/

/kiã⁴⁴⁻²² kiak̚¹²¹/


京劇

ja-noun

京(きょう)劇(げき) • (kyōgeki) ^(←きやうげき (kyaugeki)?)

京劇 (canonical)
kyōgeki (romanization)
kyaugeki (romanization)
きやうげき (hiragana historical)


歌仔戲

CJKV/code

Sino-Xenic (歌仔戲):
* → Japanese: 歌(か)仔(し)戯(ぎ) (kashigi)
* → Korean: 가자희(歌仔戲) (gajahui)

/kɤ⁵⁵ t͡saɪ̯²¹⁴⁻²¹ ɕi⁵¹/

/kɤ⁵⁵ t͡sz̩²¹⁴⁻²¹ ɕi⁵¹/

/kɔː⁵⁵ t͡sɐi̯³⁵ hei̯³³/

/kua⁴⁴⁻³³ a⁵³⁻⁴⁴ hi¹¹/

/kua⁴⁴⁻³³ a⁵³⁻⁵⁵ hi²¹/

/kua⁴⁴⁻³³ a⁴¹⁻⁴⁴ hi²¹/

/kua³³ a⁵⁵⁴⁻²⁴ hi⁴¹/

/kua³³ a⁵⁵⁻³⁵ hi³¹/

/kua⁴⁴⁻²² a⁵³⁻⁴⁴ hi²¹/

/kuai⁴⁴⁻²² a⁵³⁻²⁴ hi¹²/

/kɤ⁵⁵ t͡saɪ̯²¹⁴⁻²¹ ɕi⁵¹/

/kɤ⁵⁵ t͡sz̩²¹⁴⁻²¹ ɕi⁵¹/

/kɔː⁵⁵ t͡sɐi̯³⁵ hei̯³³/

/kua⁴⁴⁻³³ a⁵³⁻⁴⁴ hi¹¹/

/kua⁴⁴⁻³³ a⁵³⁻⁵⁵ hi²¹/

/kua⁴⁴⁻³³ a⁴¹⁻⁴⁴ hi²¹/

/kua³³ a⁵⁵⁴⁻²⁴ hi⁴¹/

/kua³³ a⁵⁵⁻³⁵ hi³¹/

/kua⁴⁴⁻²² a⁵³⁻⁴⁴ hi²¹/

/kuai⁴⁴⁻²² a⁵³⁻²⁴ hi¹²/

Grandpa wants to watch MTV, while Grandma wants to watch Taiwanese opera

2009, 阿公阿嬷的故事, Dancing Queen, Alice Ong (王汶玲)

a-kong beh khòaⁿ MTV, a-má beh khòaⁿ koa-á-hì

阿公欲看MTV，阿媽欲看歌仔戲

阿公欲看MTV，阿妈欲看歌仔戏


Regisseur

de-noun

Regisseur m (strong, genitive Regisseurs, plural Regisseure, feminine Regisseurin)

Regisseurs (genitive)
Regisseure (plural)
Regisseurin (feminine)
Regisseur (nominative singular)
Regisseure (definite nominative plural)
Regisseurs (genitive singular)
Regisseure (definite genitive plural)
Regisseur (dative singular)
Regisseuren (dative definite plural)
Regisseur (accusative singular)
Regisseure (accusative definite plural)

[ʁeʒɪˈsøːɐ̯]

Borrowed from French régisseur, which stands for bailiff or trustee in English, as well as assistant director in theater. The word is actually a false friend; in French the film director is a metteur en scène or sometimes réalisateur, but never a régisseur.

(film, theater or opera) director (male or of unspecified gender)


老闆

/lɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/lau²¹³⁻²⁴ ˈpan²¹³/

/lau⁵³⁻¹¹ pæ̃⁵³/

/l̃o³³⁻³⁵ pɛiŋ³³/

/lau⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/lau³⁵⁻¹¹ paŋ⁵²/

/lau⁵²⁻³⁵ paŋ⁵²⁻²¹/

/lɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/lau²¹³⁻²⁴ ˈpan²¹³/

/lau⁵³⁻¹¹ pæ̃⁵³/

/l̃o³³⁻³⁵ pɛiŋ³³/

/lau⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/lau³⁵⁻¹¹ paŋ⁵²/

/lau⁵²⁻³⁵ paŋ⁵²⁻²¹/

From earlier 老辦／老办 or 老班, from 老 (lǎo, “a respectful prefix”) + 辦／办 (bàn, “to manage”) or 班 (bān, “group”); 闆 and 板 in 老闆／老板 are phonetic loan characters; first attested as 老辦／老办 in the 16ᵗʰ century (Yang, 2012).

(honorific) famous actor in Beijing opera


ária

áriák (plural)
ária (nominative singular)
áriák (nominative plural)
áriát (accusative singular)
áriákat (accusative plural)
áriának (dative singular)
áriáknak (dative plural)
áriával (instrumental singular)
áriákkal (instrumental plural)
áriáért (causal-final singular)
áriákért (causal-final plural)
áriává (singular translative)
áriákká (plural translative)
áriáig (singular terminative)
áriákig (plural terminative)
áriaként (essive-formal singular)
áriákként (essive-formal plural)
áriában (inessive singular)
áriákban (inessive plural)
árián (singular superessive)
áriákon (plural superessive)
áriánál (adessive singular)
áriáknál (adessive plural)
áriába (illative singular)
áriákba (illative plural)
áriára (singular sublative)
áriákra (plural sublative)
áriához (allative singular)
áriákhoz (allative plural)
áriából (elative singular)
áriákból (elative plural)
áriáról (delative singular)
áriákról (delative plural)
áriától (ablative singular)
áriáktól (ablative plural)
áriáé (singular)
áriáké (plural)
áriáéi (singular)
áriákéi (plural)
áriám (first-person possessed-single possessive singular)
áriáim (first-person possessed-many possessive singular)
áriád (possessed-single possessive second-person singular)
áriáid (possessed-many possessive second-person singular)
áriája (possessed-single possessive singular third-person)
áriái (possessed-many possessive singular third-person)
áriánk (first-person plural possessed-single possessive)
áriáink (first-person plural possessed-many possessive)
áriátok (plural possessed-single possessive second-person)
áriáitok (plural possessed-many possessive second-person)
áriájuk (plural possessed-single possessive third-person)
áriáik (plural possessed-many possessive third-person)

(music) aria (a musical piece written typically for a solo voice with orchestral accompaniment in an opera or cantata)


przedstawienie

przedstawienie (nominative singular)
przedstawienia (nominative plural)
przedstawienia (genitive singular)
przedstawień (genitive plural)
przedstawieniu (dative singular)
przedstawieniom (dative plural)
przedstawienie (accusative singular)
przedstawienia (accusative plural)
przedstawieniem (instrumental singular)
przedstawieniami (instrumental plural)
przedstawieniu (locative singular)
przedstawieniach (locative plural)
przedstawienie (singular vocative)
przedstawienia (plural vocative)

(countable, ballet, opera, theater) performance


文丑

/wən³⁵ ʈ͡ʂʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/mɐn²¹ t͡sʰɐu̯³⁵/

/wən³⁵ ʈ͡ʂʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/mɐn²¹ t͡sʰɐu̯³⁵/

(Chinese opera) clown skilled in dialogue and acting


premiera

pl-noun

premiera f (related adjective premierowy)

premierowy (adjective)
premiera (nominative singular)
premiery (nominative plural)
premiery (genitive singular)
premier (genitive plural)
premierze (dative singular)
premierom (dative plural)
premierę (accusative singular)
premiery (accusative plural)
premierą (instrumental singular)
premierami (instrumental plural)
premierze (locative singular)
premierach (locative plural)
premiero (singular vocative)
premiery (plural vocative)

(film, opera, theater) premiere (first showing of a film, play, opera, or other form of entertainment, often held as a special event with celebrity guests)


libreto

libreto (absolutive indefinite)
libretoa (absolutive indefinite singular)
libretoak (absolutive indefinite plural)
libretok (ergative indefinite)
libretoak (ergative indefinite singular)
libretoek (ergative indefinite plural)
libretori (dative indefinite)
libretoari (dative indefinite singular)
libretoei (dative indefinite plural)
libretoren (genitive indefinite)
libretoaren (genitive indefinite singular)
libretoen (genitive indefinite plural)
libretorekin (comitative indefinite)
libretoarekin (comitative indefinite singular)
libretoekin (comitative indefinite plural)
libretorengatik (causative indefinite)
libretoarengatik (causative indefinite singular)
libretoengatik (causative indefinite plural)
libretorentzat (benefactive indefinite)
libretoarentzat (benefactive indefinite singular)
libretoentzat (benefactive indefinite plural)
libretoz (indefinite instrumental)
libretoaz (indefinite instrumental singular)
libretoez (indefinite instrumental plural)
libretotan (indefinite inessive)
libretoan (indefinite inessive singular)
libretoetan (indefinite inessive plural)
libretotako (indefinite locative)
libretoko (indefinite locative singular)
libretoetako (indefinite locative plural)
libretotara (allative indefinite)
libretora (allative indefinite singular)
libretoetara (allative indefinite plural)
libretotaraino (indefinite terminative)
libretoraino (indefinite singular terminative)
libretoetaraino (indefinite plural terminative)
libretotarantz (directive indefinite)
libretorantz (directive indefinite singular)
libretoetarantz (directive indefinite plural)
libretotarako (destinative indefinite)
libretorako (destinative indefinite singular)
libretoetarako (destinative indefinite plural)
libretotatik (ablative indefinite)
libretotik (ablative indefinite singular)
libretoetatik (ablative indefinite plural)
libretorik (indefinite partitive)
libretotzat (indefinite prolative)


libreto

eo-head

libreto (accusative singular libreton, plural libretoj, accusative plural libretojn)

libreton (accusative singular)
libretoj (plural)
libretojn (accusative plural)

LL-Q143 (epo)-Robin van der Vliet-libreto.wav


libreto

Borrowing from Esperanto libreto. Equivalent to libro + -et-.


opéra comique

fr-noun

opéra comique m (plural opéras comiques)


opéra

Borrowed from Italian opera, from Latin opera. Doublet of œuvre and opus.


singspiel

en-noun

singspiel (countable and uncountable, plural singspiels)

(music, uncountable) An early German form of opera consisting of spoken dialogue interspersed with song.

(music, countable) An opera in this style.


越劇

CJKV/code

Sino-Xenic (越劇):
* → Japanese: 越劇(えつげき) (etsugeki)
* → Korean: 월극(越劇) (wolgeuk)

/ɥɛ⁵¹⁻⁵³ t͡ɕy⁵¹/

/jyːt̚² kʰɛːk̚²/

/uat̚⁴⁻³² kiɔk̚⁴/

/ɦyɪʔ¹¹ d͡ʑiɪʔ²³/

/ɦioʔ¹¹ d͡ʑiɪʔ²³/

/ɥɛ⁵¹⁻⁵³ t͡ɕy⁵¹/

/jyːt̚² kʰɛːk̚²/

/uat̚⁴⁻³² kiɔk̚⁴/

/ɦyɪʔ¹¹ d͡ʑiɪʔ²³/

/ɦioʔ¹¹ d͡ʑiɪʔ²³/

(music) Yue opera; Shaoxing opera (a form of Chinese opera particularly popular in Zhejiang, Jiangsu and Shanghai)


antiopera

(opera) An opera (dramatical production) that deliberately avoids the typical conventions of the opera.

antiópera

an opera that deliberately avoids typical conventions


白局

/paɪ̯³⁵ t͡ɕy³⁵/

/paɪ̯³⁵ t͡ɕy³⁵/

(opera) baiju (a form of narrative singing from Nanjing, China)


河北梆子

ㄏㄜˊ ㄅㄟˇ ㄅㄤ ˙ㄗ

ㄏㄜˊ ㄅㄟˇ ㄅㄤ ˙ㄗ

Хэбэй банцзы

/xɤ³⁵ peɪ̯²¹⁴⁻²¹ pɑŋ⁵⁵ d͡z̥z̩²/

/ho²⁴⁻²² pak̚³²⁻⁴ paŋ⁴⁴⁻²² t͡su⁵³/

/xɤ³⁵ peɪ̯²¹⁴⁻²¹ pɑŋ⁵⁵ d͡z̥z̩²/

/ho²⁴⁻²² pak̚³²⁻⁴ paŋ⁴⁴⁻²² t͡su⁵³/

(opera) Hebei bangzi, a genre of Chinese opera from the northern province of Hebei and nearby cities such as Beijing and Tianjin


花鼓戲

/xu̯ä⁵⁵ ku²¹⁴⁻²¹ ɕi⁵¹/

/faː⁵⁵ kuː³⁵ hei̯³³/

/xu̯ä⁵⁵ ku²¹⁴⁻²¹ ɕi⁵¹/

/faː⁵⁵ kuː³⁵ hei̯³³/

huaguxi (a form of Chinese opera from Hunan, China)


歌劇

Sino-Xenic (歌劇):
* → Japanese: 歌劇(かげき) (kageki)
* → Korean: 가극(歌劇) (gageuk)
* → Vietnamese: ca kịch (歌劇)

/kɤ⁵⁵ t͡ɕy⁵¹/

/kɔː⁵⁵ kʰɛːk̚²/

/kua⁴⁴⁻³³ kiɔk̚⁴/

/kua⁴⁴⁻²² kiɔk̚⁴/

/ko⁴⁴⁻²² kiak̚¹²¹/

/kɔ³³ kiɔk̚²⁴/

/kua⁴⁴⁻³³ kiɪk̚⁴/

/ko⁴⁴⁻²² kiɔk̚⁴/

/kɤ⁵⁵ t͡ɕy⁵¹/

/kɔː⁵⁵ kʰɛːk̚²/

/kua⁴⁴⁻³³ kiɔk̚⁴/

/kua⁴⁴⁻²² kiɔk̚⁴/

/ko⁴⁴⁻²² kiak̚¹²¹/

/kɔ³³ kiɔk̚²⁴/

/kua⁴⁴⁻³³ kiɪk̚⁴/

/ko⁴⁴⁻²² kiɔk̚⁴/

歌劇演員

歌剧演员


戲曲

Sino-Xenic (戲曲):
* → Japanese: 戯(ぎ)曲(きょく) (gikyoku)
* → Korean: 희곡(戱曲) (huigok)
* → Vietnamese: hí khúc (戲曲)

/ɕi⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/hei̯³³ kʰʊk̚⁵/

/hi⁴¹⁻⁵⁵⁴ kʰiɔk̚⁵/

/hi²¹⁻⁵³ kʰiɔk̚³²/

/hi¹¹⁻⁵³ kʰiɪk̚³²/

/hi²¹⁻⁴¹ kʰiɪk̚³²/

/hi²¹³⁻⁵⁵ kʰek̚²/

/ɕi⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/hei̯³³ kʰʊk̚⁵/

/hi⁴¹⁻⁵⁵⁴ kʰiɔk̚⁵/

/hi²¹⁻⁵³ kʰiɔk̚³²/

/hi¹¹⁻⁵³ kʰiɪk̚³²/

/hi²¹⁻⁴¹ kʰiɪk̚³²/

/hi²¹³⁻⁵⁵ kʰek̚²/


樣板戲

/jɑŋ⁵¹ pän²¹⁴⁻²¹ ɕi⁵¹/

ㄧㄤˋ ㄅㄢˇㄦ ㄒㄧˋ

/jɑŋ⁵¹ pɑɻ²¹⁴⁻²¹ ɕi⁵¹/

/jœːŋ²² paːn³⁵ hei̯³³/

/jɑŋ⁵¹ pän²¹⁴⁻²¹ ɕi⁵¹/

/jɑŋ⁵¹ pɑɻ²¹⁴⁻²¹ ɕi⁵¹/

/jœːŋ²² paːn³⁵ hei̯³³/

(opera, historical) model opera or revolutionary opera, performed in China during the Cultural Revolution


Sydney Opera House

A multi-venue performing arts centre in Sydney, New South Wales, Australia.


木頭

→ Korean: 무투 (mutu, “log, timber”)

/mu⁵¹ tʰoʊ̯¹/

/mʊk̚² tʰɐu̯²¹/

/məʔ² tʰəu⁴⁵/

/bɔk̚¹²¹⁻²¹ tʰau¹³/

/bɔk̚⁴⁻³² tʰau²⁴/

/moʔ¹¹ dɤ²³/

/mu⁵¹ tʰoʊ̯¹/

/mʊk̚² tʰɐu̯²¹/

/məʔ² tʰəu⁴⁵/

/bɔk̚¹²¹⁻²¹ tʰau¹³/

/bɔk̚⁴⁻³² tʰau²⁴/

/moʔ¹¹ dɤ²³/

(Jin, opera, music) wooden clappers (small, rectangular, high-pitched wood block used in Jin opera)


intermedium

intermedium (nominative singular)
intermedia (nominative plural)
intermedium (genitive singular)
intermediów (genitive plural)
intermedium (dative singular)
intermediom (dative plural)
intermedium (accusative singular)
intermedia (accusative plural)
intermedium (instrumental singular)
intermediami (instrumental plural)
intermedium (locative singular)
intermediach (locative plural)
intermedium (singular vocative)
intermedia (plural vocative)

Learned borrowing from Latin intermedium. Doublet of intermezzo.

lbor

(music, opera, theater) interlude (short piece put between the parts of a longer composition)

(music, opera) interlude (musical interlude of a cheerful character, performed between acts of a play or opera)

(music, opera) intermezzo (short piece of music or act in the interval of the main spectacle)


operaház

operaházak (plural)
operaház (nominative singular)
operaházak (nominative plural)
operaházat (accusative singular)
operaházakat (accusative plural)
operaháznak (dative singular)
operaházaknak (dative plural)
operaházzal (instrumental singular)
operaházakkal (instrumental plural)
operaházért (causal-final singular)
operaházakért (causal-final plural)
operaházzá (singular translative)
operaházakká (plural translative)
operaházig (singular terminative)
operaházakig (plural terminative)
operaházként (essive-formal singular)
operaházakként (essive-formal plural)
operaházban (inessive singular)
operaházakban (inessive plural)
operaházon (singular superessive)
operaházakon (plural superessive)
operaháznál (adessive singular)
operaházaknál (adessive plural)
operaházba (illative singular)
operaházakba (illative plural)
operaházra (singular sublative)
operaházakra (plural sublative)
operaházhoz (allative singular)
operaházakhoz (allative plural)
operaházból (elative singular)
operaházakból (elative plural)
operaházról (delative singular)
operaházakról (delative plural)
operaháztól (ablative singular)
operaházaktól (ablative plural)
operaházé (singular)
operaházaké (plural)
operaházéi (singular)
operaházakéi (plural)
operaházam (first-person possessed-single possessive singular)
operaházaim (first-person possessed-many possessive singular)
operaházad (possessed-single possessive second-person singular)
operaházaid (possessed-many possessive second-person singular)
operaháza (possessed-single possessive singular third-person)
operaházai (possessed-many possessive singular third-person)
operaházunk (first-person plural possessed-single possessive)
operaházaink (first-person plural possessed-many possessive)
operaházatok (plural possessed-single possessive second-person)
operaházaitok (plural possessed-many possessive second-person)
operaházuk (plural possessed-single possessive third-person)
operaházaik (plural possessed-many possessive third-person)

opera house (a theatre, or similar building, primarily used for staging opera)


Soubrette

de-noun

Soubrette f (genitive Soubrette, plural Soubretten)

Soubrette (genitive)
Soubretten (plural)
Soubrette (nominative singular)
Soubretten (definite nominative plural)
Soubrette (genitive singular)
Soubretten (definite genitive plural)
Soubrette (dative singular)
Soubretten (dative definite plural)
Soubrette (accusative singular)
Soubretten (accusative definite plural)


粵劇

/ɥɛ⁵¹⁻⁵³ t͡ɕy⁵¹/

/jyːt̚² kʰɛːk̚²/

/ɥɛ⁵¹⁻⁵³ t͡ɕy⁵¹/

/jyːt̚² kʰɛːk̚²/


フィナーレ

ja-noun

フィナーレ • (fināre)


primadono

eo-head

primadono (accusative singular primadonon, plural primadonoj, accusative plural primadonojn)

primadonon (accusative singular)
primadonoj (plural)
primadonojn (accusative plural)


finał

pl-noun

finał m inan (related adjective finałowy)

finałowy (adjective)
finał (nominative singular)
finały (nominative plural)
finału (genitive singular)
finałów (genitive plural)
finałowi (dative singular)
finałom (dative plural)
finał (accusative singular)
finały (accusative plural)
finałem (instrumental singular)
finałami (instrumental plural)
finale (locative singular)
finałach (locative plural)
finale (singular vocative)
finały (plural vocative)

Internationalism; compare English final, French finale, German Finale, ultimately from Italian finale, from Late Latin fīnālis.

(opera) finale (end of the entire opera or one of its acts)


ceoldráma

head

ceoldráma m (genitive singular ceoldráma, nominative plural ceoldrámaí)

ceoldráma (genitive singular)
ceoldrámaí (nominative plural)
ceoldráma (indefinite nominative singular)
ceoldrámaí (indefinite nominative plural)
a cheoldráma (indefinite singular vocative)
a cheoldrámaí (indefinite plural vocative)
ceoldráma (genitive indefinite singular)
ceoldrámaí (genitive indefinite plural)
ceoldráma (dative indefinite singular)
ceoldrámaí (dative indefinite plural)
an ceoldráma (definite nominative singular)
na ceoldrámaí (definite nominative plural)
an cheoldráma (definite genitive singular)
na gceoldrámaí (definite genitive plural)
leis an gceoldráma (dative definite singular)
don cheoldráma (dative definite singular)
leis na ceoldrámaí (dative definite plural)
ceoldráma
cheoldráma
gceoldráma

From ceol (“music”) + dráma (“drama, (stage-)play”).


曲藝

/t͡ɕʰy²¹⁴⁻²¹ i⁵¹/

/kʰʊk̚⁵ ŋɐi̯²²/

/kʰiɔk̚⁵⁻²⁴ ɡe⁴¹/

/kʰiɔk̚³²⁻⁴ ɡe²²/

/kʰiɔk̚³²⁻⁵ ɡe²²/

/t͡ɕʰioʔ³³ n̠ʲi⁴⁴/

/t͡ɕʰyɪʔ³³ n̠ʲi⁴⁴/

/t͡ɕʰy²¹⁴⁻²¹ i⁵¹/

/kʰʊk̚⁵ ŋɐi̯²²/

/kʰiɔk̚⁵⁻²⁴ ɡe⁴¹/

/kʰiɔk̚³²⁻⁴ ɡe²²/

/kʰiɔk̚³²⁻⁵ ɡe²²/

/t͡ɕʰioʔ³³ n̠ʲi⁴⁴/

/t͡ɕʰyɪʔ³³ n̠ʲi⁴⁴/

quyi; a category of traditional, usually non-staged, Chinese vocal art forms such as ballad singing (唱曲 (chàngqǔ) or 彈唱／弹唱 (tánchàng)), storytelling (說書／说书 (shuōshū)), comic dialogues (小品 (xiǎopǐn)), clapper talk (快板 (kuàibǎn)), and crosstalk (相聲／相声 (xiàngsheng))


opérette

→ Arabic: أوبريت (ʔōberēt)

→ Persian: اپرت (operet)

→ Turkish: operet


Opera

Opera (nominative singular)
Operát (accusative singular)
Operának (dative singular)
Operával (instrumental singular)
Operáért (causal-final singular)
Operává (singular translative)
Operáig (singular terminative)
Operaként (essive-formal singular)
Operában (inessive singular)
Operán (singular superessive)
Operánál (adessive singular)
Operába (illative singular)
Operára (singular sublative)
Operához (allative singular)
Operából (elative singular)
Operáról (delative singular)
Operától (ablative singular)
Operáé (singular)
Operáéi (singular)
Operám (first-person possessed-single possessive singular)
Operád (possessed-single possessive second-person singular)
Operája (possessed-single possessive singular third-person)
Operánk (first-person plural possessed-single possessive)
Operátok (plural possessed-single possessive second-person)
Operájuk (plural possessed-single possessive third-person)

Magyar Állami Operaház
Magyar Állami Operaház#Hungarian

(music) alternative form of Operaház, ellipsis of Magyar Állami Operaház (“Hungarian State Opera House”) (as an institution or as a building)


Lindmania

enthusiasm for Jenny Lind (Johanna Maria Lind, 1820–1887), Swedish opera singer


秦腔

CJKV/code

Sino-Xenic (秦腔):
* → Japanese: 秦腔(しんこう) (shinkō)
* → Korean: 진강(秦腔) (jin'gang)

/t͡ɕʰin³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/t͡sʰɵn²¹ hɔːŋ⁵⁵/

/t͡ɕʰin³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/t͡sʰɵn²¹ hɔːŋ⁵⁵/

Qinqiang (the representative folk Chinese opera of the northwest province of Shaanxi, China)


豫劇

/y⁵¹⁻⁵³ t͡ɕy⁵¹/

/jyː²² kʰɛːk̚²/

/y⁵¹⁻⁵³ t͡ɕy⁵¹/

/jyː²² kʰɛːk̚²/

Henan opera; Yu opera (traditional opera from Henan, China)


平劇

/pʰiŋ³⁵ t͡ɕy⁵¹/

/pʰɪŋ²¹ kʰɛːk̚²/

/pʰiŋ³⁵ t͡ɕy⁵¹/

/pʰɪŋ²¹ kʰɛːk̚²/

From abbreviation of 北平 (Běipíng) (Beiping, former name of Beijing) + 劇／剧 (jù, “opera”).


板腔體

/pän²¹⁴⁻²¹ t͡ɕʰi̯ɑŋ⁵⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/pän²¹⁴⁻²¹ t͡ɕʰi̯ɑŋ⁵⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

the banqiang style (literally "beat and tune style"), a system of text-setting, used primarily in Chinese opera, in which the music functions as an element subsidiary to the text


黃梅戲

ㄏㄨㄤˊ ㄇㄟˊ ㄒㄧˋ

ㄏㄨㄤˊ ㄇㄟˊ ㄒㄧˋ

/xu̯ɑŋ³⁵ meɪ̯³⁵ ɕi⁵¹/

/wɔːŋ²¹ muːi̯²¹ hei̯³³/

/xu̯ɑŋ³⁵ meɪ̯³⁵ ɕi⁵¹/

/wɔːŋ²¹ muːi̯²¹ hei̯³³/


折子戲

/ʈ͡ʂɤ³⁵ d͡z̥z̩³ ɕi⁵¹/

/ʈ͡ʂɤ³⁵ d͡z̥z̩³ ɕi⁵¹/


大淨

/tua²²⁻²¹ t͡siã²²/

/tua²²⁻²¹ t͡siã²²/

(Hokkien, opera) painted-face role (in Chinese opera)


opera seria

en-noun

opera seria (countable and uncountable, plural opere serie)


念白

/ni̯ɛn⁵¹ paɪ̯³⁵/

/liam⁴¹⁻²² peʔ²⁴/

/liam²²⁻²¹ pɛʔ¹²¹/

/ni̯ɛn⁵¹ paɪ̯³⁵/

/liam⁴¹⁻²² peʔ²⁴/

/liam²²⁻²¹ pɛʔ¹²¹/


雜劇

/t͡sä³⁵ t͡ɕy⁵¹/

/t͡saːp̚² kʰɛːk̚²/

/t͡sä³⁵ t͡ɕy⁵¹/

/t͡saːp̚² kʰɛːk̚²/

(opera) Zaju (a form of Chinese drama or opera)


布袋戲

⇒ Indonesian: wayang potehi

/pu⁵¹⁻⁵³ taɪ̯⁵¹⁻⁵³ ɕi⁵¹/

/pou̯³³ tɔːi̯²² hei̯³³/

/pɔ²¹⁻⁵³ te²²⁻²¹ hi²¹/

/pɔ²¹⁻⁴¹ te³³⁻²¹ hi²¹/

/pɔ¹¹⁻⁵³ te³³⁻¹¹ hi¹¹/

/pɔ⁴¹⁻⁵⁵⁴ te⁴¹⁻²² hi⁴¹/

/pu⁵¹⁻⁵³ taɪ̯⁵¹⁻⁵³ ɕi⁵¹/

/pou̯³³ tɔːi̯²² hei̯³³/

/pɔ²¹⁻⁵³ te²²⁻²¹ hi²¹/

/pɔ²¹⁻⁴¹ te³³⁻²¹ hi²¹/

/pɔ¹¹⁻⁵³ te³³⁻¹¹ hi¹¹/

/pɔ⁴¹⁻⁵⁵⁴ te⁴¹⁻²² hi⁴¹/

布袋戲尪仔／布袋戏尪仔 [Hokkien] ― pò͘-tē-hì ang-á [Pe̍h-ōe-jī] ― a puppet in glove puppetry

glove puppetry (a type of drama using cloth puppets originated in Southern Min-speaking regions of China); glove puppet show


toi, toi, toi

/tɔɪ tɔɪ tɔɪ/

From German toi, toi, toi, which see for more.

good luck

considered to bring misfortune if used in the theatre

(theater, opera) A superstitious expression of encouragement prior to a performance.


Ringnut

From ring + nut, by analogy with wingnut.

Ringnuts have been known to wear plastic versions of those helmets while standing in line outside the opera house.

2007 July 8, Charles McGrath, “‘Ring’ Pilgrims: On the Horns of a Devotion”, in The New York Times:

For Ringnuts who may be alarmed by the new ticket policy, there is a modest loophole, discovered by Mr. Hardt.

2008 April 10, Daniel J. Wakin, “‘Ring’ Fans and the Met Lock Horns Over Ticket Rule”, in The New York Times:

It's the same with Wagner's operas (apart from Dutchman) - one is either a "Ringnut" or completely indifferent.

2008 June 15, graham, “Re: Where is everyone?”, in uk.food+drink.misc (Usenet):

(slang, humorous or derogatory) A fan of the opera cycle Der Ring des Nibelungen by Richard Wagner.


Ringhead

And Ringheads aren't the only ones who are drawn to Wagner: only Hitler and Shakespeare have attracted so many biographers, analysts and apologists.

2005 August 7, Melinda Bargreen, “Ringheads have fiery devotion”, in The Seattle Times:

Ringheads, also known as Wagnolaters, often travel the world to hear the cycle, reserving special devotion for Bayreuth, Germany, where Wagner’s own theater stands.

Sherwin Sloan retired early as an ophthalmologist to pursue an obsession that bestowed another title — leader of the "Ringheads," a nickname for fans of Richard Wagner's four-opera cycle known as "The Ring."

2010 June 5, Valerie J. Nelson, “Wagner fan led 'Ringheads'”, in Chicago Tribune:

(slang) A fan of the opera cycle Der Ring des Nibelungen by Richard Wagner.


Wagnerite

The magic and charm of Bayreuth will never vanish. It is an experience every music lover in general and every Wagnerite in particular owes to himself at least once in a lifetime.

1999 August 23, Michael Ajzenstadt, “Bayreuth's magic endures”, in The Jerusalem Post:

As always, this year's 30 performances were sold out well before curtain time, with nearly 60,000 Wagnerites paying hundreds of euros for the best tickets.

2005 July 31, George Jahn, “Wagner festival attracts stars and opera lovers”, in Deseret News:

Herrmann, like many Wagnerites, started listening to opera as a youngster: "My father played the old 78 rpm recordings for me, and had me read the Edda [Old Norse sagas, one of Wagner's major sources for his 'Ring']."

An admirer of the German composer Richard Wagner or his work.


歌劇院

/kɤ⁵⁵ t͡ɕy⁵¹⁻⁵³ ɥɛn⁵¹/

/kɔː⁵⁵ kʰɛːk̚² jyːn²²⁻³⁵/

/kua⁴⁴⁻³³ kiɔk̚⁴⁻³² ĩ³³/

/kua⁴⁴⁻³³ kiɪk̚⁴⁻³² ĩ³³/

/kɤ⁵⁵ t͡ɕy⁵¹⁻⁵³ ɥɛn⁵¹/

/kɔː⁵⁵ kʰɛːk̚² jyːn²²⁻³⁵/

/kua⁴⁴⁻³³ kiɔk̚⁴⁻³² ĩ³³/

/kua⁴⁴⁻³³ kiɪk̚⁴⁻³² ĩ³³/


呂劇

/ly²¹⁴⁻²¹ t͡ɕy⁵¹/

/lɵy̯¹³ kʰɛːk̚²/

/ly²¹⁴⁻²¹ t͡ɕy⁵¹/

/lɵy̯¹³ kʰɛːk̚²/

(opera) Lü opera (a variety of Chinese opera from the eastern province of Shandong, China)


婺劇

/u⁵¹⁻⁵³ t͡ɕy⁵¹/

/mou̯²² kʰɛːk̚²/

/u⁵¹⁻⁵³ t͡ɕy⁵¹/

/mou̯²² kʰɛːk̚²/

(opera) wuju, a form of Chinese opera from Jinhua, in the eastern province of Zhejiang, China (also performed in northeastern Jiangxi province)


道白

/tɑʊ̯⁵¹ paɪ̯³⁵/

/tɑʊ̯⁵¹ paɪ̯³⁵/


評劇

/pʰiŋ³⁵ t͡ɕy⁵¹/

/pʰɪŋ²¹ kʰɛːk̚²/

/pʰiŋ³⁵ t͡ɕy⁵¹/

/pʰɪŋ²¹ kʰɛːk̚²/

(opera) Pingju (a form of Chinese opera)


甌劇

/ˀoʊ̯⁵⁵ t͡ɕy⁵¹/

/ɐu̯⁵⁵ kʰɛːk̚²/

/ˀoʊ̯⁵⁵ t͡ɕy⁵¹/

/ɐu̯⁵⁵ kʰɛːk̚²/

(opera) Ouju, a form of Chinese opera from Wenzhou


喜歌劇

/ɕi²¹⁴⁻²¹ kɤ⁵⁵ t͡ɕy⁵¹/

/hei̯³⁵ kɔː⁵⁵ kʰɛːk̚²/

/ɕi²¹⁴⁻²¹ kɤ⁵⁵ t͡ɕy⁵¹/

/hei̯³⁵ kɔː⁵⁵ kʰɛːk̚²/


antiópera

/ˌɐ̃.t͡ʃiˈɔ.pe.ɾɐ/

/ˌɐ̃.t͡ʃiˈɔ.pe.ɾɐ/

/ˌɐ̃.tiˈɔ.pɨ.ɾɐ/

(opera) antiopera (an opera that deliberately avoids typical conventions)


江淮戲

ㄐㄧㄤ ㄏㄨㄞˊ ㄒㄧˋ

ㄐㄧㄤ ㄏㄨㄞˊ ㄒㄧˋ

/t͡ɕi̯ɑŋ⁵⁵ xu̯aɪ̯³⁵ ɕi⁵¹/

/t͡ɕi̯ɑŋ⁵⁵ xu̯aɪ̯³⁵ ɕi⁵¹/

Jianghuai opera; Huai opera (a form of local Chinese opera from Jiangsu and Shanghai)


潮劇

/ʈ͡ʂʰɑʊ̯³⁵ t͡ɕy⁵¹/

/t͡sʰiːu̯²¹ kʰɛːk̚²/

/ʈ͡ʂʰɑʊ̯³⁵ t͡ɕy⁵¹/

/t͡sʰiːu̯²¹ kʰɛːk̚²/


idirchluiche

head

idirchluiche m (genitive singular idirchluiche, nominative plural idirchluichí)

idirchluiche (genitive singular)
idirchluichí (nominative plural)
idirchluiche (indefinite nominative singular)
idirchluichí (indefinite nominative plural)
a idirchluiche (indefinite singular vocative)
a idirchluichí (indefinite plural vocative)
idirchluiche (genitive indefinite singular)
idirchluichí (genitive indefinite plural)
idirchluiche (dative indefinite singular)
idirchluichí (dative indefinite plural)
an t-idirchluiche (definite nominative singular)
na hidirchluichí (definite nominative plural)
an idirchluiche (definite genitive singular)
na n-idirchluichí (definite genitive plural)
leis an idirchluiche (dative definite singular)
don idirchluiche (dative definite singular)
leis na hidirchluichí (dative definite plural)
idirchluiche
n-idirchluiche
hidirchluiche
t-idirchluiche

From idir- (“inter-”) + cluiche (“game”).


Cav and Pag

/ˈkæv ən ˈpæɡ/

(opera, informal) The two one-act operas Cavalleria rusticana and Pagliacci presented as a single event.


崑曲

CJKV/code

Sino-Xenic (崑曲):
* → Japanese: 崑(こん)曲(きょく) (konkyoku)
* → Korean: 곤곡(崑曲) (gon'gok)
* → Vietnamese: Côn khúc (崑曲)

/kʰu̯ən⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/kʷʰɐn⁵⁵ kʰʊk̚⁵/

/kʰun⁴⁴⁻³³ kʰiɪk̚³²/

/kʰun⁴⁴⁻²² kʰiɪk̚³²/

/kʰun⁴⁴⁻²² kʰiɔk̚³²/

/kʰuən⁵⁵ t͡ɕʰyɪʔ²¹/

/kʰuən⁵⁵ t͡ɕʰioʔ²¹/

/kʰu̯ən⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/kʷʰɐn⁵⁵ kʰʊk̚⁵/

/kʰun⁴⁴⁻³³ kʰiɪk̚³²/

/kʰun⁴⁴⁻²² kʰiɪk̚³²/

/kʰun⁴⁴⁻²² kʰiɔk̚³²/

/kʰuən⁵⁵ t͡ɕʰyɪʔ²¹/

/kʰuən⁵⁵ t͡ɕʰioʔ²¹/

Kunqu (a form of Chinese opera that originated in Kunshan, Jiangsu)


崑劇

/kʰu̯ən⁵⁵ t͡ɕy⁵¹/

/kʷʰɐn⁵⁵ kʰɛːk̚²/

/kʰu̯ən⁵⁵ t͡ɕy⁵¹/

/kʷʰɐn⁵⁵ kʰɛːk̚²/

Kunju (a form of Chinese opera that originated in Kunshan, Jiangsu)


崑腔

/kʰu̯ən⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/kʷʰɐn⁵⁵ hɔːŋ⁵⁵/

/kʰuən⁵⁵ t͡ɕʰiã²¹/

/kʰu̯ən⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/kʷʰɐn⁵⁵ hɔːŋ⁵⁵/

/kʰuən⁵⁵ t͡ɕʰiã²¹/


崑山腔

/kʰu̯ən⁵⁵ ʂän⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/kʷʰɐn⁵⁵ saːn⁵⁵ hɔːŋ⁵⁵/

/kʰu̯ən⁵⁵ ʂän⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/kʷʰɐn⁵⁵ saːn⁵⁵ hɔːŋ⁵⁵/


薌劇

/ɕi̯ɑŋ⁵⁵ t͡ɕy⁵¹/

/hœːŋ⁵⁵ kʰɛːk̚²/

/hiɔŋ⁴⁴⁻²² kiɔk̚⁴/

/hiɔŋ³³ kiɔk̚²⁴/

/hiɔŋ⁴⁴⁻²² kiɔk̚¹²¹/

/hiɔŋ⁴⁴⁻³³ kiɔk̚⁴/

/hiɔŋ⁴⁴⁻³³ kiɔk̚⁴/

/ɕi̯ɑŋ⁵⁵ t͡ɕy⁵¹/

/hœːŋ⁵⁵ kʰɛːk̚²/

/hiɔŋ⁴⁴⁻²² kiɔk̚⁴/

/hiɔŋ³³ kiɔk̚²⁴/

/hiɔŋ⁴⁴⁻²² kiɔk̚¹²¹/

/hiɔŋ⁴⁴⁻³³ kiɔk̚⁴/

/hiɔŋ⁴⁴⁻³³ kiɔk̚⁴/

From 薌／芗 (xiāng), short for 薌江／芗江, an alternative name for Zhangzhou + 劇／剧 (jù, “opera”).

(music) a branch of Taiwanese opera popular in Zhangzhou


川劇

/ʈ͡ʂʰu̯än⁵⁵ t͡ɕy⁵¹/

/t͡sʰyːn⁵⁵ kʰɛːk̚²/

/ʈ͡ʂʰu̯än⁵⁵ t͡ɕy⁵¹/

/t͡sʰyːn⁵⁵ kʰɛːk̚²/


滬劇

/xu⁵¹⁻⁵³ t͡ɕy⁵¹/

/wuː²² kʰɛːk̚²/

/ɦu²² d͡ʑiɪʔ⁴⁴/

/ɦu²² d͡ʑiaʔ⁴⁴/

/xu⁵¹⁻⁵³ t͡ɕy⁵¹/

/wuː²² kʰɛːk̚²/

/ɦu²² d͡ʑiɪʔ⁴⁴/

/ɦu²² d͡ʑiaʔ⁴⁴/


閩劇

/min²¹⁴⁻²¹ t͡ɕy⁵¹/

/mɐn¹³ kʰɛːk̚²/

/mɐn²¹ kʰɛːk̚²/

/miŋ⁵³⁻³³ kʰyoʔ⁵/

/ban²⁴⁻²² kiɔk̚⁴/

/bin²⁴⁻²² kiɔk̚⁴/

/min²¹⁴⁻²¹ t͡ɕy⁵¹/

/mɐn¹³ kʰɛːk̚²/

/mɐn²¹ kʰɛːk̚²/

/miŋ⁵³⁻³³ kʰyoʔ⁵/

/ban²⁴⁻²² kiɔk̚⁴/

/bin²⁴⁻²² kiɔk̚⁴/

Min opera (a type of Chinese opera originating in the region around Fuzhou)


漢劇

/xän⁵¹⁻⁵³ t͡ɕy⁵¹/

/hɔːn³³ kʰɛːk̚²/

/hɔn⁵³⁻⁵⁵ kʰiak̚¹/

/han²¹⁻⁵³ kiɔk̚⁴/

/xän⁵¹⁻⁵³ t͡ɕy⁵¹/

/hɔːn³³ kʰɛːk̚²/

/hɔn⁵³⁻⁵⁵ kʰiak̚¹/

/han²¹⁻⁵³ kiɔk̚⁴/


晉劇

/t͡ɕin⁵¹⁻⁵³ t͡ɕy⁵¹/

/t͡sɵn³³ kʰɛːk̚²/

/t͡ɕiŋ⁴⁵ t͡ɕy⁴⁵/

/t͡ɕin⁵¹⁻⁵³ t͡ɕy⁵¹/

/t͡sɵn³³ kʰɛːk̚²/

/t͡ɕiŋ⁴⁵ t͡ɕy⁴⁵/

(opera) Jin opera (a style of Chinese opera originating in Shanxi)


梨園戲

/li³⁵ ɥɛn³⁵ ɕi⁵¹/

/le²⁴⁻²² hŋ̍²⁴⁻²² hi⁴¹/

/li³⁵ ɥɛn³⁵ ɕi⁵¹/

/le²⁴⁻²² hŋ̍²⁴⁻²² hi⁴¹/

(opera) A form of Chinese opera originating in Quanzhou, Fujian.


蒲劇

/pʰu³⁵ t͡ɕy⁵¹/

/pʰou̯²¹ kʰɛːk̚²/

/pʰu³⁵ t͡ɕy⁵¹/

/pʰou̯²¹ kʰɛːk̚²/

(music) Pu opera (a variety of Chinese opera from southern Shanxi, China)


湘劇

/ɕi̯ɑŋ⁵⁵ t͡ɕy⁵¹/

/sœːŋ⁵⁵ kʰɛːk̚²/

/si̯æn³³ t͡ɕy⁴⁵/

/ɕi̯æn³³ t͡ɕy⁴⁵/

/ɕi̯ɑŋ⁵⁵ t͡ɕy⁵¹/

/sœːŋ⁵⁵ kʰɛːk̚²/

/si̯æn³³ t͡ɕy⁴⁵/

/ɕi̯æn³³ t͡ɕy⁴⁵/

(opera) a form of Chinese opera from Hunan province, most popular in Changsha and Xiangtan


曲劇

/t͡ɕʰy²¹⁴⁻²¹ t͡ɕy⁵¹/

/kʰʊk̚⁵ kʰɛːk̚²/

/t͡ɕʰy²¹⁴⁻²¹ t͡ɕy⁵¹/

/kʰʊk̚⁵ kʰɛːk̚²/

(opera) quju, Chinese opera derived from ballad singing


弋陽腔

/i⁵¹ jɑŋ³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/jɪk̚² jœːŋ²¹ hɔːŋ⁵⁵/

/i⁵¹ jɑŋ³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/jɪk̚² jœːŋ²¹ hɔːŋ⁵⁵/

(opera) Yiyang qiang, one of the earliest forms of Chinese local opera, originating in the region around Yiyang County in northeastern Jiangxi province.


餘姚腔

/y³⁵ jɑʊ̯³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/jyː²¹ jiːu̯²¹ hɔːŋ⁵⁵/

/y³⁵ jɑʊ̯³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/jyː²¹ jiːu̯²¹ hɔːŋ⁵⁵/

(opera) Yuyao qiang, one of the four major singing styles, originating in Yuyao, Ningbo, northeastern Zhejiang province, east-central China, which was popularly used in local opera forms in the eastern Chinese provinces of Jiangsu and Zhejiang since the late Ming Dynasty.


海鹽腔

/xaɪ̯²¹⁴⁻²¹ jɛn³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/hɔːi̯³⁵ jiːm²¹ hɔːŋ⁵⁵/

/xaɪ̯²¹⁴⁻²¹ jɛn³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/hɔːi̯³⁵ jiːm²¹ hɔːŋ⁵⁵/

(opera) A singing style originating from Haiyan County, Jiaxing, northern Zhejiang province, east-central China, and used in local opera since the late Ming Dynasty.


滇劇

/ti̯ɛn⁵⁵ t͡ɕy⁵¹/

/tiːn⁵⁵ kʰɛːk̚²/

/tʰiːn²¹ kʰɛːk̚²/

/ti̯ɛn⁵⁵ t͡ɕy⁵¹/

/tiːn⁵⁵ kʰɛːk̚²/

/tʰiːn²¹ kʰɛːk̚²/

(opera) A form of Chinese opera from Yunnan province.


甬劇

/jʊŋ²¹⁴⁻²¹ t͡ɕy⁵¹/

/jʊŋ²¹⁴⁻²¹ t͡ɕy⁵¹/

(opera) Ningbo opera (a form of Chinese opera local to Ningbo)


姚劇

/jɑʊ̯³⁵ t͡ɕy⁵¹/

/jɑʊ̯³⁵ t͡ɕy⁵¹/

(opera) A form of Chinese opera local to Yuyao, Zhejiang.


採茶戲

/t͡sʰaɪ̯²¹⁴⁻²¹ ʈ͡ʂʰä³⁵ ɕi⁵¹/

/t͡sʰaɪ̯²¹⁴⁻²¹ ʈ͡ʂʰä³⁵ ɕi⁵¹/

(opera) tea-picking opera (a form of musical entertainment in the tea-producing regions of southern China, including Taiwan)


男旦

/nän³⁵ tän⁵¹/

/naːm²¹ taːn³³⁻³⁵/

/nän³⁵ tän⁵¹/

/naːm²¹ taːn³³⁻³⁵/

(Chinese opera) male actor performing as a dan (female role)


調腔

/ti̯ɑʊ̯⁵¹ t͡ɕʰi̯ɑŋ⁵⁵/

/tiːu̯²² hɔːŋ⁵⁵/

/ti̯ɑʊ̯⁵¹ t͡ɕʰi̯ɑŋ⁵⁵/

/tiːu̯²² hɔːŋ⁵⁵/

(opera) An old form of Chinese opera from Shaoxing, Zhejiang province, China.


越調

/ɥɛ⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/ɥɛ⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

(opera) A form of regional/local opera from central China.


四股絃

/sz̩⁵¹ ku²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/sz̩⁵¹ ku²¹⁴⁻²¹ ɕi̯ɛn³⁵/

A variety of Chinese opera native to Hebei province which uses the sihu as the leading instrument.


娘親

/ni̯ɑŋ³⁵ t͡ɕʰin⁵⁵/

/nœːŋ²¹ t͡sʰɐn⁵⁵/

/ŋi̯oŋ¹¹ t͡sʰin²⁴/

/niũ²⁴⁻¹¹ t͡sʰin⁴⁴/

/niũ²³⁻³³ t͡sʰin⁴⁴/

/ni̯ɑŋ³⁵ t͡ɕʰin⁵⁵/

/nœːŋ²¹ t͡sʰɐn⁵⁵/

/ŋi̯oŋ¹¹ t͡sʰin²⁴/

/niũ²⁴⁻¹¹ t͡sʰin⁴⁴/

/niũ²³⁻³³ t͡sʰin⁴⁴/


牛一

/ŋɐu̯²¹ jɐt̚⁵/

/ŋɐu̯²¹ jɐt̚⁵/

From splitting the character 生, as in 生日 (shēngrì, “birthday”), 生角 (“sheng (role)”), 先生 (xiānshēng, “mister”), 醫生 /医生 (yīshēng, “doctor”).

TCM: doctor practising traditional Chinese medicine

(Liuzhou Mandarin, opera, slang) sheng (a male role in Chinese opera)


小生

/ɕi̯ɑʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/siːu̯³⁵ sɐŋ⁵⁵/

/siɤ⁴¹⁻⁴⁴ siɪŋ⁴⁴/

/sio⁵³⁻⁴⁴ siɪŋ⁴⁴/

/sio⁵⁵⁴⁻²⁴ sŋ̍³³/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/siːu̯³⁵ sɐŋ⁵⁵/

/siɤ⁴¹⁻⁴⁴ siɪŋ⁴⁴/

/sio⁵³⁻⁴⁴ siɪŋ⁴⁴/

/sio⁵⁵⁴⁻²⁴ sŋ̍³³/

(opera) xiaosheng (young male character)


詠嘆調

ㄩㄥˇ ㄊㄢˋ ㄉㄧㄠˋ

ㄩㄥˇ ㄊㄢˋ ㄉㄧㄠˋ

/jʊŋ²¹⁴⁻²¹ tʰän⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

ㄩㄥˇ ㄊㄢˋ ㄉㄧㄠˋㄦ

/jʊŋ²¹⁴⁻²¹ tʰän⁵¹⁻⁵³ ti̯aʊ̯ɻʷ⁵¹/

/jʊŋ²¹⁴⁻²¹ tʰän⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/jʊŋ²¹⁴⁻²¹ tʰän⁵¹⁻⁵³ ti̯aʊ̯ɻʷ⁵¹/


舞劇

/u²¹⁴⁻²¹ t͡ɕy⁵¹/

/u²¹⁴⁻²¹ t͡ɕy⁵¹/


武場

/u²¹⁴⁻³⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/u²¹⁴⁻²¹ ʈ͡ʂʰɑŋ³⁵/

/mou̯¹³ t͡sʰœːŋ²¹/

/bu⁵⁵⁴⁻²⁴ tiũ²⁴/

/bu⁵³⁻⁴⁴ tiũ²⁴/

/bu⁵³⁻⁴⁴ tiɔ̃¹³/

/u²¹⁴⁻³⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/u²¹⁴⁻²¹ ʈ͡ʂʰɑŋ³⁵/

/mou̯¹³ t͡sʰœːŋ²¹/

/bu⁵⁵⁴⁻²⁴ tiũ²⁴/

/bu⁵³⁻⁴⁴ tiũ²⁴/

/bu⁵³⁻⁴⁴ tiɔ̃¹³/

military division (one of the two divisions of the orchestra in traditional opera, consisting of percussion instruments like drums, gongs, cymbals, etc.)


武打

/u²¹⁴⁻³⁵ tä²¹⁴⁻²¹⁽⁴⁾/

/u³³⁻³⁵ ⁽ᵗ⁻⁾la³³/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁵⁵⁴⁻²⁴ tã⁵⁵⁴/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁴¹⁻⁴⁴ tã⁴¹/

/u²¹⁴⁻³⁵ tä²¹⁴⁻²¹⁽⁴⁾/

/u³³⁻³⁵ ⁽ᵗ⁻⁾la³³/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁵⁵⁴⁻²⁴ tã⁵⁵⁴/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁴¹⁻⁴⁴ tã⁴¹/

acrobatic fighting in Chinese opera or dance


雲手

/yn³⁵ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/wɐn²¹ sɐu̯³⁵/

/yn³⁵ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/wɐn²¹ sɐu̯³⁵/

(classical Chinese dance and opera) “cloud hands”, a basic move in Chinese dance and operas


說白

/ʂu̯ɔ⁵⁵ paɪ̯³⁵/

/suat̚³²⁻⁵ piɪk̚¹²¹/

/se(ʔ)³²⁻⁵³ peʔ⁴/

/suat̚³²⁻⁵ pɛʔ¹²¹/

/ʂu̯ɔ⁵⁵ paɪ̯³⁵/

/suat̚³²⁻⁵ piɪk̚¹²¹/

/se(ʔ)³²⁻⁵³ peʔ⁴/

/suat̚³²⁻⁵ pɛʔ¹²¹/


老調

/lɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/lɑʊ̯²¹⁴⁻²¹ ti̯aʊ̯ɻʷ⁵¹/

/lɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/lɑʊ̯²¹⁴⁻²¹ ti̯aʊ̯ɻʷ⁵¹/

(opera) laodiao (local opera of Hebei Province)


潛臺詞

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

ㄑㄧㄢˊ ㄊㄞˊ ㄘˊㄦ

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

ㄑㄧㄢˇ ㄊㄞˊ ㄘˊㄦ

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡sʰiːm²¹ tʰɔːi̯²¹ t͡sʰiː²¹/

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡sʰiːm²¹ tʰɔːi̯²¹ t͡sʰiː²¹/

(opera) unspoken lines in a play (left for the audience to understand)


丑角

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛ³⁵/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛɻ³⁵/

/t͡sʰɐu̯³⁵ kɔːk̚³/

/tʰiu⁵²⁻³⁵ kak̚²/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛ³⁵/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛɻ³⁵/

/t͡sʰɐu̯³⁵ kɔːk̚³/

/tʰiu⁵²⁻³⁵ kak̚²/

(opera) clown role; comic character; harlequin


花旦

/xu̯ä⁵⁵ tän⁵¹/

/faː⁵⁵ taːn³³⁻³⁵/

/fa²⁴⁻¹¹ tan⁵⁵/

/fa⁴⁴⁻³⁵ tan⁵³/

/xua¹¹ tæ̃⁴⁵/

/hua⁵⁵⁻⁵³ ⁽ᵗ⁻⁾lɑŋ²¹³/

/hue⁴⁴⁻²² tuã²¹/

/hue⁴⁴⁻³³ tuã¹¹/

/hue⁴⁴⁻³³ tuã²¹/

/hua⁴⁴⁻²² tuã²¹/

/hua³³⁻²¹ tuã²¹/

/hue³³⁻²³ tũã²¹³/

/ɸa̠³³ tan⁴⁵/

/xu̯ä⁵⁵ tän⁵¹/

/faː⁵⁵ taːn³³⁻³⁵/

/fa²⁴⁻¹¹ tan⁵⁵/

/fa⁴⁴⁻³⁵ tan⁵³/

/xua¹¹ tæ̃⁴⁵/

/hua⁵⁵⁻⁵³ ⁽ᵗ⁻⁾lɑŋ²¹³/

/hue⁴⁴⁻²² tuã²¹/

/hue⁴⁴⁻³³ tuã¹¹/

/hue⁴⁴⁻³³ tuã²¹/

/hua⁴⁴⁻²² tuã²¹/

/hua³³⁻²¹ tuã²¹/

/hue³³⁻²³ tũã²¹³/

/ɸa̠³³ tan⁴⁵/

(opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman of questionable morals, notably a coquettish maidservant or an amorous young woman, bold, seductive, and charming; great emphasis being placed on acting)


行當

/xɑŋ³⁵ tɑŋ⁵¹/

/xɑŋ³⁵ d̥ɑŋ³/

/hɔːŋ²¹ tɔːŋ³³/

/haŋ²⁴⁻²² tɔŋ⁴¹/

/haŋ²⁴⁻²² tɔŋ²¹/

/haŋ¹³⁻²² tɔŋ²¹/

/haŋ²⁴⁻²² taŋ⁴¹/

/ɦɑ̃²² tɑ̃⁴⁴/

/xɑŋ³⁵ tɑŋ⁵¹/

/xɑŋ³⁵ d̥ɑŋ³/

/hɔːŋ²¹ tɔːŋ³³/

/haŋ²⁴⁻²² tɔŋ⁴¹/

/haŋ²⁴⁻²² tɔŋ²¹/

/haŋ¹³⁻²² tɔŋ²¹/

/haŋ²⁴⁻²² taŋ⁴¹/

/ɦɑ̃²² tɑ̃⁴⁴/

type of role (in traditional Chinese operas)


蘭花指

/län³⁵ xu̯ä⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/län³⁵ xu̯ä⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

(originally opera) A hand gesture, where the tip of the thumb gently touches the distal part of the middle finger and the remaining fingers are slightly flexed, making the hand resembling the petals of an orchid flower. It is considered a sign of grace and femininity.


примадонна

ru-noun+

примадо́нна • (primadónna) f anim (genitive примадо́нны, nominative plural примадо́нны, genitive plural примадо́нн)

примадо́нна (canonical)
primadónna (romanization)
примадо́нны (genitive)
примадо́нны (nominative plural)
примадо́нн (genitive plural)
примадо́нна (nominative singular)
примадо́нны (nominative plural)
примадо́нны (genitive singular)
примадо́нн (genitive plural)
примадо́нне (dative singular)
примадо́ннам (dative plural)
примадо́нну (accusative singular)
примадо́нн (accusative plural)
примадо́нной (instrumental singular)
примадо́нною (instrumental singular)
примадо́ннами (instrumental plural)
примадо́нне (prepositional singular)
примадо́ннах (plural prepositional)

bor+

Borrowed from Italian prima donna (“first lady”)


五架頭

/u²¹⁴⁻²¹ t͡ɕi̯ä⁵¹ tʰoʊ̯³⁵/

/ŋ̍¹³ kaː³³ tʰɐu̯²¹⁻³⁵/

/u²¹⁴⁻²¹ t͡ɕi̯ä⁵¹ tʰoʊ̯³⁵/

/ŋ̍¹³ kaː³³ tʰɐu̯²¹⁻³⁵/

(music, opera) the wujiatou (a traditional five-piece ensemble formation in Cantonese music, comprising two bowed string instruments (originally erxian and zhutiqin), two plucked string instruments (originally sanxian and yueqin), and one flute (xiao or hengxiao [dizi]), often used to accompany Cantonese opera of the older style)


丑仔

/tʰiu⁵⁵⁴⁻²⁴ a⁵⁵⁴/

/tʰiu⁴¹⁻⁴⁴ a⁴¹/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁵⁵⁴⁻²⁴ a⁵⁵⁴/

/tʰiu⁴¹⁻⁴⁴ a⁴¹/

/tʰiu⁵³⁻⁴⁴ a⁵³/

(Southern Min, opera) clown role; comic character


劍指

/t͡ɕi̯ɛn⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ɛn⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

2010, 林厚省, 《新版·太極氣功十八式》, page 353

Zuǒjiǎo xiàng yòujiǎo hòufāng chārù jiǎojiān diǎn dì de tóngshí, liǎng shǒuzhǎng biàn jiànzhǐ xiàng yòushàngfāng shuǎi yòushǒu shēnzhí zài shàng zài hòu, zuǒshǒu wānqū zài xià zài qián

左腳向右腳後方插入腳尖點地的同時，兩手掌變劍指向右上方甩右手伸直在上在後，左手彎曲在下在前

2010, 林厚省, 《新版·太極氣功十八式》, page 353

左脚向右脚后方插入脚尖点地的同时，两手掌变剑指向右上方甩右手伸直在上在后，左手弯曲在下在前

2010, 周顯, 《碳六十之劍 三之二 下》 [The Buckyball Swordsmen], page 51

Shuō shí chí, nàshí kuài, Zhuó Mièchóu de jiànzhǐ zài jìn, yǐ dào le Huò Tiāncán de liǎnmén, rú fēi Huò Tiāncán de yǎnkuàng zhǐ yúxià dòngkǒng, dāndān zhè jiànzhǐ fāchū de qìjìn, yǐ zúyǐ zhènxiā yǎnzhū. Qiānjūnyīfà zhī jì, Huò Tiāncán lián rén dài yǐ tǎng le xiàlái, shǎnkāi le yǎnqián de jiànzhǐ.

說時遲，那時快，卓滅仇的劍指再進，已到了霍天殘的臉門，如非霍天殘的眼眶只餘下洞孔，單單這劍指發出的氣勁，已足以震瞎眼珠。千鈞一髮之際，霍天殘連人帶椅躺了下來，閃開了眼前的劍指。

说时迟，那时快，卓灭仇的剑指再进，已到了霍天残的脸门，如非霍天残的眼眶只余下洞孔，单单这剑指发出的气劲，已足以震瞎眼珠。千钧一发之际，霍天残连人带椅躺了下来，闪开了眼前的剑指。

Hǔchán fāng xià làshǒu, quèshì dàjīng, lǎorén zuǒshǒu shí zhōng èrzhǐ bìng chéng jiànzhǐ, méi dài Hǔchán de dāo zāchū, fǎn shàngqián bàn bù, zǎo zài Hǔchán pūchū de fāngwèi děngzhe, zā xiàng Hǔchán yǎnjing.

虎禪方下辣手，卻是大驚，老人左手食中二指並成劍指，沒待虎禪的刀紮出，反上前半步，早在虎禪撲出的方位等著，紮向虎禪眼睛。

虎禅方下辣手，却是大惊，老人左手食中二指并成剑指，没待虎禅的刀扎出，反上前半步，早在虎禅扑出的方位等着，扎向虎禅眼睛。

(martial arts, dance, opera) a hand gesture in which the index and middle fingers are pointed together, while the thumbs are pressed to the ring and little fingers


把子

/pä²¹⁴ d͡z̥z̩⁴/

/paː³⁵ t͡siː³⁵/

/pä²¹⁴ d͡z̥z̩⁴/

/paː³⁵ t͡siː³⁵/

/pä⁵¹ d͡z̥z̩¹/

/pä⁵¹ d͡z̥z̩¹/

/paː³⁵ t͡siː³⁵/

(opera) stage weapons and props used in traditional Chinese opera (as a whole)

(opera) mock fighting in traditional Chinese opera


內場

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ³⁵/

/nɔːi̯²² t͡sʰœːŋ²¹/

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ³⁵/

/nɔːi̯²² t͡sʰœːŋ²¹/

(opera) area behind the table on the stage


文武生

/wən³⁵ u²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/mɐn²¹ mou̯¹³ sɐŋ⁵⁵/

/wən³⁵ u²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/mɐn²¹ mou̯¹³ sɐŋ⁵⁵/

(opera) wenwusheng (combined civil and martial character)


正印花旦

ㄓㄥˋ ㄧㄣˋ ㄏㄨㄚ ㄉㄢˋ

ㄓㄥˋ ㄧㄣˋ ㄏㄨㄚ ㄉㄢˋ

чжэнъиньхуадань

/ʈ͡ʂɤŋ⁵¹⁻⁵³ in⁵¹ xu̯ä⁵⁵ tän⁵¹/

/ʈ͡ʂɤŋ⁵¹⁻⁵³ in⁵¹ xu̯ä⁵⁵ tän⁵¹/

(opera) zhengyinhuadan (female character)


二幫花旦

ㄦˋ ㄅㄤ ㄏㄨㄚ ㄉㄢˋ

ㄦˋ ㄅㄤ ㄏㄨㄚ ㄉㄢˋ

эрбанхуадань

/ˀɤɻ⁵¹ pɑŋ⁵⁵ xu̯ä⁵⁵ tän⁵¹/

/ˀɤɻ⁵¹ pɑŋ⁵⁵ xu̯ä⁵⁵ tän⁵¹/

(opera) erbanghuadan (young female character)


丑生

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/t͡sʰɐu̯³⁵ sɐŋ⁵⁵/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/t͡sʰɐu̯³⁵ sɐŋ⁵⁵/


對打

/tu̯eɪ̯⁵¹ tä²¹⁴⁻²¹⁽⁴⁾/

/tɵy̯³³ taː³⁵/

/tui²¹⁻⁵³ tã⁵³/

/tui⁴¹⁻⁵⁵⁴ tã⁵⁵⁴/

/tui²¹⁻⁵³ tã⁵³/

/tui¹¹⁻⁵³ tã⁵³/

/tui²¹⁻⁴¹ tã⁴¹/

/tu̯eɪ̯⁵¹ tä²¹⁴⁻²¹⁽⁴⁾/

/tɵy̯³³ taː³⁵/

/tui²¹⁻⁵³ tã⁵³/

/tui⁴¹⁻⁵⁵⁴ tã⁵⁵⁴/

/tui²¹⁻⁵³ tã⁵³/

/tui¹¹⁻⁵³ tã⁵³/

/tui²¹⁻⁴¹ tã⁴¹/

(chiefly martial arts, sports, opera) to duel


dalszínház

dalszínház (nominative singular)
dalszínházak (nominative plural)
dalszínházat (accusative singular)
dalszínházakat (accusative plural)
dalszínháznak (dative singular)
dalszínházaknak (dative plural)
dalszínházzal (instrumental singular)
dalszínházakkal (instrumental plural)
dalszínházért (causal-final singular)
dalszínházakért (causal-final plural)
dalszínházzá (singular translative)
dalszínházakká (plural translative)
dalszínházig (singular terminative)
dalszínházakig (plural terminative)
dalszínházként (essive-formal singular)
dalszínházakként (essive-formal plural)
dalszínházban (inessive singular)
dalszínházakban (inessive plural)
dalszínházon (singular superessive)
dalszínházakon (plural superessive)
dalszínháznál (adessive singular)
dalszínházaknál (adessive plural)
dalszínházba (illative singular)
dalszínházakba (illative plural)
dalszínházra (singular sublative)
dalszínházakra (plural sublative)
dalszínházhoz (allative singular)
dalszínházakhoz (allative plural)
dalszínházból (elative singular)
dalszínházakból (elative plural)
dalszínházról (delative singular)
dalszínházakról (delative plural)
dalszínháztól (ablative singular)
dalszínházaktól (ablative plural)
dalszínházé (singular)
dalszínházaké (plural)
dalszínházéi (singular)
dalszínházakéi (plural)
dalszínházam (first-person possessed-single possessive singular)
dalszínházaim (first-person possessed-many possessive singular)
dalszínházad (possessed-single possessive second-person singular)
dalszínházaid (possessed-many possessive second-person singular)
dalszínháza (possessed-single possessive singular third-person)
dalszínházai (possessed-many possessive singular third-person)
dalszínházunk (first-person plural possessed-single possessive)
dalszínházaink (first-person plural possessed-many possessive)
dalszínházatok (plural possessed-single possessive second-person)
dalszínházaitok (plural possessed-many possessive second-person)
dalszínházuk (plural possessed-single possessive third-person)
dalszínházaik (plural possessed-many possessive third-person)

(literary) opera house (a theatre, or similar building, primarily used for staging opera)


tuồng

head

從, 傱, 㗰, 象, 像

vi-noun

從, 傱, 㗰, 象, 像

The more original meaning word was "look; appearance", which then extended to the performance art due to the performers' eye-catching costumes; hát tuồng therefore can be understood as "costume singing" or "vocal performance with costumes".

(by extension) classical Vietnamese opera (hát tuồng)


南曲

/nän³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/naːm²¹ kʰʊk̚⁵/

/lam²⁴⁻²² kʰiɪk̚³²/

/lam¹³⁻²² kʰiɪk̚³²/

/nän³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/naːm²¹ kʰʊk̚⁵/

/lam²⁴⁻²² kʰiɪk̚³²/

/lam¹³⁻²² kʰiɪk̚³²/

Nanguan (an ancient musical genre originating in Fujian, China, and also performed in Taiwan and Singapore)


白字仔

/pɛ(ʔ)¹²¹⁻²¹ d͡zi²² a⁵³/

/pɛ(ʔ)¹²¹⁻²¹ d͡zi²² a⁵³/


黃腔

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑ̃ɻ⁵⁵/

/wɔːŋ²¹ hɔːŋ⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑ̃ɻ⁵⁵/

/wɔːŋ²¹ hɔːŋ⁵⁵/


廬劇

/lu³⁵ t͡ɕy⁵¹/

/lou̯²¹ kʰɛːk̚²/

/lu³⁵ t͡ɕy⁵¹/

/lou̯²¹ kʰɛːk̚²/

Luju (a variety of Chinese opera from Anhui)


本地戲仔

/pun⁵³⁻⁴⁴ te²²⁻²¹ hi²¹⁻⁵³ a⁵³/

/pun⁵³⁻⁴⁴ te²²⁻²¹ hi²¹⁻⁵³ a⁵³/

(Zhangzhou Hokkien, music) A branch of Taiwanese opera popular in Zhangzhou.


丑腳

/tʰiu⁵⁵⁴⁻²⁴ kioʔ⁵/

/tʰiu⁵³⁻⁴⁴ kioʔ³²/

/tʰiũ⁵³⁻⁴⁴ kioʔ³²/

/tʰiu⁵⁵⁴⁻²⁴ kioʔ⁵/

/tʰiu⁵³⁻⁴⁴ kioʔ³²/

/tʰiũ⁵³⁻⁴⁴ kioʔ³²/

(Hokkien, opera) clown role; comic character


淨角

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛ³⁵/

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛɻ³⁵/

/t͡sɪŋ²² kɔːk̚³/

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛ³⁵/

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛɻ³⁵/

/t͡sɪŋ²² kɔːk̚³/

(opera) painted-face role (in Chinese opera)


wodewil

wodewil (nominative singular)
wodewile (nominative plural)
wodewilu (genitive singular)
wodewili (genitive plural)
wodewilowi (dative singular)
wodewilom (dative plural)
wodewil (accusative singular)
wodewile (accusative plural)
wodewilem (instrumental singular)
wodewilami (instrumental plural)
wodewilu (locative singular)
wodewilach (locative plural)
wodewilu (singular vocative)
wodewile (plural vocative)


operetka

operetka (nominative singular)
operetki (nominative plural)
operetki (genitive singular)
operetek (genitive plural)
operetce (dative singular)
operetkom (dative plural)
operetkę (accusative singular)
operetki (accusative plural)
operetką (instrumental singular)
operetkami (instrumental plural)
operetce (locative singular)
operetkach (locative plural)
operetko (singular vocative)
operetki (plural vocative)

From Italian operetta (literally “little opera”) + -ka (feminine nominal suffix).

af

kasa operetki

scena operetki

Operetka, znajdująca się zawsze w pobliżu placu Teatralnego, otrzymała na początku wieku dwudziestego gmach dość okazały, wybudowany przez bogacza warszawskiego i wydzierżawiony dyrekcji teatrów rządowych.

1954, Warszawa naszej młodości, Warszawa: Iskry, page 107:

The operetta house, always located near Theatre Square, was given a rather grand building at the beginning of the twentieth century, built by a wealthy Warsaw man and leased to the government theatre management.

Młody człowiek półleżał na ławie, rozwaliwszy przed sobą nogi obute w pantofle z niklowymi klamrami, na wysokich obcasach, jakie widuje się na scenie operetki w kostiumowym wodewilu.

1967, Tadeusz Konwicki, Wniebowstąpienie [The Ascension], 4. edition (fiction), quoted in Narodowy Korpus Języka Polskiego, Warszawa: Czytelnik, published 2006, →ISBN, →OCLC, →OL, page 216, lines 23–26:

The young man was half-lying on a bench, sprawled out in front of him with his feet clad in slippers with nickel buckles, the kind of high heels, that you see on the stage of an operetta house in costumed vaudeville.

Bilety można kupić w kasie operetki codziennie w godzinach od 9 do 18.

2002 December 6, (KAK), “Skrzypek na dachu”, in Gazeta Wrocławska, quoted in Narodowy Korpus Języka Polskiego, Wrocław: "Polskapresse". Oddział "Prasa Wrocławska", →ISSN, →OCLC:

Tickets can be purchased at the ticket office of the operetta house daily from 0900 to 1800.

(architecture) operetta house (building)


鳥筅仔

/niãu⁵³⁻⁴⁴ t͡sʰiɪŋ⁵³⁻⁴⁴ a⁵³/

/niãu⁵³⁻⁴⁴ t͡sʰiɪŋ⁵³⁻⁴⁴ a⁵³/

(Zhangzhou Hokkien, opera) clown role; comic character


生囝

/ɬɛŋ⁵³³⁻¹¹ ⁽ᵏ⁻⁾ŋyɒ⁴⁵³/

/ɬɛŋ⁵⁴⁴⁻²¹ ⁽ᵏ⁻⁾ŋya³³²/

/ɬɛŋ⁵³³⁻¹¹ ⁽ᵏ⁻⁾ŋyɒ⁴⁵³/

/ɬɛŋ⁵⁴⁴⁻²¹ ⁽ᵏ⁻⁾ŋya³³²/

(Puxian Min, opera) sheng (a male role in Chinese opera)


旦角

/tän⁵¹ t͡ɕy̯ɛ³⁵/

/tän⁵¹ t͡ɕy̯ɛɻ³⁵/

/taːn³⁵ kɔːk̚³/

/tän⁵¹ t͡ɕy̯ɛ³⁵/

/tän⁵¹ t͡ɕy̯ɛɻ³⁵/

/taːn³⁵ kɔːk̚³/


جوقة

ar-noun

جَوْقَة • (jawqa) f (plural جَوْقَات (jawqāt))

جَوْقَة (canonical)
jawqa (romanization)
جَوْقَات (plural)
جَوْقَة (ar-infl-a indefinite informal singular triptote)
الْجَوْقَة (ar-infl-a definite informal singular triptote)
جَوْقَة (ar-infl-a construct informal singular triptote)
جَوْقَةٌ (ar-infl-a indefinite nominative singular triptote)
الْجَوْقَةُ (ar-infl-a definite nominative singular triptote)
جَوْقَةُ (ar-infl-a construct nominative singular triptote)
جَوْقَةً (accusative ar-infl-a indefinite singular triptote)
الْجَوْقَةَ (accusative ar-infl-a definite singular triptote)
جَوْقَةَ (accusative ar-infl-a construct singular triptote)
جَوْقَةٍ (ar-infl-a genitive indefinite singular triptote)
الْجَوْقَةِ (ar-infl-a definite genitive singular triptote)
جَوْقَةِ (ar-infl-a construct genitive singular triptote)
جَوْقَتَيْن (ar-infl-a dual indefinite informal singular triptote)
الْجَوْقَتَيْن (ar-infl-a definite dual informal singular triptote)
جَوْقَتَيْ (ar-infl-a construct dual informal singular triptote)
جَوْقَتَانِ (ar-infl-a dual indefinite nominative singular triptote)
الْجَوْقَتَانِ (ar-infl-a definite dual nominative singular triptote)
جَوْقَتَا (ar-infl-a construct dual nominative singular triptote)
جَوْقَتَيْنِ (accusative ar-infl-a dual indefinite singular triptote)
الْجَوْقَتَيْنِ (accusative ar-infl-a definite dual singular triptote)
جَوْقَتَيْ (accusative ar-infl-a construct dual singular triptote)
جَوْقَتَيْنِ (ar-infl-a dual genitive indefinite singular triptote)
الْجَوْقَتَيْنِ (ar-infl-a definite dual genitive singular triptote)
جَوْقَتَيْ (ar-infl-a construct dual genitive singular triptote)
جَوْقَات (feminine indefinite informal plural sound-form)
الْجَوْقَات (definite feminine informal plural sound-form)
جَوْقَات (construct feminine informal plural sound-form)
جَوْقَاتٌ (feminine indefinite nominative plural sound-form)
الْجَوْقَاتُ (definite feminine nominative plural sound-form)
جَوْقَاتُ (construct feminine nominative plural sound-form)
جَوْقَاتٍ (accusative feminine indefinite plural sound-form)
الْجَوْقَاتِ (accusative definite feminine plural sound-form)
جَوْقَاتِ (accusative construct feminine plural sound-form)
جَوْقَاتٍ (feminine genitive indefinite plural sound-form)
الْجَوْقَاتِ (definite feminine genitive plural sound-form)
جَوْقَاتِ (construct feminine genitive plural sound-form)
جَوْق (alternative)

An Iranian borrowing: compare Persian جوخ (jawx, “troop”) and the Old Armenian loanword ջոկ (ǰok).

(theater, opera) ensemble, choir, chorus, orchestra, troupe, band


幫腔

/pɑŋ⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/pɔːŋ⁵⁵ hɔːŋ⁵⁵/

/pɑŋ⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/pɔːŋ⁵⁵ hɔːŋ⁵⁵/

(literally, in some Chinese operas) to sing an accompaniment


出彩

/ʈ͡ʂʰu⁵⁵ t͡sʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵt̚⁵ t͡sʰɔːi̯³⁵/

/ʈ͡ʂʰu⁵⁵ t͡sʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵt̚⁵ t͡sʰɔːi̯³⁵/

(opera, dated) to apply red to someone to indicate bleeding; (metonymic) to bleed


六國大封相

/lʊk̚² kʷɔːk̚³ taːi̯²² fʊŋ⁵⁵ sœːŋ³³/

/lʊk̚² kʷɔːk̚³ taːi̯²² fʊŋ⁵⁵ sœːŋ³³/

Six States Installation of Minister murder

Originally the name of a Cantonese opera set in a fictionalised Warring States period. The figurative meaning of "chaotic situation; etc." entered vernacular parlance after the infamous Chu Shing-choi murders (1951, Hong Kong).

(Cantonese, opera) Six States Installation of Minister


opéra-féerie

desc

опера-феерия

→ Russian: опера-феерия (opera-fejerija)


fairy opera

en-noun

fairy opera (countable and uncountable, plural fairy operas)

(uncountable) A genre of opera, often with magical elements.


Zauberoper

de-noun

Zauberoper f (genitive Zauberoper, plural Zauberopern)

Zauberoper (genitive)
Zauberopern (plural)
Zauberoper (nominative singular)
Zauberopern (definite nominative plural)
Zauberoper (genitive singular)
Zauberopern (definite genitive plural)
Zauberoper (dative singular)
Zauberopern (dative definite plural)
Zauberoper (accusative singular)
Zauberopern (accusative definite plural)


chamber opera

en-noun

chamber opera (countable and uncountable, plural chamber operas)

(uncountable) A genre of opera written to be performed with a chamber ensemble.

(countable) An individual opera in this genre.


Kammeroper

de-noun

Kammeroper f (genitive Kammeroper, plural Kammeropern)

Kammeroper (genitive)
Kammeropern (plural)
Kammeroper (nominative singular)
Kammeropern (definite nominative plural)
Kammeroper (genitive singular)
Kammeropern (definite genitive plural)
Kammeroper (dative singular)
Kammeropern (dative definite plural)
Kammeroper (accusative singular)
Kammeropern (accusative definite plural)


Pillangókisasszony

Pillangókisasszony (nominative singular)
Pillangókisasszonyt (accusative singular)
Pillangókisasszonynak (dative singular)
Pillangókisasszonnyal (instrumental singular)
Pillangókisasszonyért (causal-final singular)
Pillangókisasszonnyá (singular translative)
Pillangókisasszonyig (singular terminative)
Pillangókisasszonyként (essive-formal singular)
Pillangókisasszonyban (inessive singular)
Pillangókisasszonyon (singular superessive)
Pillangókisasszonynál (adessive singular)
Pillangókisasszonyba (illative singular)
Pillangókisasszonyra (singular sublative)
Pillangókisasszonyhoz (allative singular)
Pillangókisasszonyból (elative singular)
Pillangókisasszonyról (delative singular)
Pillangókisasszonytól (ablative singular)
Pillangókisasszonyé (singular)
Pillangókisasszonyéi (singular)
Pillangókisasszonyom (first-person possessed-single possessive singular)
Pillangókisasszonyod (possessed-single possessive second-person singular)
Pillangókisasszonya (possessed-single possessive singular third-person)
Pillangókisasszonyunk (first-person plural possessed-single possessive)
Pillangókisasszonyotok (plural possessed-single possessive second-person)
Pillangókisasszonyuk (plural possessed-single possessive third-person)

[ˈpilːɒŋɡoːkiʃɒsːoɲ]

From pillangó (“butterfly”) + kisasszony (“miss, young lady”).

affix

Madama Butterfly (an opera in three acts by Giacomo Puccini)


老生

/lɑʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/lou̯¹³ sɐŋ⁵⁵/

/lau³³⁻¹¹ siɪŋ⁴⁴/

/lau³³⁻²¹ siɪŋ⁴⁴/

/lɑʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/lou̯¹³ sɐŋ⁵⁵/

/lau³³⁻¹¹ siɪŋ⁴⁴/

/lau³³⁻²¹ siɪŋ⁴⁴/

(opera) laosheng (older male role in Chinese opera)


鬚生

/ɕy⁵⁵ ʂɤŋ⁵⁵/

/sou̯⁵⁵ sɐŋ⁵⁵/

/ɕy⁵⁵ ʂɤŋ⁵⁵/

/sou̯⁵⁵ sɐŋ⁵⁵/


北曲

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/pak̚³²⁻⁵ kʰiɪk̚³²/

/pak̚³²⁻⁵ kʰiɪk̚³²/

northern operas (popular in northern China in the Yuan dynasty)


戲旦

/hi⁴¹⁻⁵⁵⁴ tuã⁴¹/

/hi²¹⁻⁵³ tuã²²/

/hi²¹³⁻⁵⁵ tũã²¹³/

/hi⁴¹⁻⁵⁵⁴ tuã⁴¹/

/hi²¹⁻⁵³ tuã²²/

/hi²¹³⁻⁵⁵ tũã²¹³/

(Quanzhou and Xiamen Hokkien, opera) female role (in Chinese opera, usually young and pretty)


紹興戲

/ʂɑʊ̯⁵¹ ɕiŋ⁵⁵ ɕi⁵¹/

/zɔ²² ɕin⁵⁵ ɕi²¹/

/ʂɑʊ̯⁵¹ ɕiŋ⁵⁵ ɕi⁵¹/

/zɔ²² ɕin⁵⁵ ɕi²¹/


wstawka

wstawka (nominative singular)
wstawki (nominative plural)
wstawki (genitive singular)
wstawek (genitive plural)
wstawce (dative singular)
wstawkom (dative plural)
wstawkę (accusative singular)
wstawki (accusative plural)
wstawką (instrumental singular)
wstawkami (instrumental plural)
wstawce (locative singular)
wstawkach (locative plural)
wstawko (singular vocative)
wstawki (plural vocative)

(music, opera) intermezzo (short piece of music or act in the interval of the main spectacle)


福州戲

/fu³⁵ ʈ͡ʂoʊ̯⁵⁵ ɕi⁵¹/

/huʔ²⁴⁻²¹ t͡sieu⁵⁵⁻⁵³ hiɛ²¹³/

/fu³⁵ ʈ͡ʂoʊ̯⁵⁵ ɕi⁵¹/

/huʔ²⁴⁻²¹ t͡sieu⁵⁵⁻⁵³ hiɛ²¹³/


美麗的磨坊少女

ㄇㄟˇ ㄌㄧˋ ˙ㄉㄜ ㄇㄛˋ ㄈㄤˊ ㄕㄠˋ ㄋㄩˇ

ㄇㄟˇ ㄌㄧˋ ˙ㄉㄜ ㄇㄛˋ ㄈㄤ ㄕㄠˋ ㄋㄩˇ

Мэйли Дэ Мофан Шаонюй

/meɪ̯²¹⁴⁻²¹ li⁵¹ d̥ə¹ mu̯ɔ⁵¹ fɑŋ³⁵ ʂɑʊ̯⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

/meɪ̯²¹⁴⁻²¹ li⁵¹ d̥ə¹ mu̯ɔ⁵¹ fɑŋ⁵⁵ ʂɑʊ̯⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

Die schöne Müllerin, a song cycle by Franz Schubert


四句

/si²¹⁻⁵³ ku²¹/

/si⁴¹⁻⁵⁵⁴ ku⁴¹/

/si²¹⁻⁵³ ku²¹/

/si⁴¹⁻⁵⁵⁴ ku⁴¹/

(Quanzhou and Xiamen Hokkien, opera) rhyming set of sentences read by a character in Hokkien opera (often comes in sets of four)


四句仔

/si²¹⁻⁵³ ku²¹⁻⁵³ a⁵³/

/si²¹⁻⁵³ ku²¹⁻⁵³ a⁵³/

(Xiamen Hokkien, opera) rhyming set of sentences read by a character in Hokkien opera (often comes in sets of four)


四念白

/si²¹⁻⁵³ liam²²⁻²¹ peʔ⁴/

/si²¹⁻⁵³ liam²²⁻²¹ peʔ⁴/


四句念

/si²¹⁻⁵³ ku²¹⁻⁵³ liam²²/

/si²¹⁻⁵³ ku²¹⁻⁵³ liam²²/


四句聯仔

/si²¹⁻⁵³ ku²¹⁻⁵³ liɛn²⁴⁻²² a⁵³/

/si²¹⁻⁵³ ku²¹⁻⁵³ liɛn²⁴⁻²² a⁵³/


念四句

/liam⁴¹⁻²² si⁴¹⁻⁵⁵⁴ ku⁴¹/

/liam⁴¹⁻²² si⁴¹⁻⁵⁵⁴ ku⁴¹/

(Quanzhou Hokkien, opera) rhyming set of sentences read by a character in Hokkien opera (often comes in sets of four)


飲場

/in⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/in⁵¹ ʈ͡ʂʰɑŋ³⁵/

/in⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/in⁵¹ ʈ͡ʂʰɑŋ³⁵/

(dated, of a traditional Chinese opera singer) to have a drink of water on stage before performance commences


瓊劇

/t͡ɕʰi̯ʊŋ³⁵ t͡ɕy⁵¹/

/kʰɪŋ²¹ kʰɛːk̚²/

/t͡ɕʰi̯ʊŋ³⁵ t͡ɕy⁵¹/

/kʰɪŋ²¹ kʰɛːk̚²/


藏戲

/t͡sɑŋ⁵¹⁻⁵³ ɕi⁵¹/

/t͡sɑŋ⁵¹⁻⁵³ ɕi⁵¹/


藏劇

/t͡sɑŋ⁵¹⁻⁵³ t͡ɕy⁵¹/

/t͡sɑŋ⁵¹⁻⁵³ t͡ɕy⁵¹/


finałowy

pl-adj

finałowy (not comparable, derived adverb finałowo)

finałowy (masculine nominative singular)
finałowa (feminine nominative singular)
finałowe (neuter nominative singular)
finałowi (nominative plural virile)
finałowe (nominative plural)
finałowego (genitive masculine singular)
finałowej (feminine genitive singular)
finałowego (genitive neuter singular)
finałowych (genitive plural)
finałowych (genitive plural virile)
finałowemu (dative masculine singular)
finałowej (dative feminine singular)
finałowemu (dative neuter singular)
finałowym (dative plural)
finałowym (dative plural virile)
finałowego (accusative animate masculine singular)
finałowy (accusative inanimate masculine singular)
finałową (accusative feminine singular)
finałowe (accusative neuter singular)
finałowych (accusative plural virile)
finałowe (accusative plural)
finałowym (instrumental masculine singular)
finałową (feminine instrumental singular)
finałowym (instrumental neuter singular)
finałowymi (instrumental plural)
finałowymi (instrumental plural virile)
finałowym (locative masculine singular)
finałowej (feminine locative singular)
finałowym (locative neuter singular)
finałowych (locative plural)
finałowych (locative plural virile)

(relational, opera) final (end of the entire opera or one of its acts)


㞎㞎腔

/pa̠⁴¹ pa̠³ t͡ɕʰi̯æn³³/

/pa̠⁴¹ pa̠³ t͡ɕʰi̯æn³³/

(Xiang, opera) bad pronunciation or singing in Hunanese opera


interludium

interludium (nominative singular)
interludia (nominative plural)
interludium (genitive singular)
interludiów (genitive plural)
interludium (dative singular)
interludiom (dative plural)
interludium (accusative singular)
interludia (accusative plural)
interludium (instrumental singular)
interludiami (instrumental plural)
interludium (locative singular)
interludiach (locative plural)
interludium (singular vocative)
interludia (plural vocative)

Learned borrowing from Latin interludium.


水袖

/ʂu̯eɪ̯²¹⁴⁻²¹ ɕi̯oʊ̯⁵¹/

/sɵy̯³⁵ t͡sɐu̯²²/

/ʂu̯eɪ̯²¹⁴⁻²¹ ɕi̯oʊ̯⁵¹/

/sɵy̯³⁵ t͡sɐu̯²²/

(opera) water sleeves (white silk extensions to the cuff of sleeves in costumes)


花旦兒

/xua⁵⁵ tɚ²¹³/

/xua⁵⁵ tɚ²¹³/

(Sichuanese, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman of questionable morals, notably a coquettish maidservant or an amorous young woman, bold, seductive, and charming; great emphasis being placed on acting)


青衣旦

/t͡ɕʰiŋ⁵⁵ i⁵⁵ tän⁵¹/

/t͡ɕʰin⁵⁵ i⁵⁵ tan²¹³/

/t͡ɕʰiŋ¹¹ i¹¹ tæ̃⁴⁵/

/t͡ɕʰiŋ⁵⁵ i⁵⁵ tän⁵¹/

/t͡ɕʰin⁵⁵ i⁵⁵ tan²¹³/

/t͡ɕʰiŋ¹¹ i¹¹ tæ̃⁴⁵/

(opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


烏衫旦

/ou³³⁻²³ sã³³⁻²³ tũã²¹³/

/ou³³⁻²³ sã³³⁻²³ tũã²¹³/

(Teochew, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


苦旦

/kʰɔ⁵³⁻⁴⁴ tuã¹¹/

/kʰɔ⁴¹⁻⁴⁴ tuã²¹/

/kʰɔ⁵⁵⁴⁻²⁴ tuã⁴¹/

/kʰɔ⁵³⁻⁴⁴ tuã¹¹/

/kʰɔ⁴¹⁻⁴⁴ tuã²¹/

/kʰɔ⁵⁵⁴⁻²⁴ tuã⁴¹/

(Jinjiang and Taiwanese Hokkien, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


武旦

/u²¹⁴⁻²¹ tän⁵¹/

/mou̯¹³ taːn³³⁻³⁵/

/vu⁵³ tæ̃⁴⁵/

/u³³⁻⁵⁵ ⁽ᵗ⁻⁾lɑŋ²¹³/

/pu⁴⁵³⁻¹¹ ⁽ᵗ⁻⁾laŋ⁴²/

/pu³³²⁻²¹ ⁽ᵗ⁻⁾laŋ⁴²/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵⁵⁴⁻²⁴ tuã⁴¹/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵³⁻⁴⁴ tuã¹¹/

/bu⁴¹⁻⁴⁴ tuã²¹/

/bu⁵²⁻³⁵ tũã²¹³/

/u²¹⁴⁻²¹ tän⁵¹/

/mou̯¹³ taːn³³⁻³⁵/

/vu⁵³ tæ̃⁴⁵/

/u³³⁻⁵⁵ ⁽ᵗ⁻⁾lɑŋ²¹³/

/pu⁴⁵³⁻¹¹ ⁽ᵗ⁻⁾laŋ⁴²/

/pu³³²⁻²¹ ⁽ᵗ⁻⁾laŋ⁴²/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵⁵⁴⁻²⁴ tuã⁴¹/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵³⁻⁴⁴ tuã¹¹/

/bu⁴¹⁻⁴⁴ tuã²¹/

/bu⁵²⁻³⁵ tũã²¹³/

(opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a female warrior or martial artist)


刀馬旦

/tɑʊ̯⁵⁵ mä²¹⁴⁻²¹ tän⁵¹/

/tou̯⁵⁵ maː¹³ taːn³³⁻³⁵/

/tɔ⁵⁵ mo³³ te²¹/

/tɒu̯³³ ma̠⁴¹ tan⁴⁵/

/tɑʊ̯⁵⁵ mä²¹⁴⁻²¹ tän⁵¹/

/tou̯⁵⁵ maː¹³ taːn³³⁻³⁵/

/tɔ⁵⁵ mo³³ te²¹/

/tɒu̯³³ ma̠⁴¹ tan⁴⁵/


刀馬旦兒

/tau⁵⁵ ma⁵³ tɚ²¹³/

/tau⁵⁵ ma⁵³ tɚ²¹³/

(Sichuanese, opera) Erhua form of 刀馬旦／刀马旦 (dāomǎdàn).


雷劇

/leɪ̯³⁵ t͡ɕy⁵¹/

/lɵy̯²¹ kʰɛːk̚²/

/leɪ̯³⁵ t͡ɕy⁵¹/

/lɵy̯²¹ kʰɛːk̚²/


廣東漢劇

ㄍㄨㄤˇ ㄉㄨㄥ ㄏㄢˋ ㄐㄩˋ

ㄍㄨㄤˇ ㄉㄨㄥ ㄏㄢˋ ㄐㄩˋ

Гуандун ханьцзюй

/ku̯ɑŋ²¹⁴⁻²¹ tʊŋ⁵⁵ xän⁵¹⁻⁵³ t͡ɕy⁵¹/

/kuɔŋ³¹ tʊŋ⁴⁴⁻³⁵ hɔn⁵³⁻⁵⁵ kʰiak̚¹/

/ku̯ɑŋ²¹⁴⁻²¹ tʊŋ⁵⁵ xän⁵¹⁻⁵³ t͡ɕy⁵¹/

/kuɔŋ³¹ tʊŋ⁴⁴⁻³⁵ hɔn⁵³⁻⁵⁵ kʰiak̚¹/


白劇

/paɪ̯³⁵ t͡ɕy⁵¹/

/paɪ̯³⁵ t͡ɕy⁵¹/


白口

/paɪ̯³⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/paɪ̯³⁵ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/pe(ʔ)²⁴⁻² kʰau⁵⁵⁴/

/pe(ʔ)¹²¹⁻²¹ kʰau⁵³/

/paɪ̯³⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/paɪ̯³⁵ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/pe(ʔ)²⁴⁻² kʰau⁵⁵⁴/

/pe(ʔ)¹²¹⁻²¹ kʰau⁵³/


招式

/ʈ͡ʂɑʊ̯⁵⁵ ʂʐ̩⁵¹/

/t͡siːu̯⁵⁵ sɪk̚⁵/

/ʈ͡ʂɑʊ̯⁵⁵ ʂʐ̩⁵¹/

/t͡siːu̯⁵⁵ sɪk̚⁵/

(martial arts, traditional Chinese opera) movement; posture


zarzuelo

eo-head

zarzuelo (accusative singular zarzuelon, plural zarzueloj, accusative plural zarzuelojn)

zarzuelon (accusative singular)
zarzueloj (plural)
zarzuelojn (accusative plural)

From Spanish zarzuela, from La Zarzuela, the royal residence near Madrid where it was first performed, ultimately from zarza (“bramble”).

(music) zarzuela (a form of Spanish opera having spoken dialogue and usually a comic subject)


齋戲

/ʈ͡ʂaɪ̯⁵⁵ ɕi⁵¹/

/ʈ͡ʂaɪ̯⁵⁵ ɕi⁵¹/

Zhai opera, a genre of traditional Chinese opera originating in Hainan, China


本戲

/pən²¹⁴⁻²¹ ɕi⁵¹/

/pən²¹⁴⁻²¹ ɕi⁵¹/


蹦蹦兒戲

ㄅㄥˋ ㄅㄥˋㄦ ㄒㄧˋ

ㄅㄥˋ ㄅㄥˋㄦ ㄒㄧˋ

/pɤŋ⁵¹⁻⁵³ pɤ̃ɻ⁵¹⁻⁵³ ɕi⁵¹/

/pɤŋ⁵¹⁻⁵³ pɤ̃ɻ⁵¹⁻⁵³ ɕi⁵¹/


老倌

/lɑʊ̯²¹⁴⁻²¹ ku̯än⁵⁵/

/lɑʊ̯²¹⁴⁻²¹ ku̯än⁵⁵/

(Cantonese or in the context of Cantonese opera) famous Cantonese opera performer


變口

/pi̯ɛn⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/pi̯ɛn⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

to use various dialects in 曲藝／曲艺 (qǔyì) (a form of folk art)


창극

[ˈt͡ɕʰa̠(ː)ŋɡɯk̚]


山西梆子

Шаньси банцзы

/ʂän⁵⁵ ɕi⁵⁵ pɑŋ⁵⁵ d͡z̥z̩²/

/saːn⁵⁵ sɐi̯⁵⁵ pɔːŋ⁵⁵ t͡siː³⁵/

/sæ̃¹¹ ɕi¹¹ pɒ̃¹¹ t͡səʔ²/

/ʂän⁵⁵ ɕi⁵⁵ pɑŋ⁵⁵ d͡z̥z̩²/

/saːn⁵⁵ sɐi̯⁵⁵ pɔːŋ⁵⁵ t͡siː³⁵/

/sæ̃¹¹ ɕi¹¹ pɒ̃¹¹ t͡səʔ²/

(opera) Jin opera (a style of Chinese opera originating in Shanxi)


中路梆子

ㄓㄨㄥ ㄌㄨˋ ㄅㄤ ˙ㄗ

ㄓㄨㄥ ㄌㄨˋ ㄅㄤ ˙ㄗ

чжунлу банцзы

/ʈ͡ʂʊŋ⁵⁵ lu⁵¹ pɑŋ⁵⁵ d͡z̥z̩²/

/t͡sʊŋ⁵⁵ lou̯²² pɔːŋ⁵⁵ t͡siː³⁵/

/t͡suŋ¹¹ ləu⁴⁵ pɒ̃¹¹ t͡səʔ²/

/ʈ͡ʂʊŋ⁵⁵ lu⁵¹ pɑŋ⁵⁵ d͡z̥z̩²/

/t͡sʊŋ⁵⁵ lou̯²² pɔːŋ⁵⁵ t͡siː³⁵/

/t͡suŋ¹¹ ləu⁴⁵ pɒ̃¹¹ t͡səʔ²/


骨鹿子

/kuəʔ²⁻⁵⁴ luəʔ² t͡səʔ³/

/kuəʔ²⁻⁵⁴ luəʔ² t͡səʔ³/

(Jin, opera, music) wooden clappers (small, rectangular, high-pitched wood block used in Jin opera)


怯口

/t͡ɕʰy̯ɛ⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰy̯ɛ⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/


哭腔

/kʰu⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/hʊk̚⁵ hɔːŋ⁵⁵/

/kʰu⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/hʊk̚⁵ hɔːŋ⁵⁵/


邕劇

/jʊŋ⁵⁵ t͡ɕy⁵¹/

/jʊŋ⁵⁵ kʰɛːk̚²/

/jʊŋ⁵⁵ t͡ɕy⁵¹/

/jʊŋ⁵⁵ kʰɛːk̚²/

Yong opera (a form of opera from Guangxi)


彩調

/t͡sʰaɪ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/t͡sʰaɪ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

Guangxi Zhuang Autonomous Region
w:Guangxi Zhuang Autonomous Region

caidiao (local opera of the Guangxi Zhuang Autonomous Region)


ooper

head

ooper (genitive ooperi, partitive ooperit)

ooperi (genitive)
ooperit (partitive)
ooper (nominative singular)
ooperid (nominative plural)
ooper (accusative nominative singular)
ooperid (accusative nominative plural)
ooperi (accusative genitive singular)
ooperid (accusative genitive plural)
ooperi (genitive singular)
ooperite (genitive plural)
ooperit (partitive singular)
oopereid (partitive plural)
ooperisse (illative singular)
ooperitesse (illative plural)
oopereisse (illative plural)
ooperis (inessive singular)
ooperites (inessive plural)
oopereis (inessive plural)
ooperist (elative singular)
ooperitest (elative plural)
oopereist (elative plural)
ooperile (allative singular)
ooperitele (allative plural)
oopereile (allative plural)
ooperil (adessive singular)
ooperitel (adessive plural)
oopereil (adessive plural)
ooperilt (ablative singular)
ooperitelt (ablative plural)
oopereilt (ablative plural)
ooperiks (singular translative)
ooperiteks (plural translative)
oopereiks (plural translative)
ooperini (singular terminative)
ooperiteni (plural terminative)
ooperina (essive singular)
ooperitena (essive plural)
ooperita (abessive singular)
ooperiteta (abessive plural)
ooperiga (comitative singular)
ooperitega (comitative plural)

Borrowed from Italian opera, from Latin opera.


grand opera

Clearly, Hitler saw his historical function as a Wagnerian grand opera. Vast cosmic changes required an accompaniment of slaughter on a colossal scale.

1949 September 4, H. R. Trevor-Roper, “Hitler Reappraised, Ten Years After”, in The New York Times, →ISSN, archived from the original on 16 Jul 2025:

A genre of 19th-century opera characterized by large-scale casts and orchestras, and lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events.


中氣

/ʈ͡ʂʊŋ⁵⁵ t͡ɕʰi⁵¹/

/t͡sʊŋ⁵⁵ hei̯³³/

/tiɔŋ⁴⁴⁻²² kʰui²¹/

/tiɔŋ³³ kʰui⁴¹/

/tiɔŋ⁴⁴⁻²² kʰui²¹/

/tiɔŋ⁴⁴⁻³³ kʰui¹¹/

/tiɔŋ⁴⁴⁻³³ kʰui²¹/

/ʈ͡ʂʊŋ⁵⁵ t͡ɕʰi⁵¹/

/t͡sʊŋ⁵⁵ hei̯³³/

/tiɔŋ⁴⁴⁻²² kʰui²¹/

/tiɔŋ³³ kʰui⁴¹/

/tiɔŋ⁴⁴⁻²² kʰui²¹/

/tiɔŋ⁴⁴⁻³³ kʰui¹¹/

/tiɔŋ⁴⁴⁻³³ kʰui²¹/


uvertür

uvertür (definite accusative uvertürü, plural uvertürler)

uvertürü (accusative definite)
uvertürler (plural)
uvertür (nominative singular)
uvertürler (nominative plural)
uvertürü (accusative definite singular)
uvertürleri (accusative definite plural)
uvertüre (dative singular)
uvertürlere (dative plural)
uvertürde (locative singular)
uvertürlerde (locative plural)
uvertürden (ablative singular)
uvertürlerden (ablative plural)
uvertürün (genitive singular)
uvertürlerin (genitive plural)
uvertürüm (first-person nominative singular)
uvertürlerim (first-person nominative singular)
uvertürün (nominative second-person singular)
uvertürlerin (nominative second-person singular)
uvertürü (nominative singular third-person)
uvertürleri (nominative singular third-person)
uvertürümüz (first-person nominative plural)
uvertürlerimiz (first-person nominative plural)
uvertürünüz (nominative plural second-person)
uvertürleriniz (nominative plural second-person)
uvertürleri (nominative plural third-person)
uvertürümü (accusative definite first-person singular)
uvertürlerimi (accusative definite first-person singular)
uvertürünü (accusative definite second-person singular)
uvertürlerini (accusative definite second-person singular)
uvertürünü (accusative definite singular third-person)
uvertürlerini (accusative definite singular third-person)
uvertürümüzü (accusative definite first-person plural)
uvertürlerimizi (accusative definite first-person plural)
uvertürünüzü (accusative definite plural second-person)
uvertürlerinizi (accusative definite plural second-person)
uvertürlerini (accusative definite plural third-person)
uvertürüme (dative first-person singular)
uvertürlerime (dative first-person singular)
uvertürüne (dative second-person singular)
uvertürlerine (dative second-person singular)
uvertürüne (dative singular third-person)
uvertürlerine (dative singular third-person)
uvertürümüze (dative first-person plural)
uvertürlerimize (dative first-person plural)
uvertürünüze (dative plural second-person)
uvertürlerinize (dative plural second-person)
uvertürlerine (dative plural third-person)
uvertürümde (first-person locative singular)
uvertürlerimde (first-person locative singular)
uvertüründe (locative second-person singular)
uvertürlerinde (locative second-person singular)
uvertüründe (locative singular third-person)
uvertürlerinde (locative singular third-person)
uvertürümüzde (first-person locative plural)
uvertürlerimizde (first-person locative plural)
uvertürünüzde (locative plural second-person)
uvertürlerinizde (locative plural second-person)
uvertürlerinde (locative plural third-person)
uvertürümden (ablative first-person singular)
uvertürlerimden (ablative first-person singular)
uvertüründen (ablative second-person singular)
uvertürlerinden (ablative second-person singular)
uvertüründen (ablative singular third-person)
uvertürlerinden (ablative singular third-person)
uvertürümüzden (ablative first-person plural)
uvertürlerimizden (ablative first-person plural)
uvertürünüzden (ablative plural second-person)
uvertürlerinizden (ablative plural second-person)
uvertürlerinden (ablative plural third-person)
uvertürümün (first-person genitive singular)
uvertürlerimin (first-person genitive singular)
uvertürünün (genitive second-person singular)
uvertürlerinin (genitive second-person singular)
uvertürünün (genitive singular third-person)
uvertürlerinin (genitive singular third-person)
uvertürümüzün (first-person genitive plural)
uvertürlerimizin (first-person genitive plural)
uvertürünüzün (genitive plural second-person)
uvertürlerinizin (genitive plural second-person)
uvertürlerinin (genitive plural third-person)

(music) overture in an opera, ballet and the like


alttoaaria

alttoaaria (nominative singular)
alttoaariat (nominative plural)
alttoaaria (accusative nominative singular)
alttoaariat (accusative nominative plural)
alttoaarian (accusative genitive singular)
alttoaariat (accusative genitive plural)
alttoaarian (genitive singular)
alttoaarioiden (genitive plural)
alttoaarioitten (genitive plural)
alttoaariain (genitive plural rare)
alttoaariaa (partitive singular)
alttoaarioita (partitive plural)
alttoaariassa (inessive singular)
alttoaarioissa (inessive plural)
alttoaariasta (elative singular)
alttoaarioista (elative plural)
alttoaariaan (illative singular)
alttoaarioihin (illative plural)
alttoaarialla (adessive singular)
alttoaarioilla (adessive plural)
alttoaarialta (ablative singular)
alttoaarioilta (ablative plural)
alttoaarialle (allative singular)
alttoaarioille (allative plural)
alttoaariana (essive singular)
alttoaarioina (essive plural)
alttoaariaksi (singular translative)
alttoaarioiksi (plural translative)
alttoaariatta (abessive singular)
alttoaarioitta (abessive plural)
alttoaarioin (instructive plural)
See the possessive forms below. (comitative)
alttoaariani (nominative singular)
alttoaariani (nominative plural)
alttoaariani (accusative nominative singular)
alttoaariani (accusative nominative plural)
alttoaariani (accusative genitive singular)
alttoaariani (accusative genitive plural)
alttoaariani (genitive singular)
alttoaarioideni (genitive plural)
alttoaarioitteni (genitive plural)
alttoaariaini (genitive plural rare)
alttoaariaani (partitive singular)
alttoaarioitani (partitive plural)
alttoaariassani (inessive singular)
alttoaarioissani (inessive plural)
alttoaariastani (elative singular)
alttoaarioistani (elative plural)
alttoaariaani (illative singular)
alttoaarioihini (illative plural)
alttoaariallani (adessive singular)
alttoaarioillani (adessive plural)
alttoaarialtani (ablative singular)
alttoaarioiltani (ablative plural)
alttoaarialleni (allative singular)
alttoaarioilleni (allative plural)
alttoaarianani (essive singular)
alttoaarioinani (essive plural)
alttoaariakseni (singular translative)
alttoaarioikseni (plural translative)
alttoaariattani (abessive singular)
alttoaarioittani (abessive plural)
alttoaarioineni (comitative plural)
alttoaariasi (nominative singular)
alttoaariasi (nominative plural)
alttoaariasi (accusative nominative singular)
alttoaariasi (accusative nominative plural)
alttoaariasi (accusative genitive singular)
alttoaariasi (accusative genitive plural)
alttoaariasi (genitive singular)
alttoaarioidesi (genitive plural)
alttoaarioittesi (genitive plural)
alttoaariaisi (genitive plural rare)
alttoaariaasi (partitive singular)
alttoaarioitasi (partitive plural)
alttoaariassasi (inessive singular)
alttoaarioissasi (inessive plural)
alttoaariastasi (elative singular)
alttoaarioistasi (elative plural)
alttoaariaasi (illative singular)
alttoaarioihisi (illative plural)
alttoaariallasi (adessive singular)
alttoaarioillasi (adessive plural)
alttoaarialtasi (ablative singular)
alttoaarioiltasi (ablative plural)
alttoaariallesi (allative singular)
alttoaarioillesi (allative plural)
alttoaarianasi (essive singular)
alttoaarioinasi (essive plural)
alttoaariaksesi (singular translative)
alttoaarioiksesi (plural translative)
alttoaariattasi (abessive singular)
alttoaarioittasi (abessive plural)
alttoaarioinesi (comitative plural)
alttoaariamme (nominative singular)
alttoaariamme (nominative plural)
alttoaariamme (accusative nominative singular)
alttoaariamme (accusative nominative plural)
alttoaariamme (accusative genitive singular)
alttoaariamme (accusative genitive plural)
alttoaariamme (genitive singular)
alttoaarioidemme (genitive plural)
alttoaarioittemme (genitive plural)
alttoaariaimme (genitive plural rare)
alttoaariaamme (partitive singular)
alttoaarioitamme (partitive plural)
alttoaariassamme (inessive singular)
alttoaarioissamme (inessive plural)
alttoaariastamme (elative singular)
alttoaarioistamme (elative plural)
alttoaariaamme (illative singular)
alttoaarioihimme (illative plural)
alttoaariallamme (adessive singular)
alttoaarioillamme (adessive plural)
alttoaarialtamme (ablative singular)
alttoaarioiltamme (ablative plural)
alttoaariallemme (allative singular)
alttoaarioillemme (allative plural)
alttoaarianamme (essive singular)
alttoaarioinamme (essive plural)
alttoaariaksemme (singular translative)
alttoaarioiksemme (plural translative)
alttoaariattamme (abessive singular)
alttoaarioittamme (abessive plural)
alttoaarioinemme (comitative plural)
alttoaarianne (nominative singular)
alttoaarianne (nominative plural)
alttoaarianne (accusative nominative singular)
alttoaarianne (accusative nominative plural)
alttoaarianne (accusative genitive singular)
alttoaarianne (accusative genitive plural)
alttoaarianne (genitive singular)
alttoaarioidenne (genitive plural)
alttoaarioittenne (genitive plural)
alttoaariainne (genitive plural rare)
alttoaariaanne (partitive singular)
alttoaarioitanne (partitive plural)
alttoaariassanne (inessive singular)
alttoaarioissanne (inessive plural)
alttoaariastanne (elative singular)
alttoaarioistanne (elative plural)
alttoaariaanne (illative singular)
alttoaarioihinne (illative plural)
alttoaariallanne (adessive singular)
alttoaarioillanne (adessive plural)
alttoaarialtanne (ablative singular)
alttoaarioiltanne (ablative plural)
alttoaariallenne (allative singular)
alttoaarioillenne (allative plural)
alttoaariananne (essive singular)
alttoaarioinanne (essive plural)
alttoaariaksenne (singular translative)
alttoaarioiksenne (plural translative)
alttoaariattanne (abessive singular)
alttoaarioittanne (abessive plural)
alttoaarioinenne (comitative plural)
alttoaariansa (nominative singular)
alttoaariansa (nominative plural)
alttoaariansa (accusative nominative singular)
alttoaariansa (accusative nominative plural)
alttoaariansa (accusative genitive singular)
alttoaariansa (accusative genitive plural)
alttoaariansa (genitive singular)
alttoaarioidensa (genitive plural)
alttoaarioittensa (genitive plural)
alttoaariainsa (genitive plural rare)
alttoaariaansa (partitive singular)
alttoaarioitaan (partitive plural)
alttoaarioitansa (partitive plural)
alttoaariassaan (inessive singular)
alttoaariassansa (inessive singular)
alttoaarioissaan (inessive plural)
alttoaarioissansa (inessive plural)
alttoaariastaan (elative singular)
alttoaariastansa (elative singular)
alttoaarioistaan (elative plural)
alttoaarioistansa (elative plural)
alttoaariaansa (illative singular)
alttoaarioihinsa (illative plural)
alttoaariallaan (adessive singular)
alttoaariallansa (adessive singular)
alttoaarioillaan (adessive plural)
alttoaarioillansa (adessive plural)
alttoaarialtaan (ablative singular)
alttoaarialtansa (ablative singular)
alttoaarioiltaan (ablative plural)
alttoaarioiltansa (ablative plural)
alttoaarialleen (allative singular)
alttoaariallensa (allative singular)
alttoaarioilleen (allative plural)
alttoaarioillensa (allative plural)
alttoaarianaan (essive singular)
alttoaarianansa (essive singular)
alttoaarioinaan (essive plural)
alttoaarioinansa (essive plural)
alttoaariakseen (singular translative)
alttoaariaksensa (singular translative)
alttoaarioikseen (plural translative)
alttoaarioiksensa (plural translative)
alttoaariattaan (abessive singular)
alttoaariattansa (abessive singular)
alttoaarioittaan (abessive plural)
alttoaarioittansa (abessive plural)
alttoaarioineen (comitative plural)
alttoaarioinensa (comitative plural)

/ˈɑltːoˌɑːriɑ/

[ˈɑ̝l̪t̪ːo̞ˌɑ̝ːriɑ̝]

(opera) aria for alto (aria written for an alto voice)


桂劇

/ku̯eɪ̯⁵¹⁻⁵³ t͡ɕy⁵¹/

/kʷɐi̯³³ kʰɛːk̚²/

/ku̯eɪ̯⁵¹⁻⁵³ t͡ɕy⁵¹/

/kʷɐi̯³³ kʰɛːk̚²/

Guilin opera (a form of opera popular in Guangxi, especially in Guilin and Liuzhou)


揚劇

/jɑŋ³⁵ t͡ɕy⁵¹/

/jɑŋ³⁵ t͡ɕy⁵¹/


蘇劇

/su⁵⁵ t͡ɕy⁵¹/

/su⁵⁵ t͡ɕy⁵¹/


淮劇

/xu̯aɪ̯³⁵ t͡ɕy⁵¹/

/xu̯aɪ̯³⁵ t͡ɕy⁵¹/


紹劇

/ʂɑʊ̯⁵¹⁻⁵³ t͡ɕy⁵¹/

/ʂɑʊ̯⁵¹⁻⁵³ t͡ɕy⁵¹/


опера-феерия

opera-fejerija (romanization)
опера-феерія (alternative)


demi-caractère

(about a work for the stage or a performer's part in it, dated) Which, in the historical French nomenclature, was halfway between serious (sérieux) and comic (comique); typically, where the protagonists or the plot were not noble enough compared to those derived from mythology or history, but could still convey serious emotions (see for example the 1886 Camille Bellaigue quotation about Bizet's opera Carmen under French demi-caractère)


demi-caractère

→ English: demi-caractère

→ English: demicharacter (calque)

demi- (“demi-”) + caractère (“character”)

af

D'ailleurs porterez-vous Carmen à l'Opéra, sans reconnaître que tout l'en éloigne, ses proportions et son style, même quand il s'élève le plus ? Tous les chefs-d'œuvres ne sont pas de la même taille, et Carmen serait trop au large dans le cadre de Guillaume Tell ou des Huguenots. Voyons donc l'opéra comique de Bizet tel qu'il est : œuvre de demi-caractère et de juste milieu, faite à la mesure et pour la gloire du théâtre où elle est née.

1886, Camille Bellaigue, “Un siècle de musique française”, in Revue des deux mondes, page 193:

By the way, would you take [Bizet's opera] Carmen to the [Paris] Opera, without acknowledging that everything keeps it away from it, its proportions and its style, even when it elevates itself the most? All masterworks are not of the same size, and Carmen would be too much at large in the frame of Guillaume Tell or of Les Huguenots. Let us look at Bizet's comic opera as it is: a work of demi-caractère and just middle, made to the measure and for the glory of [the Opéra-Comique] where it was born.


ओपेरा

hi-noun

ओपेरा • (operā) m

operā (romanization)
ओपेरा (direct singular)
ओपेरे (direct plural)
ओपेरे (oblique singular)
ओपेरों (oblique plural)
ओपेरे (singular vocative)
ओपेरो (plural vocative)


गीतिनाट्य

गीतिनाट्य • (gītināṭya) m

gītināṭya (romanization)
गीतिनाट्य (direct singular)
गीतिनाट्य (direct plural)
गीतिनाट्य (oblique singular)
गीतिनाट्यों (oblique plural)
गीतिनाट्य (singular vocative)
गीतिनाट्यो (plural vocative)
गीति-नाट्य (alternative)

गीति (gīti, “lyric”) + नाट्य (nāṭya, “drama”).


اوپه‌را

head

اوپهرا • (opera)

ota-noun

اوپهرا • (opera)

اوپهرا (canonical)
opera (romanization)
اوپارا (alternative)
اوپرا (alternative)
اوره (alternative)

Turkish: opera


गीतिनाटक

hi-noun

गीतिनाटक • (gītināṭak) m

gītināṭak (romanization)
गीतिनाटक (direct singular)
गीतिनाटक (direct plural)
गीतिनाटक (oblique singular)
गीतिनाटकों (oblique plural)
गीतिनाटक (singular vocative)
गीतिनाटको (plural vocative)

गीति (gīti, “lyric”) + नाटक (nāṭak, “drama”).

af

आप “गङ्गा” नामक एक संस्कृत ओपेरा (opera, गीतिनाटक) का निर्माण कर चुके हैं, जो संभवतः संस्कृत में प्रथम ओपेरा है।

2023 November 17, Nityānanda Miśra, Twitter, archived from the original on 05 Jan 2024:

āp “gaṅgā” nāmak ek sanskŕt operā (opera, gītināṭak) kā nirmāṇ kar cuke ha͠i, jo sambhavtaḥ sanskŕt mẽ pratham operā hai.


喝吆號

/hua(ʔ)³²⁻⁵³ iu⁵³⁻⁴⁴ ho²²/

/hua(ʔ)³²⁻⁵³ iu⁵³⁻⁴⁴ ho²²/

(Hokkien, theater) to sing an accompaniment (in some Chinese operas)


唱戲

/ʈ͡ʂʰɑŋ⁵¹⁻⁵³ ɕi⁵¹/

/t͡sʰœːŋ³³ hei̯³³/

/t͡sʰieu⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/

/t͡sʰĩũ⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/

/ʈ͡ʂʰɑŋ⁵¹⁻⁵³ ɕi⁵¹/

/t͡sʰœːŋ³³ hei̯³³/

/t͡sʰieu⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/

/t͡sʰĩũ⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/


teach ceoldráma

head

teach ceoldráma m (genitive singular tí cheoldráma, nominative plural tithe ceoldráma)

tí cheoldráma (genitive singular)
tithe ceoldráma (nominative plural)
teach ceoldráma
theach ceoldráma
dteach ceoldráma


生角

/ʂɤŋ⁵⁵ t͡ɕy̯ɛ³⁵/

/ʂɤŋ⁵⁵ t͡ɕy̯ɛɻ³⁵/

/ʂɤŋ⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/ʂɤŋ⁵⁵ t͡ɕy̯ɛ³⁵/

/ʂɤŋ⁵⁵ t͡ɕy̯ɛɻ³⁵/

/ʂɤŋ⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

(opera) sheng (a male role in Chinese opera), especially laosheng


hát tuồng

[haːt̚˧˦ tuəŋ˨˩]

[haːk̚˦˧˥ tuəŋ˦˩]

[haːk̚˦˥ tuəŋ˨˩]

hát (“to sing”) + tuồng (“look, appearance”).

com

classical Vietnamese opera (a form of Vietnamese theatre)


hát chèo

[haːt̚˧˦ t͡ɕɛw˨˩]

[haːk̚˦˧˥ t͡ɕɛw˦˩]

[haːk̚˦˥ cɛw˨˩]


áras ceoldrámaíochta

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áras ceoldrámaíochta m (genitive singular árais ceoldrámaíochta, nominative plural árais ceoldrámaíochta)

árais ceoldrámaíochta (genitive singular)
árais ceoldrámaíochta (nominative plural)
áras ceoldrámaíochta
n-áras ceoldrámaíochta
háras ceoldrámaíochta
t-áras ceoldrámaíochta


ceoldrámaíocht

ceoldrámaíocht f (genitive singular ceoldrámaíochta)

ceoldrámaíochta (genitive singular)
ceoldrámaíocht (indefinite nominative singular)
a cheoldrámaíocht (indefinite singular vocative)
ceoldrámaíochta (genitive indefinite singular)
ceoldrámaíocht (dative indefinite singular)
an cheoldrámaíocht (definite nominative singular)
na ceoldrámaíochta (definite genitive singular)
leis an gceoldrámaíocht (dative definite singular)
don cheoldrámaíocht (dative definite singular)
ceoldrámaíocht
cheoldrámaíocht
gceoldrámaíocht


鳥囝

/t͡sieu⁴⁵³⁻¹¹ ⁽ᵏ⁻⁾yɒ⁴⁵³/

/t͡sieu⁴⁵³⁻¹¹ ⁽ᵏ⁻⁾a⁴⁵³/

/t͡siɐu⁴⁵³⁻¹¹ ⁽ᵏ⁻⁾œ⁴⁵³/

/t͡sieu³³²⁻²¹ ⁽ᵏ⁻⁾ĩã³³²/

/t͡siəu³³²⁻²¹ ⁽ᵏ⁻⁾ĩã³³²/

/t͡sieu⁴⁵³⁻¹¹ ⁽ᵏ⁻⁾yɒ⁴⁵³/

/t͡sieu⁴⁵³⁻¹¹ ⁽ᵏ⁻⁾a⁴⁵³/

/t͡siɐu⁴⁵³⁻¹¹ ⁽ᵏ⁻⁾œ⁴⁵³/

/t͡sieu³³²⁻²¹ ⁽ᵏ⁻⁾ĩã³³²/

/t͡siəu³³²⁻²¹ ⁽ᵏ⁻⁾ĩã³³²/

(Xianyou Puxian Min, opera) female role (in Chinese opera)


莆仙戲

/pʰu³⁵ ɕi̯ɛn⁵⁵ ɕi⁵¹/

pou² seng¹ hi⁴ [Phonetic:pou⁵ leng² ngi⁴]

/pʰɔu¹³⁻¹¹ ^((ɬ-))lɛŋ⁵³³⁻¹³ ⁽ʰ⁻⁾ŋi⁴²/

/pʰɔu²⁴⁻²¹ ^((ɬ-))lɛŋ⁵⁴⁴⁻²⁴ ⁽ʰ⁻⁾ŋi⁴²/

/pʰu³⁵ ɕi̯ɛn⁵⁵ ɕi⁵¹/

/pʰɔu¹³⁻¹¹ ^((ɬ-))lɛŋ⁵³³⁻¹³ ⁽ʰ⁻⁾ŋi⁴²/

/pʰɔu²⁴⁻²¹ ^((ɬ-))lɛŋ⁵⁴⁴⁻²⁴ ⁽ʰ⁻⁾ŋi⁴²/

(opera) Puxian opera (a variety of Chinese opera)


興化戲

ㄒㄧㄥ ㄏㄨㄚˋ ㄒㄧˋ

ㄒㄧㄥ ㄏㄨㄚˋ ㄒㄧˋ

/ɕiŋ⁵⁵ xu̯ä⁵¹⁻⁵³ ɕi⁵¹/

hing¹ hua⁴ hi⁴ [Phonetic:hing² ngua¹ i⁴]

/hiŋ⁵³³⁻¹³ ⁽ʰ⁻⁾ŋua⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/

/hiŋ⁵⁴⁴⁻²⁴ ⁽ʰ⁻⁾ŋua⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/

/ɕiŋ⁵⁵ xu̯ä⁵¹⁻⁵³ ɕi⁵¹/

/hiŋ⁵³³⁻¹³ ⁽ʰ⁻⁾ŋua⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/

/hiŋ⁵⁴⁴⁻²⁴ ⁽ʰ⁻⁾ŋua⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/

(opera) Hinghwa opera (a variety of Chinese opera)


倒板

/tɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

daoban (beat pattern used in traditional Chinese opera)


導板

/tɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/


神功戲

/ʂən³⁵ kʊŋ⁵⁵ ɕi⁵¹/

/sɐn²¹ kʊŋ⁵⁵ hei̯³³/

/ʂən³⁵ kʊŋ⁵⁵ ɕi⁵¹/

/sɐn²¹ kʊŋ⁵⁵ hei̯³³/

(religion, chiefly Hong Kong, Macau) opera performed as an offering to deities on special occasions


青衣旦兒

/t͡ɕʰin⁵⁵ i⁵⁵ tɚ²¹³/

/t͡ɕʰin⁵⁵ i⁵⁵ tɚ²¹³/

(Chengdu Sichuanese, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


武淨

/u²¹⁴⁻²¹ t͡ɕiŋ⁵¹/

/u²¹⁴⁻²¹ t͡ɕiŋ⁵¹/

(opera) martial jing (a painted face male role that performs acrobatic fighting)